Apresentando Baden Powell E Seu Violão
Recorded in Rio de Janeiro in 1959 and originally released on Phillips in 1960, this was Baden Powel's debut album. Baden Powel has been one of the most celebrated figures in Brazilian music. A technically proficient guitarist and highly sophisticated composer who managed to integrate classical techniques with both popular and Jazz harmonies. Backed here by Monteiro De Souza's orchestra, Powell displays fascinating renditions of tunes from the American songbook such as "Stella by Starlight", "My…
Meu Balanço
This one takes us back! We originally reissued Waltel Branco's 'Meu Balanço' in 1995, it was one of the first releases to come out on Mr Bongo. It is a much-requested title with original copies becoming ever more-scarce and the price tag increasingly rising, so it feels fitting to present this stunning record once again for all to enjoy. Waltel Branco was born in Paranaguá, Brazil in 1929 and died in Rio de Janeiro in 2018. During his triumphant career he accumulated an impressive musical portfo…
Perfeitamente, Justamente Quando Cheguei
Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando Cheguei' has to be up there as one of the finest Brazilian-psych-folk-MPB records we know. Unfortunately, it's very hard to find in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag. This highly sought-after rarity was released on the Brazilian label Tapecar Records in 1972 and is the one and only album by the sensational pairing of Rubinho and Mauro Assumpçã…
Carolina
Carolina is the Brazilian virtuoso Seu Jorge's debut full-length album from 2002. Originally released under the title ‘Samba Esporte Fino’, its release and subsequent international acclaim dovetailed with Seu Jorge’s ascent into movie stardom. He is probably best known outside of Brazil for his work on Wes Anderson’s 2004 film 'The Life Aquatic with Steve Zissou’, in which he played a starring role and his Portuguese covers of David Bowie records were a highlight of the soundtrack. Having initia…
Correio Da Estação Do Brás
A fluid, low-key effort, with less of the challenging, music box melodies of his earlier efforts. This is a record which eases its way past your ears (and I mean that in a good way!) It’s not sappy or unchallenging, but it is a lot smoother and less overtly avant than the stuff David Byrne loves so much.” – slipcue.com
Tom Zé began his career together with Caetano Veloso, Gilberto Gil, Gal Costa, and Maria Bethânia. As a composer, he influenced Caetano and many others and delivered an expressive…
Se O Caso É Chorar
"Wonderful 70s work from Tom Zé! The record's a bit more straightforward than some of his other records from the decade, and has a number of tracks with a samba sound at the base – but there's more than enough fantastic material to keep the record fresh, and Tom's writing is as great as ever. There's a vocal group that sings with Zé on many of the tracks on the record – but they also seem to sometimes act as a Greek chorus, in response to breakaway vocal passages that are dominated by Zé. The wh…
Jaime & Nair
Vampisoul present a reissue of Jaime & Nair's self-titled album, originally released in 1974. Loaded with an exquisite quality, marked by all good aspects the Brazilian popular music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that -- at that same moment -- had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsid…
Raga na Amazonia
Lucky restock! "It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment. Her talent and dedication brought her to work alongside eminent 20th-century music masters such as Igor Stravinsky, Oliver M…
Os Brazões
*2022 stock.* Rare and highly sought after in its original format, Os Brazoes self-titled album was originally released on RGE Discos in 1969. It is a psychedelic masterpiece that fuses samba, r’n’b and rock ’n’ roll influences using fuzz guitars, synths, percussion, lush vocals and effects.
Os Brazoes formed in Rio de Janeiro in the late 1960’s. They backed Gal Costa during her Tropicalia period, yet apparently never recorded in the studio with her. Miguel de Deus, the bands front man, recorded…
Sambadi
*2022 repress* Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from a musical family (his dad and older brother are musicians) he started playing and listening to music very young. At the age of 13, he was also playing professionally already. After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and keyboards, expanding his musical range of skills. At the same time he started a project called Du …
Leaf-Playing In Quito, 1960-1965
Tip! *In process of stocking.* The out-of-this-world recordings of Dilson de Souza, leading a kind of tropical chamber jazz on leaves from a ficus tree. Dilson was from Barra do Pirai, in the Brazilian countryside; moving to Rio as a young man, where he worked in construction. He recorded his first record in 1954, for RCA Victor. He travelled to Quito around 1957, soon hooking up with Benitez & Valencia, who introduced him to the CAIFE label. Dilson played the leaf open, resting on his tongue, h…
Brazilian Classics
Dorival Caymmi was a Brazilian singer, songwriter, actor, and painter active for more than 70 years beginning in 1933. He contributed to the birth of Brazil's bossa nova movement, and several of his samba pieces, such as "Samba da Minha Terra", "Doralice" and "Saudade da Bahia", have become staples of música popular brasileira. Equally notable are his ballads celebrating the fishermen and women of Bahia, including "Promessa de Pescador", "O Que É Que a Baiana Tem?", and "Milagre". Caymmi compose…
The Incredible Nana with Agustín Pereyra Lucena
*2022 stock* Often missing in Naná Vasconcelos' discographies, this is in fact the first recorded work to his name, one year before recording for Pierre Barouh's Saravah label in France the records that introduced him to a wider audience. Offering an early glimpse of his unique approach to music, The Incredible nanà features the first recorded version of "Concerto pra Mae Bio", a composition Naná redid for his ground-breaking album Africadeus, which effectively appointed him as the world's most …
No Sub Reino Dos Metazoários
Another incredibly original album from the Solar/Rozenblit catalogue, this features the fabulous trio of Lula Cortes, Marconi Notaro and Ramalho. With Lula Cortes at the controls, writing, playing and illustrating the album cover. Soon after recording the classic album ‘Satwa’ (MRBLP083), Lula was back in the same Recife studio with his friend, the cult poet and writer Marconi Notaro to lay down another equally magical album.
This joyous masterpiece stands musically somewhere between the Lula Co…
"O Bidu" Silencio No Brooklyn
*2022 repress* O Bidú: Silêncio no Brooklin is the fifth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with Brazilian rock band The Fevers as Ben's backing musicians and released in 1967 by Artistas Unidos, a small-market record label based in São Paulo.
The album was recorded while Ben was living in Brooklin, a neighborhood of São Paulo with Erasmo Carlos. Its title is a reference to a car that Ben owned at the time and the subtitle is a joke on a neighbor…
Fragmentos da Casa
Brazilian percussion is a universe apart. The fusion of African and Brazilian cultures and rhythms has generated many talented musicians who have gone deep into Brazilian roots to search for its essence and thoroughly research all of our diversity. Many of the percussionists have been transformed into an "export products” worshiped worldwide: Airto Moreira, Naná Vasconcelos, Djalma Corrêa, Fernando Falcão, Pedro “Sorongo” Santos and Marco Bosco, among many others.
Marco Bosco started his perso…
Guilherme Lamounier
Considered one of the masterpieces of seventies psychedelic, his second album, released in 1973, is the result of a partnership with Tibério Gaspar (author of: "Sá Marina", "BR-3" and "Teletema"). The album was recorded at Rádio Gazeta Studios in São Paulo, with the participation of musicians already known as: Wagner Tiso on synthesizer, Luiz Claudio Ramos on arrangements and conducting, Lanny Gordin on guitar, Oberdan Magalhães on flute and Guilherme himself playing guitar and piano. Guilherme …
Som
Persona's "The Game of Changes" was created by artist Roberto Campadello in the early 1970s. The game consists of a semi-reflective mirror, two candles and a 10" record (now an expanded LP). This game of light, shadow, reflection and transparency, allied to an immersive soundtrack, causes the players' faces to merge and create a new creature with each movement, where there is no longer you or me, only You. To compose the soundtrack Roberto invited Luiz Carlini, who called his partners from Tutti…
Flor Lilás
As long - time fans of this sublime four-track compacto 7" by the illustrious Brazilian duo Luli Lucinha e O Bando, we have floated the idea of reissuing this beauty for several years now. So finally, the time feels right to release this beloved gem back into the world. Originally issued on Som Livre Records in Brazil in 1972, this rarity has long been lost to only but the most hardened Brazilian record collectors and those lucky few who own an original copy. The four genre-defying compositions …
Canto Aberto
Everaldo Marcial aka Évé, born in 1951 and raised in Sao Paulo, fled the Brasilian dictatorship in 1974 to settle in France. Canto Aberto, originally released on the Free Lance label in 1979, is his one and only sought-after recording, made before he moved to the US in the early 80s and decided to quit music. Recorded with Parisian musicians, noteworthy fellow expatriate Manduka on one song and the African-American saxophonist Bruce Tobe Grant as musical director, the music of Évé will please fa…