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Cezary Duchnowski, although perceived as a specialized composer with consciously chosen specialization, is very open to extremely versatile activity in the musical field. Apart from absolute music, he’s also keenly interested in relations between music and the word, music and theatre (or rather performance art) as well as visual arts in the wide sense. What he aims at with this kind of syncretism is a genuine interaction of various media. In his musical activity, he explores various areas of the…
Aleksandra Gryka is undoubtedly one of the most enigmatic and fascinating figures of the young generation of Polish composers. She does not comment on her works, does not give interviews, and does not provide critics with an insight into her scores (which even causes the occasional international scandal). She is also mysterious in her music: her works are like planets with their own atmosphere and laws. The narrative is usually torn, fragmentary and always incom plete, it leaves the listener uns…
Tombstones is a collection of twenty songs composed by American composer Michael Pisaro-Liu between 2006 and 2010, journeying into experimental pop with pieces that are "experimental or indeterminate but still a song". This disc features eleven songs under the artistic direction of the Lille-based pianist Barbara Dang. Dang and six members of the Muzzix collective (Yoann Bellefont, Ivann Cruz, Raphaël Godeau, Peter Orins, Christian Pruvost, Maryline Pruvost) recorded the pieces in June 2020, wit…
l'infini des possibles is a set of twelve studies for solo piano, written by French composer Bruno Duplant in 2019. The score consists of lowercase letters (a, b, c, d, e, f, g) and spaces in between, which leaves the pianist an openness for interpretation and artistic determinations. The Belgian pianist/conductor Guy Vandromme intensely studied these 12 pieces via in-depth discussions with Duplant over two years, and realized them for this recording of a double CD in the spring of 2021, on a St…
* In pocess of stocking * In Better Shape Than You Found Me is a one-hour piece jointly composed and realized by American composer/violist Jordan Dykstra and Dutch composer/musician Koen Nutters in the year 2020. Dykstra plays viola, pitch pipe, crotales, piano EBow, electronic programming, field recordings, and Nutters delivers the piano programming and field recordings. The two bring together their sounds and structures in very organic ways, merging into a single, intriguing sound world. Maste…
Peter Ablinger is one of home composers of GOD Records. His cult releases GODrec "Regenstücke 1 and 2" and "Voices and Piano" (GOD 08, 18 and 34 respectively) are part of every serious record collection around the globe. With "Orchesterstücke" Ablinger finally delivers some of his remarkable orcestra pieces in last ten years. Release contain three Ablinger's orchestra pieces, "Quartz", "Wachstum, Massenmord" and highly controversial piece "4 Weiss", for orchestra and white noise - the piece th…
The first woman to record Frederic Rzewski's setting of Oscar Wilde's De Profundis, Bang on a Can/Steve Reich pianist Lisa Moore sheds powerful new light on Wilde's jailhouse meditation on imprisonment, debasement, and the barriers that he faced as a homosexual. Rzewski, a revolutionary American composer with associations in both the modern classical and avant-jazz worlds, has created an aggressively emotional soundtrack to Wilde's moving prose. De Profundis breaks down the boundaries between …
Neuma presents the complete recordings of Roger Reynolds’s "imAgE" series (2007-2015). The series features six pairs of comparatively short, related works that showcase several solo instruments: flute; viola; cello; contrabass; piano; and guitar. Each pair, composed for the same instrument, represents opposing ideas- the first is evocative, and the second is more articulate and punctuated. All works were composed for the performers on the album.
Fairy tale opera has been a challenging genre for composers, with even some of the musically most successful examples, like Humperdinck’s Hansel and Gretel of 1893, more often presented for children than for adults. Scott Wheeler’s (b. 1952) Naga, working from a text that lies between fairy tale and mythology, stands much closer to Mozart’s marvelous exemplar, The Magic Flute, in its musical account of a restless man setting out on a spiritual quest in a world polarized between good and evil for…
Occam Ocean 3 is an exceptional project, the result of collaboration between Eliane Radigue, French composer, pioneer of the exclusive use of continuous sounds, and three string instrumentalists, Julia Eckhardt, Silvia Tarozzi and Deborah Walker. Composed in Paris, the 3 pieces of this record were recorded in September 2019 at the Abbazia di Santa Maria Assunta, Monteveglio (Bologna) in Italy
Éliane Radigue stopped producing electronic music and began creating collaborative works with instrument…
When a twenty-minute piece takes two weeks to rehearse is an audience robbed of some of the richness of their experience by not witnessing that creative journey? For 48 Hours, Vonnegut Collective worked collaboratively with composer Tullis Rennie. Together they documented the trajectory of the rehearsal process and the motivations of the performers as the group tackled their most challenging work to date - Thomas Adès’s Piano Quintet. Recordings from rehearsals and interviews with players are wo…
This release documents Roger Reynolds’ most recent string quartets in composer supervised first recordings by the acclaimed JACK Quartet. “Flight”, commissioned by Jack Quartet, arose from a collaborative process lasting almost five years. Its four movements reflect upon the stages of humanity’s aspirations for flight. Of “not forgotten” Reynolds writes: “As the years pass, one notices that certain elements in one’s days have unusual persistence in the mind. Such elements may involve individua…
“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote Sorites to compliment Iannis Xenakis’ Persephassa and Alcides Lanza wrote mnais mnemes to compliment his own earlier composition sensor VI. In both cases, the composers were asked to use the identical setup and notational…
As the title and subtitle imply, this is a kind of greatest-hits album, with music selected by ECM label producer Manfred Eicher from the 12 albums on the label devoted to the music of Arvo Pärt. Pärt's music is so malleable that people tend to make their own versions of it rather than collect it, but if you wanted an anthology as a starter box, this would be the one to choose. Eicher has worked closely with Pärt since the 1980s, and he has indeed made a sensible "sequence" out of works that do …
The 1984 ECM album Tabula Rasa was the vehicle that introduced the revolutionary music of Arvo Pärt to audiences outside Eastern Europe and initiated what was to become one of the most extraordinary musical careers of the late 20th century. Like many of the first generation American minimalists, he limited himself to diatonic harmonies and generated pieces by setting processes in motion, but the radical simplicity he achieved was the result of religious contemplation that was at least as, if not…
* 2021 stock * Steve Reich's landmark Music for 18 Musicians is perhaps Steve Reich’s most popular, if not most important, piece of music. Defining characteristics of Music for 18 Musicians piece include an ethereal, trance vibe, pulsating bass clarinets, a consistent beat, and slowly developing chord progressions unfolding over the length of approximately one hour. Steve Reich’s genre-defining minimalist compositional tool, phasing, is demonstrated in full force here. We will dive deeper into …
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwell, Breton, Duchamp, Ernst, Man Ray, Tanning and other leading surrealists.Cage contributed a painting entitled “Chess Pieces”. It was purchased at the show and went into a private collection. For decades it was deemed lost and was (almost) forgotten…
Roger Reynolds’ (b.1939) music is a bit of a paradox: intimate in detail, while on a broader scale it is epic. It fits well with the music of his friends: Toru Takemitsu and Iannis Xenakis. The three works on this disc were composed over a four-year period (1987-1990). All are first recordings, and the first complete disc of Reynolds’ orchestral music. Symphony[Myths], dedicated to Takemitsu, is for large orchestra: woodwinds in fours, piano, harp and an extended percussion section. It is see…
A Flower; The Wonderful Widow of Eighteen Springs; 51’15.657” for a speaking percussionist (realization Whiting); Music for Two (By One) (realization Whiting) — Bonnie Whiting, voice & percussion + Allen OTTE/John CAGE: Connecting Egypt to Madison through Columbus Ohio, Cage, and the History of the American Labor Movement (realization Otte) — Allen Otte, voice, prepared piano, percussion. It includes full video and 48khz/24-bit PCM audio + 73 minute video interview with Whiting and Otte, discuss…
An indefinite, open-ended composition of short sections that allows the performer to decide what and when to repeat or to go on to the next phrase is not new. Terry Riley's In C is the milestone score of decades ago. Slow, prolonged, quasi repetitive and contemplative works in the Western classical style are also familiar though the scores of Morton Feldman, John Adams, Brian Eno, John Luther Adams, and Gavin Bryars. Thus, Marc Chan's piano piece, My Wounded Head 3, inspired by Bach's Passion Ch…