Zamat
Three recent chamber works by the highly-regarded Slovakian composer Adrián Demoč. The title track 'Zamat' is a 10-minute quartet for clarinet, bass clarinet and cello, which uses slightly asynchronous Korean unisons throughout. 'Gebrechlichkeit' is a 25-minute string quartet., „...o protón jasu...“ is a new work lasting 30 minutes for two clarinets, viola and cello, commissioned by Another Timbre for this album.
Dawnings
A double album with 5 major new works by the brilliant young composer Eden Lonsdale.
Disc One contains three pieces played by Apartment House:'Aurora' for solo cello'Dawnings', a 32-minute duet for clarinet and piano& 'Cloud Symmetries', a 34-minute piece for four violins, commissioned by Another Timbre
Disc Two contains concert recordings of two long works for larger ensembles:'Constellations' played by Oerknal at the Gaudeamus Music Week, 2023and 'Shedding', a piece for seven violas, commissio…
Ongaku No Aru Fuukei
“Dead of winter, a hidden chapel, silent prayers echoing.” We first introduced Haruka Nakamura’s first full-length piano-based album ‘Twilight’ in 2010. The studio-recorded album was extolled and acclaimed by fans and critics alike in Japan. Building on the strengths and success of its predecessor, haruka nakamura returns with this one, a 2 CD 106 minutes collection entitled ‘Ongaku no Aru Fuukei’ (English Translation: Music with scenery). Recorded at concert hall ‘sonorium’ in Tokyo, the album …
Connections (1970-1974)
Formed in Cambridge in 1969 by Tim Souster and Roger Smalley, Intermodulation started out as a 4 piece group with the addition of Robin Thompson and Andrew Powell (who soon moved on to other Cambridge projects, including a pre Chris Cutler Henry Cow). Powell was replaced by Peter Britton, and this incarnation of the group remained for the duration of their existence.
Having releasing a box set of works by Gentle Fire it felt necessary to do the same with Intermodulation and thus complete the ot…
Sounding Numbers
Miguel Angel Crozzoli’s album "Sounding Numbers" explores the intersection of climate data and music. This album features two compelling works: I Am the Forest and I Am the Ocean, both born from transforming scientific data on deforestation and ocean contamination into sound. Through innovative sonification techniques and a blend of electronic and acoustic instrumentation, Crozzoli creates immersive soundscapes that resonate emotionally and inspire action against climate change. Let the haunting…
String Quartets Extended
This album presents the innovative works of Gabriel Iranyi composed between 2012 and 2022. It includes two string quartets and their unique extensions with human voice and the Chinese mouth organ sheng. Iranyi’s compositions explore profound musical spaces and subjective experiences. The album features the intense String Quartet No. 4, the intricate String Quartet No. 5, the emotive Four Love Poems by Paul Celan for soprano and quartet, and the captivating quintet for sheng and string quartet Th…
Polytempo Music
Other Minds is pleased to present Polytempo Music, a new recording by American composer Brian Baumbusch with the San Francisco Contemporary Music Players. Polytempo Music draws influence from Indonesian gamelan music and minimalism, with their interlocking rhythms, stable harmonies, and kaleidoscopic instrumental colors. Conceptually, it also owes a debt to Conlon Nancarrow's rhythmic experiments. Building on those foundations, Baumbusch invites us to explore an advanced heterophony—multiple ins…
Since When Has The Bright Moon Existed?
Chinese-American composer Kui Dong draws inspiration from old forms, employs unusual instrumental combinations, and even commingles four languages within her compositions on this collection of world premiere recordings. The major work Shui Diao Ge Tou and Song is performed brilliantly by San Francisco’s adventurous choir Volti, led by conductor Robert Geary, who also presents the heartfelt Let Frogs and Crickets Carry It On with the Piedmont Children’s Choir. Pianists Sally Pinkas and Evan Hirsc…
another
Composed by Stefan Thut in 2021Written for Joseph Kudirka's collection of music for music boxlater the score has been read in various other ways
Side a was recorded by Jaike Stambach in Berlin in May 2022.Joseph Kudirka: music box
Side b was recorded by Stefan Thut in Solothurn in May 2023Cristián Alvear: guitarChristian Kobi: soprano saxophoneJoseph Kudirka: synthesizerStefan Thut: celloMara Winter: flute
Portals
Felipe Lara’s music is a whirlwind of energy and motion, characterized by large, expressive brushstrokes that leave palpable traces. His works are in constant flux, pulsating with spectral harmonies and iridescent surfaces. This album includes the three ensemble works Chambered Spirals, Fringes and Ventos Uivantes, as well as Injust Intonations, a reflective solo piano piece. Each composition showcases Lara’s unique ability to combine intricate textures with dynamic, expansive gestures to create…
Assemblage
George Lewis (b 1952) combines an astonishing level of creativity with trenchant critiques of many traditional conceptions about experimental music. The four compositions on this album reference a wide range of ideas, from rhetoric in Ancient Rome to actor network theory, and the album's eponymous composition finds its grounding in the concept of the "assemblage," (or agencement in French) a pragmatic, material, non-teleological approach to composition. Among the album's compositions, Mnemosis (…
Long Piano
The melodic and, in the case of the solo piano music, timbral materials from which Christian Wolff's (b 1934) music is made are rarely unusual; these are ordinary, everyday things. However, Wolff's rhythmic invention is of great range and variety: complex polyrhythms, speech-like-rhythms, the music flowing at a freely fluctuating rate or proceeding in a plain, straightforward manner, silences. This mix of unusual and ordinary results in a music unlike any other. And, in a piece of such length as…
Dialogues and Contrasts / Colloquy
The title Dialogues and Contrasts describes the nature of the exchange which takes place between the performer and the materials committed to tape. In the first movement the exchange is more in the nature of an argument. Though initially each side appears to favor an independent thematic course, as the movement progresses the performers engage in direct response to the statements on tape. The second movement is more subdued and reflective, with many solo passages, particularly from the French ho…
Lower Limit
The immersive sonic textures that characterize Michael Winter's (b 1980) music are crafted from comprehensive lists of data, with each composition encompassing a musical question that is addressed algorithmically. A performance lasts for as long as it takes to "answer" the question, expressing all results as efficiently as possible. Winter leaves room for unanticipated results by keeping things open, notably in the instrumentation, which, rather than specifying instruments, tends to designate ce…
Musing And Reminiscence
Ezra Sims (1928-2015) was known mainly as a composer of microtonal music. Surrounded by world-class performers who championed his music, he produced a large number of chamber and solo, choral, and two orchestral works. With his unwavering commitment to his unique vision, he made an enormous contribution to modern music. This retrospective spans his entire career, almost fifty years of compositional activity, and is an excellent introduction to his very distinctive sound world. Sims’s lyricism an…
Sonatas
Lejaren Hiller (1924-1994) is, understandably, best known for his computer-assisted compositions and works utilizing electronics. The three pieces included in this collection span a crucial fifteen-year period in Hiller's career. The first was written two years before Quartet No. 4 for Strings, The ILLIAC Suite. The second work was written three years into his time as a music professor at the University of Illinois, while the final sonata in this collection was written during his second year at …
Io
Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere points of interest. He was a profound and original musical thinker who embraced the expressive possibilities of all music, from the Western classics and moderns of his own early education to Indian and Balinese traditions and all manner of contempor…
Outlines of the Night
Elusive and illusory, Age Veeroos’ music captures a unique tension between focus and ambiguity. The album "Outlines of the Night" presents compositions in which, for example, violin and electronics, as in Schattenseele, evoke corresponding sensations of a “shadow soul” through obsessive, circling motifs. In Keha for bass clarinet, physical and biological processes are musically embodied, oscillating between registers. Fantasia “A Threadbare Chant” and Ma olen suur kuu su silmapiiril further demo…
Duo, Fives, Quintet, Trio
Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere points of interest. He was a profound and original musical thinker who embraced the expressive possibilities of all music, from the Western classics and moderns of his own early education to Indian and Balinese traditions and all manner of contempor…
Clusters: American Piano Explorations
Rory Cowal is a distinctive pianist, one who draws liberally on classical chops, ample experience with improvisation, and a predilection for the new and uncharted. This makes him especially attractive to composers who wish to blur the boundaries between traditional styles and genres. A musical adventurer at heart, Cowal seems drawn to challenging and unusual projects. The eight pieces on this CD reflect this willingness to experiment, to not just play the same old (now canonic) warhorses of the …