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2011 release **
"Shepard, in 2005, set himself the task of hiking 250 miles across Switzerland, composing a new piece each day (performing it as well, in some public setting). Six of these works are collected here, performed by various Wandelweiser-involved folk. The music has an aura of folk song to it, however attenuated, heard clearly in Christian Wolff's melodica rendition of "Crêt de la Neuve, le 20 juillet 2005" with it's gentle ups and downs, similarly the second brief track with Katie Po…
2014 release **
"Shepard walks around, often traveling impressive distances, and composes music, generally playing on route. I had previously heard the excellent documentation of his perambulation through Switzerland in 2005, "On Foot", but in 2012, he chose to navigate far more dangerous territory, namely Brooklyn, doing so for thirteen weeks, penning a composition per week and organizing on-site performances of same by varied musicians which are heard here, usually along with the environmental…
2018 release **
"Two versions of Cage's 'One' and one of his 'One5' performed by pianist Guy Vandromme. 'One' was written in 1987, a ten-minute long piece for solo piano. Per the Cage Works page, the commentary is: "This work comprises 10 systems of piano chords, varying in dynamics, selected by chance. Each system is roughly 1 minute long, and all but one is flexible. Each system contains 2 sets of chords. The order of each set is maintained, but the relationship between the two sets of chords …
2016 release **
"In the early days of Wandelweiser records, a disc of music by the forgotten composer Herman Van San extended the label’s scope and helped to cement its aesthetic. He was composing long before there was a Wandelweiser group or label, but his outsider static and innovative music was a perfect fit. This disc of music by the all but unknown Mikheil Shugliashvili achieves a similar purpose. Born in 1941, the composer died in 1996, the year of the label’s first release, but his radi…
*2025 stock* Born in Athens, Greek composer Zinovia Arvanitidi is best known as one half of the duo Pill-Oh in Vanishing Mirror as well as her debut solo The Gift of Affliction. Zinovia returns with her first solo piano album titled Ivory, and like its precursors, further highlights her mastery in crafting piano ambiances of austere beauty and melancholia, led by mesmerizing melodies and evolving cinematic textures. Fully self-produced, the now France-based composer navigates through her own tim…
The album Nagual by Matt Choboter is a sonic ritual that dissolves the boundaries between composition and improvisation, tradition and innovation. Drawing on just intonation, Balinese tuning systems, and South Indian rhythmic theory, Choboter and his ensemble craft a vivid, shape-shifting musical world—at once ancient and otherworldly. Nagual resists the comforts of familiar forms, embracing ambiguity, sensory multiplicity, and intuitive collective listening. This music does not follow a path—it…
EM Records is proud to present 8 Automated Works, the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic …
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Thanatosis Records is proud to announce the release of Fuse Modulations, the latest work by Norwegian composer and guitarist Fredrik Rasten, performed by the innovative quartet Asterales.
Tip! Remarks on Process was recorded in May 2024 at Westbahnstudios Vienna. The project was a week-long performance workshop led by Mark Fell with members of the Austrian ensemble Studio Dan. Throughout the week, procedural systems were developed to explore group behaveiours and emergent musical aesthetics. This led to a performance on the evening of the final day which is excluded here. Each day was recorded in its entirety and this cassette contains edited excerpts from the sessions in chronol…
Veiled Erosion, the debut album by Anqi Liu, invites listeners into a world of spectral nuance, cultural memory, and fragile connection. Her music breathes through thresholds—between noise and tone, breath and bow, self and other. In the closing Etude for Friends, Liu renders friendship as a sonic practice: intimate, unstable, and quietly transformative. Drawing from Mongolian long song and microtonal chamber traditions, she composes sound as a site of listening, learning, and being-together. Ve…
Rispecchiato in quarzo, Dal nero immenso, lèvita, and Traspare assente albore unfold as structured sequences of transformation—transparent, hypnotic, fairy. Each solo instrument (piano, contrabass clarinet, bass flute) interacts with multi-layered electroacoustic textures built entirely from acoustic sources. These “electronics” remain sensitive and natural, shaped through breath, resonance, and subtle manipulations. An 1876 Steinway, spectral clarinet multiphonics, and whispered flute tones for…
A Bridge Between Spaces traces a decade of Andrew Greenwald’s singular compositional journey—across rigorously constructed sonic terrains and into freer, more intuitive musical dialogues. Drawing from two major violin cycles and culminating in the expansive title work, this album captures a shift from analytical exploration to expressive openness. With sound worlds that feel both extraterrestrial and deeply human, Greenwald’s music invites us into a landscape where metaphors fail and sound speak…
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
1996 release (light storage wear) ** Gianfranco Pernaiachi’s Abendland is a solitary and profound piano solo meditation on sound and silence. The piano hints, rings out and whispers. The sound is crystal clear; essential and like a prism that divides sound into mysterious harmonics and distant resonances. "Abendland“ is a work of great musical poetry, a musical meditation by a composer warranting close attention.
Tip! Frozen Reeds is proud to present Mark Fell’s ‘Psychic Resynthesis’, an instrumental work performed by Explore Ensemble. This double LP, with included digital download, is the label’s 8th release, arriving 13 years after its foundation. Fell is a multidisciplinary artist, composer, and theorist based in Rotherham, UK. Renowned for his rigorous and conceptual approach to electronic music and sound art, his work explores the limits of structure, rhythm, and perception through a blend of compu…
First-time reissue of Willem Nyland's rare private-press piano improvisations. The Dutch chemist-turned-Gurdjieff disciple recorded these spiritual teachings on specially tuned piano in 1960s upstate New York
2019 release ** "Dust is a collection of music for solo violin and electronics. Daniel describes the record as 'a full exploration of the sound world a violin allows. The electronics meld with, lift, surpass and dance around the organic rawness of the strings. The piece is all my years of not conceding or diluting myself to the needs of others, compressed into one long musical expression. It is hope and birth and death and melancholy'. Music by: Valgeir Sigurðsson, Edmund Finnis, Heinrich Ignaz …
Tip! Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic instrumentation, albeit working in collaboration with musicians who are already reconfiguring how those instruments can sound.
Touch This Fragrant Surface of Earth has its roots in a tape piece presented at Lamp…