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2015 release **
"Eleven songs for voice and lute by the Swiss singer and composer Marianne Schuppe. The instrumentation taps a deep historical channel, back to Dowland and beyond. But Schuppe doesn’t pluck her lute. Instead she uses e-bows to turn a melodic accompanying instrument into an environment, an ancient combination updated to reflect a contemporary preference for objects over stories. The songs are simple melodies, sometimes folklike (ballads and laments more than dances), but with word…
*The only edition ever released that has all his piano works collected* The piano has been with Lachenmann almost throughout his composing life of seven decades. Yet the instrument is by no means always the same. Lachenmann’s determination has been to go on finding new possibilities – almost a new voice for the piano in every piece, a voice with which it can speak that piece, as it has not spoken before. Perhaps the Schubert variations of 1956 could be understood as a farewell to traditional pia…
How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Commissioned by ensemble]h[iatus, the piece emerged from extended collaboration between composer and performers, particularly in navigating two specific challenges: the distinctive voice of Thomas Lehn's analogue synthesiser and the relationship between…
How does a composer who spent years immersed in cultural theory and philosophy return to music-making? For Eldritch Priest - known to many through his provocative book Boring Formless Nonsense - the answer involves cultivating a compositional sensibility that appears offhanded while remaining rigorously structured, music that flirts relentlessly with ideas to blur distinctions between trivial regard and focused attention. This release documents three works spanning more than two decades, tracing…
What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroacoustic works - Fluctuating Streams (from The Current Inside, 2019) and Chora (from Vegetal Negatives, 2018) - undergo radical transformation into acoustic versions that stretch, deepen, and reimagine their original forms. Initiated by Blutwurst in 202…
Isabella Gellis’s The Dissolute Society Comprised of All Sorts is a formidable debut for solo piano, performed by Joseph Havlat. Drawing inspiration from Biber’s baroque suite and cannibalizing its gestures, Gellis interweaves the surreal, the silly, and the tactile, forming a musical tapestry that refracts historical tradition through a vividly modern, sometimes absurd lens.
Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
Deluxe 2LP Three-sided with etched artwork on Side 4. Raven Chacon begins by listening. The Diné composer, born in Fort Defiance, Arizona within the Navajo Nation in 1977, describes himself simply as a listener, but the attention he gives to sound encompasses far more than what's immediately audible—it includes what has been deliberately silenced. Yucca Alta Records now presents the first vinyl edition of Voiceless Mass, a three-sided double LP featuring Chacon's 2022 Pulitzer Prize-winning titl…
This hour-long ensemble piece from 2024, recorded in Stockholm, marks the twelfth album by Swedish composer Magnus Granberg on Another Timbre. Granberg, born in Umeå in 1974, studied saxophone and improvisation at the University of Gothenburg and in New York, but is self-taught as a composer. He formed his ensemble Skogen in 2005 to integrate experiences, methods and materials from various traditions of improvised and composed musics into a new modus operandi. Apart from his ongoing work with Sk…
*2025 stock* Renowned percussionist Shiniti Uéno unveil this latest recording project: Music for Percussion Ensemble by Japanese Composers. This remarkable album offers a profound exploration of Japan’s contemporary music landscape, highlighting the diversity, refinement, and innovation that can be found in its modern percussion repertoire.
The recording showcases six visionary composers whose works have shaped and expanded the language of percussion music in Japan: Joji Yuasa, Akio Yasuraoka,…
*2025 stock* A new recording brings together the refined artistry of Japanese composer Jo Kondo, the visionary musicians of Ensemble Nomad, and the distinct pianism of Satoko Inoue in a captivating exploration of sound, texture, and form. Orient Orientation offers a rare and illuminating entry into Kondo’s world, where silence, resonance, and subtle contrasts guide the listener through an intimate sonic landscape.
The album presents works that showcase Kondo’s unique compositional language—mar…
Live recording from the “Yuji Takahashi Piano Recital: Bach and Cage” held at Kanagawa Prefectural Music Hall on 30 May 1974. Originally released on LP in 1977, this work is now reissued on CD and for download. The Cage works include: Cheap Imitation, employing chance operations; Metamorphoses, an early work utilising serial manipulation; and The Seasons, ballet music choreographed by Merce Cunningham expressing India's traditional seasonal perspective. In Bach's Toccata No. 2 in C minor, two di…
Cellular Songs is the first Meredith Monk release with ECM since the extensive box-set Meredith Monk: The Recordings in 2022 and the first recording of new music since 2016's On Behalf of Nature. It is also the second part of an interdisciplinary trilogy of performance works by Meredith Monk that began with On Behalf of Nature, a meditation on the precarious state of our global ecology. Cellular Songs turns attention to the very fabric of life itself, and evokes such biological processes as laye…
2010 release ** ZeitLet is a variable organism with multiple line ups, ranging from small ensembles to the full ten element electric chamber group. The band started as a mixed ensemble with a composer/electronic musician, an electric guitarist and a bass player meeting a flute player, a violinist and a cello player in February 2005. between 2006 and 2007 the project grew bigger, and more articulated. The presence of musicians coming from different backgrounds meant starting a dialogue between t…
2001 release ** "From the G&Ts of 1907 to the Victors of 1927 the troublesome genius of Vladimir de Pachmann lives once again in Arbiter’s well-chosen compilation. His vertiginous rise to fame and his equally precipitate decline are the stuff of legend, no less so than his concert antics, his audience-lecturing and indeed record-buying lecturing (one of the famed "music and comment" discs is included here, a late HMV). Pachmann followed such as Anton Rubinstein as one of the titans of the keyboa…
Felipe Lara’s music is driven by a visceral sense of presence and process. Beneath its notated clarity lies a deep trust in the performers: a shared language built over years of collaboration, where every sound becomes a negotiation between gesture, breath, and form. Lara’s work moves between the intimate and the monumental, but always seeks what lies behind the surface – where structure becomes porous, expression is embodied, and music emerges as a living tension between instability and control…
An Index of Metals, Fausto Romitelli’s final work, is an ecstatic ritual of sound, light, and image—a multimedia opera that fuses electronic music, psychedelic ecstasy, and brutal-poetic texts into an intoxicating sensory flood. Blending techno, pop art, noise, and spectralism, Romitelli propels music theatre into a hallucinatory present: metallic, eruptive, rebellious. The voice is distorted, the image disintegrates, sound becomes palpable material. In this uncompromising fusion of composition,…
Adding to their already singular catalog of releases, Three:Four Records returns with Carnaval 2, a stunning new work by the composer Alessandro Bosetti, performed by pianist Reinier van Houdt. A vividly conceptual and post-modern hybrid, reinterpreting Robert Schumann's Carnaval as a radically reconsidered series of piano and electro-acoustic interludes - forcing the sensibilities and aesthetics of 19th Century chamber music to coexist with those of avant-garde - it's easily one of the singular…
The fourth CD in Zorn’s remarkable series of piano trio recordings exploring classical forms, Nocturnes is an absolute delight. Preceded by Suite for Piano (2022), Ballades (2024), and the Impromptus (2025), Nocturnes is Zorn’s personal take on the beautiful tradition of night music. Touching on Chopin, Scriabin, Debussy, Berg, and more, the music is a wonderland of subtlety—dreamy, drifting, and utterly compelling. Brian, Jorge, and Ches, three of Zorn’s closest and most trusted collaborators p…