The idea for this album began taking shape in 2021 and has slowly evolved into a seven-track snapshot of Juli Deák’s musical world and artistic thinking. Coming from the challenging, refined, and often seemingly flawless sound of classical music, the flutist began redirecting her musical voice toward a much more personal space through experimentation and improvisation. What eventually grew into this project originally began as a handful of unfinished ideas—which only revealed their true meaning …
Two duos with piano by composer Eric Wubbels: Field of Action, made with Charmaine Lee on voice, microphones and electronics, and contraposition for trombonist Weston Olencki and prepared piano.
Tip! *300 copies limited edition* Robert Nasveld (born 1955) studied piano at the Utrecht Conservatory and specialized in the twentieth-century repertoire, with a particular focus on Dutch, Russian, and American music. He thoroughly immersed himself in the piano works of the American composer George Crumb with concerts in Europe, Russia, and the United States. As a composer he also studied electronic music with Ton Bruynèl and recorded a handful of tape pieces which are collected on this LP. The…
*Handmade textile sleeve* British composer Simon Goff interprets space, both within ourselves and the objects that surround us with Interior Realms - vol.1; a wondrous, contemplative work of electronic chamber music. The idea first came from the philosophical idea underpinning the book Interior Realms, published by Theatrum Mundi in 2021. In it, a collection of essays reflects upon architecture’s influence on the human spirit. It challenges us to think not only about music as space, but also abo…
Sarah Saviet [violin] and Joseph Houston [piano] formed their duo in 2019 through a mutual devotion to an intimate, powerful, and transcendental sound language created by the violin and piano. In this album, the Saviet/Houston Duo trace a path through a shifting landscape of melodic contour, with duos by Michael Finnissy, Rebecca Saunders/Enno Poppe, Lawrence Dunn, Iannis Xenakis, and their own collaborative composition. Each work reflects in different ways the intricate contradictions and the p…
Reich's three string quartets on one record for the first time: Different Trains (1988), Triple Quartet (1998) and WTC 9/11 (2010), each setting the live quartet against tape. New readings by New York's Mivos Quartet, made with the composer's involvement.
The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.
Originally released by CRI in 1974 and now reissued on vinyl for the first time by Death Is Not The End, Music by Earle Brown is a concise overview of the composer's landmark early experiments with graphic notation, open form structures and magnetic tape.
Twelve pieces for solo bass clarinet, recorded in Berlin between October 2025 and April 2026. BCDeluxe is the latest in the series of solo albums that Loveland has been quietly building over the last few years, following Mark Turner's We Raise Them To Lift Their Heads, Palle Mikkelborg's Light, and Thomas Morgan's Around You Is A Forest. One instrument, one player, nowhere to hide.
Andrew D'Angelo was raised in Seattle, where he formed the friendships with Chris Speed and Jim Black that would sh…
Mega Tip! Edition of 200 copies, comes with a large illustrated insert. Giuseppe Chiari arrived at music from the wrong direction. He read mathematics and engineering at university and studied piano and composition privately, and it was John Cage who turned him toward experimental music. With Pietro Grossi he founded Vita Musicale Contemporanea, one of the first Italian associations for new music, and with Sylvano Bussotti he assembled the travelling exhibition Musica e segno. In 1962 Frederic …
Dutch Oscillation Series (DOS) proudly announces the release of a box set featuring the complete electronic works of Ton de Leeuw (1926–1996). This publication marks the first instalment in a new series that brings the history of Dutch electronic music to life for a broad audience. The official presentation will take place on Saturday, 12 September, during the Gaudeamus Festival for contemporary music in Utrecht.
Unique discoveries from the archive. For far too long, twentieth-century Dutch elec…
"I remember the first time I sat at a piano, my feet dangling over the edge. As I tested the keys, I felt a wonder and joy at the sound coming out of the instrument. I still feel that joy every time I sit at a piano. In the two drone works in this release: "December" and "Thomas," I was intrigued in the contrast of the rhythm of the hammers striking the strings with the rhythm of the swelling overtones. On "Thomas", the trumpet tones blend and contrast, sometimes revealing the piano, and sometim…
This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible.
Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…
*200 copies limited edition* Michaela Turcerová’s compositions unfold in slow motion. The saxophonist and composer’s glacial music zeroes in on the granularities of each note as it rings, soaking in every subtle shift in texture and pitch. Šumum exemplifies this patient approach to writing music, branching out from themes of loss and togetherness into an intricate tapestry of introspective sound. These four pieces invite deep collaboration between performers, who together shape the music through…
*300 copies limited edition* Combining the lyricism of chamber music, the raw tones of punk and metal, the clarity of post-rock, and the abstraction of electroacoustic music, Dionée offers a unique, cinematic musical journey. The trio, with its colorful instrumentation, delivers with Mille-feuilles an astonishing, orchestral‑sounding work in which oboe, accordion, and electric bass converse with a range of electronic instruments and effects.
Lüüp, the acclaimed international project with collaborations / contributions from musicians from different countries known for blending folk textures with cinematic ambience, releases Meadow Rituals, an expansive 3CD collection that unfolds like a seasonal hymn to nature, memory, and communal ritual. Across three discs, Lüüp weaves delicate acoustic instrumentation, ritualistic percussion, choral textures, and intimate field recordings into a cohesive sonic journey that feels both timeless and …
anabasis (1) is a composition in 72 parts for five musicians, based on four kinds of materials: Sand, Wind, Tone and Wave; these materials are arranged and intertwined with a fifth ‘Interludes’ strand that interacts with the four materials. All of these are then ‘unbound’ over the course of the piece by changing continuity in a variety of ways outlined in the score. This interpretation of the score is a live performance that features prepared reed organ, electromagnetic pick-ups, sand, pedals, D…
The interesting thing about Robert Morris’s (b. 1943) remarkable career as a composer (and a theorist) is how free he is to move from composing works of great rigor with intricate integrity in his use of pitch-class design, to works of sonic beauty to be performed in a natural outdoor environment, to imaginative electronic/computer music, to the music of acculturation. Among the latter, his monumental Carnatic String Quartet is an outstanding example. In his own words: “Carnatic String Quartet (…
In April 2009, Iceland’s neo-classical export Ólafur Arnalds created the 7-song series Found Songs – recording a song a day for 7 days and instantly making each track available via Twitter. With artwork contributions from fans via Flickr, this modern release awakens memories of a tradition that seemed lost in the digital age we live in. Born in 1987, Ólafur hails from the suburban Icelandic town, Mosfellsbær, just a few kilometres outside of Reykjavík. He has immersed himself completely in a wor…
Darla is pleased to offer A Song For Lost Blossoms, a record of ambient melody and transcendental mood portals from minimalist/modernist master Harold Budd and friend guitarist/composer/producer Clive Wright. A Song For Lost Blossoms nicely builds on both artists’ previous ambient work. A Song For Lost Blossoms was recorded live and in studio at different locations including the artists’ homes, at REDCAT (Roy E. Disney Concert and Theater), Los Angeles, and Clive Wright's Desert Sky Studio, Josh…