In the centuries long past, the people of the province of Culhaver used to celebrate their successful harvest of the crops by travelling across Yarrowdale moor to the mountains to give thanks to their god who had sent them rain when needed and sunshi…
Oh yes! The Japanese fantasy-chiptune maniac in Turbografx-16 and SuperNes style called Black Tiger is back with a new, psychedelic album that will unleash your imagination! One of HDK clandestine (and unpaid) collaborator, the fantasy blast-beat aut…
Near a remote village with a not-so-important name lies the entrance to a dungeon, sadly notorious among the local inhabitants. Legend has it that no one has ever come out of it alive. This is the only certain truth; all the rumors about what awaits …
Arriving from the island of Cyprus to the HDK catalog is the Mediterranean dungeon-synth of "Idylls of the Last King." The prolific artist continues his tale of suspended narratives, ancient stones, and echoes of bygone splendor. "A Year at the End o…
Somber, damp, and tactile, the sound emerges slowly—like water timidly seeping through rock, swelling drop by drop into a steady flow: stern drones, buried melodies, and musique concrète chase one another, transforming a sparse landscape into an incr…
Welcome to the second chapter of “Glimpse into Horror,” a journey into the most twisted and bizarre corners of pulp horror. We return to the United States of the early 1950s—the brief but glorious era of horror comics that predated the Comics Code—a …
Third solo album by the Syrian keyboard master behind Omar Souleyman's sound: cosmic electronic dabke recorded in Iceland, produced by Randall Dunn with Mark Gergis.
Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.
Argento is David August's new project: an imagined soundtrack to the Tyrrhenian coast, synthesizers and field recordings with Lorenzo Setti on drums and percussion, in the wake of Italian library music.
Marina Herlop's most ambitious work, self-released: one unbroken body of music built on the Hero's Journey, with orchestral brass for the first time and gamelan recorded in Bali.
Dark ambient pioneer Lustmord and drummer Dave Lombardo meet as Lustmord Lombardo: evolving walls of low-frequency sound shot through with percussion and synthesizers, mixed and mastered by Lustmord.
Six acousmatic works by Julien Guillamat from 2010 to 2026, from Birmingham pieces built on the dismantling of the BEAST loudspeaker system to recent soundscapes of the Aure Valley in the Hautes-Pyrénées, recorded in its ski resorts and mountain vill…
Roxanne Turcotte’s “sonic archeology”: electroacoustic works mixing everyday objects, field recordings from Tokyo, the Seychelles and New Zealand, and sounds of Jean-François Laporte’s invented instruments, dedicated to her late colleagues and mentor…
Four works by Monique Jean from 2015 to 2024, three built on MissTake, her no-input four-track tape recorder with effects pedals, including Volt_#1 and Volt_#3, plus Tumultes, inspired by novels by Adania Shibli and Antoine Wauters. CD-R.
Debut solo album by Montréal sound artist Diego Bermudez Chamberland: a 44-minute acousmatic work in three movements (2020-23, revised 2025) freely inspired by the Norse cosmos of Snorri Sturluson’s Edda, moving from the scale of Yggdrasil to the mic…
Armando Balice’s triptych of inner gardens from 2018 to 2021, three acousmatic pieces in eight movements each built from ravens, forest recordings, analogue synthesizers and the cello of Lola Malique, starting with an Ina-GRM commission inspired by J…
Three multichannel works by Stéphane Roy from 2022 to 2024: a war piece after poems by Paul-Marie Lapointe, a sound bestiary for Jean-François Laporte’s Babel table, and nine acousmatic miniatures on experiential time. CD-R.
Seven multichannel works by Åke Parmerud from 2019 to 2025 that push guitar, piano, percussion and string quartet into music no player could perform, from the alien metal band of Heavy Metal to a Latin groove for Javier Álvarez.
Annette Vande Gorne’s complete Vox Alia cycle (1992-2024), five multichannel works on the voice without words, from Maria Callas and Pierre Schaeffer in Affetti to sacred chant, a Werner Lambersy poem, crowds and animal calls. CD-R.