Traveller On the Road
**300 copies, clear LP** With perhaps the most impactful, harrowing take on minimalist drone since they released Kevin Drumm’s Imperial Distortion over a decade ago, Hospital Productions finally release the first proper new album from Skin Crime in y…
It Should Be Us
**2020 small repress** Andy Stott’s first release since 2016 and first EP since 2011, It Should Be Us is a double EP of slow and raw productions for the club, recorded this year and following a series of EPs that started with Passed Me By and We Stay…
Tape Anthology Vol. 1
With his new record Tape Anthology Vol. 1 Christoph Berg kicks off an album series mainly focusing on works based on tape manipulation. At the same time it marks the inaugural release of his own imprint Monochrome Editions.Christoph is a classically …
Stolen & Contaminated Songs
**CD version in 6-panel digipack** Cold Spring are proud to announce the long-awaited reissue of Coil’s 1992 album, presented on CD and, for the first time, on vinyl. Stolen & Contaminated Songs was recorded and produced in 1992. It is comprised of o…
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Zamia Lehmanni (Songs Of Byzantine Flowers)
**CD version in 6-panel digipack** "Originally released by Side Effects in 1986, Zamia Lehmanni was the third (and final) core SPK album and was Graeme Revell’s first truly solo project. He was in a period of transition, somewhere between the industr…
Beehyden / Sinopia / Contagious / Bagatelle
Four remixes of four tracks taken from the latest albums on Morphine Records, by Erika, Zoë Mc Pherson, Sugai Ken and Thomas Brinkmann. Hand-crafted cover by M-L-XL.A1 Original version on doser035Lp AMA by MA.Reworked by Sugai Ken.A2 Original versio…
New Found World
**400 copies** Reissue of this 1988 Ambient album, includes one unreleased track. Beautiful electronic soundscapes and synthesizer voyages on here! In 1916, in the middle of the First World War, a small town in Ontario changed its name from Berlin to…
Electronic Symphony I / III
The first instalment of the ten Electronic Symphonies: Symphony I (1966-96), II (1970-96) and III (1971-97), with Equivalence Sonore II and III from 1995. Pieces concreted in real time by a complex autonomous electronic system, a process Kayn documen…
Electronic Symphony IV
Electronic Symphony IV (1988-96) unfolds over four sections across two discs, joined by Frottage and Minimax, both from 1996. Sound generated in real time by an autonomous electronic system: since the process cannot be retraced, the recording itself …
Electronic Symphony V / Emissioni Trasformati I-II
Electronic Symphony V (1977-97) in two sections, one per disc, each paired with one of the Emissioni Trasformati of 1996. Twenty years of revision folded into music that a complex autonomous electronic system concreted in real time, beyond any tracea…
Electronic Symphony VI / VII
Electronic Symphony VI (1982-97) on the first disc, Symphony VII (1984-98) and Frottage II (1996) on the second. Two of the longest gestations in the cycle, worked over fifteen years and left to a self-regulating electronic system to concrete in real…
Electronic Symphony VIII / X
The close of the cycle: Electronic Symphony VIII (1978-98) and the single-year Symphony IX (1999) on the first disc, Symphony X (1982-99) in two sections on the second. Thirty years of Kayn's generative studio work arriving at its last and largest st…
Kybernetische Musik
The first volume of Kayn's cybernetic works: Ready-Made I and II (1982) on one disc, Collage and Decollage (1984) on the other. Four long pieces that arise, in the composer's words, from the interplay of merged control loops setting a process into mo…
Kybernetische Musik II
The second volume of Kayn's cybernetic works, a single CD holding two long pieces: Assemblage (1984) and Refractions (1995). Music not composed and practised but set going, arising from merged control loops and feedback in a system that can be entire…
Kybernetische Musik III
The third volume, six pieces from 1986 to 1996 across two discs: Cybernetic Serendipity, Transfluxion and Syntropie on the first, An Artificial Acoustic Environment, Syzygy Dynamical Units and Equivalence Sonor I on the second. A decade of self-regul…
Gärten Der Lüste / Cybernetics II / L'Innominata
Two long pieces from the turn of the millennium, Gärten Der Lüste (1999-2000) and L'Innominata (2000), each in two sections, with the early Cybernetics II (1969) set between them on the first disc. Thirty years of Kayn's electronic practice in a sing…
Invisible Music / Hommage a K. R. H. Sonderborg
Invisible Music (2003) spread over three parts across two discs, followed by Hommage a K. R. H. Sonderborg from the same year. Late Kayn, sound with no visible source, left to a self-regulating electronic system to unfold at its own pace.
Etoile du Nord / Ghyress Für Ilse-Emily Kayn
Two long pieces from 2004: Etoile du Nord in two parts on the first disc, Ghyress für Ilse-Emily Kayn on the second, named for the daughter who would later reawaken her father's label. Among the last titles Kayn issued on Reiger Records Reeks himself…
Requiem pour Patrice Lumumba, Interations, Composizione AD
Issued under Kayn's Multiplex Sound-Art heading: Requiem pour Patrice Lumumba (2002) and Interations (2003) on the first disc, the four-section Composizione AD (2002) and Prismes Reflectes (2002) on the second. Among the most recent pieces the compos…
Ultra / Redundancy TR / Megaphonie
Also under Kayn's Multiplex Sound-Art heading: Ultra (2001) and Redundancy TR (2003) on the first disc, the three-section Megaphonie (2001) on the second. Three of the last pieces Roland Kayn completed and released on his own label.