Thrène
Three electroacoustic compositions from André Boucourechliev (1925 - 1997) : 'Thrène' (1973-74). 'Texte I' (1958). 'Texte II' (1959). And 'Concerto pour piano et orchestre' (1977).
Espaces Éphémères
Six acousmatic works by Ambrose Seddon from 2005 to 2017, from games played with his young son at the EMS in Stockholm to Norfolk and Devon coastal recordings, including the Klang ! first prize winner Pellere.
Portail
Two recent eight-channel works by Denis Smalley, Fabrezan Preludes, built on chords from Debussy’s La Cathédrale engloutie, and Sommeil de Rameau, plus The Pulses of Time from 1978 for clavichord sounds and EMS Synthi 100.
Images Nomades
Francis Dhomont in two halves: three abstract works from 2012 to 2020, including the twin rain pieces Phoenix XXI and Perpetuum mobile, then Ami-versaires, nine short birthday tributes to Parmegiani, Bayle, Ferreyra, Vande Gorne, Harrison and other f…
Crossings
Three works investigating interference between instruments and oscillators. When closely tuned tones sound together, their oscillations create audible beats that spin through space. Lucier reveals acoustic phenomena through minimal means
Still and moving lines of silence in families of hyperbolas
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
Axet Remperimos Te
A single 70-minute work in seven rooms by Dominique Bassal, composed for 7.1 channels between 2014 and 2017: sound atmospheres from the ruined castle of an imaginary empire born when history skipped Antiquity altogether. Blu-ray audio.
Illusion
Three works by Annette Vande Gorne: Au-delà du réel, built from Arsène Souffriau’s collection of sound bodies, the 28-minute Déluges et autres péripéties on a Werner Lambersy poem with inhaled singing, and Faisceaux in both its fixed and piano versio…
Insen
With Insen, Alva Noto (aka Carsten Nicolai) and Ryuichi Sakamoto continue their collaboration which started with vrioon. The debut album released on raster-noton in 2003 was voted record of the year 2004 in the electronica category by british magazin…
Transspray
Part 3 of 3** This release is presented in three cds: Transrapid, Transvision and finally, Transspray. Across the 3 installments special emphasis is put on the rhythmic aspects of minimalism, utilising Carsten Nicolai's maverick minimal intricacies i…
Transvision
art 2 of 3** This release is presented in three cds: Transrapid, Transvision and finally, Transspray. Across the 3 installments special emphasis is put on the rhythmic aspects of minimalism, utilising Carsten Nicolai's maverick minimal intricacies in…
Neumatica
Alud is Pablo Rega: home made electronic devices and Alfredo Costa Monteiro: pick-ups on turntable. Recorded in June 2005, Barcelona.
Raw Sangudo
Allison Cameron's compositions can be characterized as rigorous forms within which specific sound worlds are explored. She experiments with the physicality of sound on various instruments, using pithy material to exploit instrumental colours. Most…
Haïkus
Annette Vande Gorne's 57-minute Haïkus (2016-20), five Japanese seasons in 17 short tableaux for 16 channels, where studio landscapes meet traces of Debussy, Vivaldi, Honegger, Messiaen and Jean-Michel Jarre, with tributes to Pierre Henry and Bernard…
Assemblance(s)
Eight acousmatic works by James Andean from 2010 to 2018, mostly made in Helsinki: sounds from Luc Ferrari's archives, Maria Callas as Medea, a refrigerator in a Greek monastery, the inside of a piano and a garbled recording of John Cage.
![Rumeur [For Solo Accordion]](https://cdn.soundohm.com/data/products/2026-09/5304_alfredo-costa-monteiro-rumeur-for-solo-accordion-cd_1080-jpg.jpg.500.jpg)
Rumeur [For Solo Accordion]
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric con…
Nano-Cosmos
Ana Dall’Ara-Majek’s acousmatic cycle on insects, mites and bacteria, five pieces from 2012 to 2017 mostly made for 16 channels: a house cricket’s blues, mites on vine leaves, polyphony as bacterial colony, and a carpenter bee among twenty doors in B…
Flux
Two multi-part Ina-GRM commissions by Benjamin Thigpen made in Visby, Stockholm and Paris: still (2007-09), built from untransformed recordings of common objects, and pulse (2010-15), made entirely on a Buchla 200 modular synthesizer.
Broken Ground
Christian Bouchard’s 58-minute soundtrack for Derek Besant’s touring exhibition on cities torn up by redevelopment, twelve sections named after material-science terms, mixing soundscape, glitch and acousmatic writing; made in 2011-13 and remixed in 2…
Espaces Tautologiques
James O’Callaghan’s debut on empreintes DIGITALes: a trilogy of acousmatic works from 2013 to 2015 that treat a piano, a guitar, a toy piano and a string quartet as resonant spaces, plus Isomorphic. Opus Prize album of the year 2016-17.