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Pogus presents Well I Fell in Love With the Eye at the Bottom of the Well by id m theft able. Idm says: "The initial idea for "Well I Fell in Love with the Eye at the Bottom of the Well" was actually to attempt to make a doo wop song with that as the title. I kept adding more and more ideas and those ideas blossomed into other ideas to the extent that there's only the faintest hint of that initial doo wop impulse on the album but a whole other sort of garden grew up around it and through it. It …
** 2021 Stock ** XI Records presents Involution by Cecilia Lopez. Red is more than a musical composition. It roots lie in its physicality. Nestled on a large cargo-like cable web are an array of small speakers and contact microphones. As this web sways the speakers and microphones come in and out of proximity and form an evolving feedback network, which slowly reveal themselves as a myriad of permutations accompanied by sympathetic synthesizer tones. Zero-input mixing works seem to be very popul…
Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album “Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.
Thomas Köner is one of the most influential modernist minimal composers. His music is often defined as dark ambient or drone, because of the use of low frequencies, material from gongs,shadowy resonances and boreal ambience, but at the same time its sound with constant fluctuation and vulnerability of sonic events, what makes it organic, human and almost comforting. Köners soundscapes are no longer simply dark, the question now is that of a profound blackness. Such is the generic darkness of the…
** 2021 Stock ** Tanzprocesz presents La Jambe Lourde by Astreinte. Recorded on August 8, 2017 at Studio Célestine in Pau. Mixed in Aubertin by Matthew Tyas and Gilles Vignes. Astreinte : Claude Pascal, Thomas Diéval, Yann Geoffriaud, Marie Démoulin, Olivier Guerville, Henri Clavier, Gilles Vignes, Nikki Larsen.
Mark Leckey presents the soundtrack to his autobiographical allegory ‘O’ Magic Power of Bleakness’, a mind sluicing fantasy inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths and levitating ambience that sounds like nowt else.
**Edition of 60** "Growing up means your mental models of the world are more likely to match observable results in the 'real world'. Or to say it differently: Growing up means, your plants are not dying anymore. I am not sure we have grown up quite yet, but maybe embarking on a 25 minute free form improvisation, with the tape rolling, relies just as much on what you know, as trusting the things you do not know yet. Just as much being in touch with the grown-up as the child in you and the partner…
**Edition of 60** Ikuisuus presents 2021 by Boom Edan. "On the 1st of October 2020 I had a dream I was part of something. A late night open mic jam at an under-water jazz cellar, literally a flooded space underground. I set to recreate that experience Home Alone, with what sounds that looked like it. By November I had completed building a version of a machine for accessing the dream. The Dream Machine, however, solved nothing as a bigger parallel problem had simultaneously revealed it to me that…
"He" contains two tracks, "Extrovert", which amplifies the hum and white noise inside the turntable, and "Introvert", which is an improvised performance by rubbing the cartridge with nickel strings. Hiroaki Maki, DJ/Turntablist from Tokyo. Co-founder of the independent label/event series edition zeroso (0奏). After finding inspiration through various types of sound such as continuous sound, noise & found sounds and avant-garde music, he started his DJ career. Around the same time, he also started…
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Text by Xavier Veilhan. Designed by Mote Studio ** “When Xavier Veilhan kindly invited me to consider which artists to involve in his amazing Studio Venezia project, one of the first names I had penciled in was Nicola Di Croce. Between the many sound artists that I know and admire, Nicola has the unique quality of always provoking an original dialogue between his theoretical reflections and his practice as a…
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Designed by Mote Studio. Photography by Fabio Perletta ** Dust Bunnies is Giovanni Di Domenico's first solo release for 901 Editions. Recorded in Oude Kerk Charlois with the majestic 1784's Hess pipe organ and in Klangendum / Worm studio in Rotterdam, the album beautifully merges acoustic and synthetic sounds. As pressurized air flows through the pipes, the music reminds us of desertic wind, evoking introspective p…
** Limited edition of 500 copies, orange vinyl ** Mannequin Records is elated to present for the first time on vinyl the reissue of Giovanotti Mondani Meccanici’s first video soundtrack, originally released in 1984 as an audiotape in less than one hundred copies. Giovanotti Mondani Meccanici (literally Mundane Mechanical Youth) or GMM was one of the most unclassifiable audiovisual experiences to emerge from Italy in the 1980s. Maurizio Dami a.k.a. Alexander Robotnick, a pivotal member of GMM, w…
** 2021 Stock ** Neuma Records presents Personae - The Vanity Of Words - Variation by Roger Reynolds. Personae (1990) violin, ensemble, and tape; The Vanity OF Words [Voicespace V] (1986) tape; Variation (1988) piano. Baritone Vocals – Philip Larson. Composed By, Liner Notes – Roger Reynolds. Conductor – Rand Steiger. Ensemble – Sonor. Liner Notes – Thomas DeLio. Piano – Aleck Karis. Violin – János Négyesy.
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
Building on the back of a series of extraordinary reissues exploring some of the most exciting musical gestures ever produced in Japan, Wrwtfww is back with two of their most exciting releases to date, the composer Somei Satoh’s "Emerald Tablet / Echoes" and "Mandala Trilogy +1". Drawing on work produced between the 1970s and mid 2000s, the majority appearing here in their first ever vinyl pressing, these bristling hybrids seamlessly intertwine sound art, minimalism, ambient and experimental mus…
Alan Vega’s name is synonymous with unfettered, tireless creativity. Beginning in the late 1950s, when he was a fine art student at Brooklyn College, through his years playing in Suicide, and all the way up until his death in 2016, Vega was constantly creating. That process naturally led to a wealth of material that didn’t see the light of day immediately when it was recorded, which came to be known as the Vega Vault. Mutator is the first in a series of archival releases from the Vault that will…
Andy Moor (guitar) and Yannis Kyriakides (electronics) made a recording In at Xavier Veilhan’s ‘Studio Venezia’ at the French pavilion, Venice Art Biennale. They were in residence there for a few days in October 2017 recording and performing in an open environment.
Tekanan is the full-length debut of Melbourne-based Indonesian-Australian drummer and sound artist, Rama Parwata. A thorough exploration of rhythmic capabilities and percussive improvisation under ever-shifting timbral and stylistic environments, Tekanan is Parwata’s examination and documentation of his vast musical influences in electro-acoustic improvisation, Indonesian gamelan music, free jazz, electronic music, R&B, and noise music, whilst still maintaining an entirely unique non-idiomatic m…