Sustains
Amnon Wolman - composer, was born at Jerusalem Israel, 1955. He has written more than fifty pieces which include symphonic works, vocal and chamber pieces for different types of ensembles, film music, music for theater and dance, and works involving computer generated or processed sounds. His music is recorded by Wergo (Germany) and the Stanford University Press (California, USA), and published by the Israel Music Institute. He is now the head of the electronic music department at Brooklyn Colle…
End-Music
In the follow-up to The Reoccurrence (2015), Arek Gulbenkoglu presents End-music: a series of insular sonic imprints via use of tape detritus, voice and abused electronics. End-music continues Gulbenkoglu’s fascination with sound at its most elemental level and comprises three sculptural pieces in which textures are examined from different angles, and threads are pulled bare. This is a transparent and tactile music that accumulates, shifts and contorts.
Surrender, Render, End
First and foremost, Surrender, Render, End is an electro-acoustic dialectic, unremittingly engaged in a pugilist conflict between art and accident. The Swiss noise-composer Francisco Meirino began working on the skeleton for this piece in 2014 as a multi-channel, modular synth patch, which has been in an ongoing state of modification through public diffusions and private rumination. Meirino posits the album as a metaphysical puzzle of manipulated tape, atonal synthesis, and concrete sound. He is…
Mema Verma
[mema verma] is the final step of a study about an indian shruti box G (low) tuned, mostly used without emitting any note (as in the first two tracks, sampling and processing the breaths, whistles and noise produced by the reeds. The third track, is the only one in which the shruti is played in a more standard way, as well as its sound was recorded through a set of very old mid-range speakers, later sampled and processed. A split into three tracks but the whole project is sort of a metam…
Al-Bashariyya
'Al-Bashariyya’, the latest vessel from Vindicatrix, is an island of menacing political detritus sitting low in claret waters, drifting with intent…slate stenographers annotate proceedings without the need for an internet connection, their elongated taps and scrapes emitting coded cries for clemency…colloidal conservatives ruminate heartlessly as anchors feel hopelessly for anchorage in ‘designated zones’…both these wideband travelogues sift and navigate for answers in the desolate fug with pene…
Flipper
Over the roughly ten years of their musical activity, Nadja has undoubtedly become one of the most well-known and influential Drone bands around. Their unique soundscapes, characterized by epic soundscapes, radiating synths, and hushed vocals have a truly mesmerizing effect and capture you with their bizarre beauty. On this album, Nadja explore new territory and focus on the endless ocean of the mind. Aidan and Leah are joined by Peter Broderick on violin, and Angela Chan on viola.
Elektronische Mythen (Lp=
Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
E
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
Makrophonie 1
The first album by Kontakt der Jünglinge since the release of their CD n (DS63) on Die Stadt back in 2003, Makrophonie 1 is also their very first studio album. ItÔs the result of various scores which were developed before and during miscellaneous live performances. These worked out structures were then taken to the studio, where they were concentrated and received their final finish. Makrophonie 1 can be described as KDJ music in highly-concentrated form. The album was recorded at Audiplex Studi…
Nonante-neuf fragments harenois
Haren is a Brussels commune where deserted industries have supplanted the farmlands. Here, plenty of rail hubs bind and unbind while planes don’t take off anymore from its missing airport, but from nearby Zaventem.Despite it being unattractive though desirable, I felt immediately at ease over there, at the frontier of abandonment & forgetting ; I could listen to & gaze at desolate spots with a constantly renewed amazement of still being in Brussels.The Wanson factories where I have recorded in 2…
Fraction Sur Le Temps
At last, in stock now!! Urban Sax's third LP was recorded in 1982 & 1985, and released in 1985 on Celluloid, and it is an absolute diamond - sharing Julian Cope words "Everything starts with this massive (and I mean it...we're basically talking about something the size of an orchestra here) wash of sound, like something dropped wholesale out of the trippier parts of Ligeti's material in the "2001" soundtrack. Then we get swept into the primal repetition of a simple motif...very Magma-like, save …
Spiral
At last, in stock now!! 1991's Spiral makes its first ever appearance on vinyl format here. Previously it had only been available on a impossible to find CD, consisting of eight short to mid-length pieces, the major change being the prominence of the twenty-two piece choir, which shares the spotlight equally with the saxes, and three vibraphones, all which results in a far more ethereal and majestic sound than its predecessors. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind…
Urban Sax 1
Much-needed reissue of these incredible LPs. Urban Sax's debut LP was issued in 1977 on Cobra, recalling the best Terry Riley, stunningly psychedelic, it’s the perfect combination of hazy, fluttering psychedelia and tough, tactile reed work. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind Lard Free -who has also participated in dozens of recordings by other artists of the French experimental scene that included Delired Chameleon Family, Clear Light, Komintern, etc.- develope…
Ass
LP version. Includes CD. Three guitarists, three generations, one album. Günter Schickert, Jochen Arbeit, and Dirk Dresselhaus are all renowned Berlin guitarists. They epitomize three generations of experimental musicians; Schickert personifies the krautrock of the 1970s, Arbeit 1980s post-punk, and Dresselhaus the neo-electronica of the late 1990s and 2000s. Their artistic approaches may differ according to their diverse musical backgrounds, yet what they have in common is a fundamental in…
Solèra
"Astrùra’ and ‘Solèra’ are the “Bragos series”, two new Enrico Coniglio works dedicated to the lagoon of Venice. Named after the Venetian for two seabeds, the pieces are field recordings collected at the mouth of the harbor during a foggy spring day back in the 2009, on the northern edge of the lagoon. The environmental narrative is enhanced with both natural and mechanical drones, alluding to modern crisis and with a very precise aversion to nostalgia. The project goal of redefining a locative …
Woven Sounds
Half of Indonesia's Senyawa (the band's sole instrumentalist, Wukir Suryadi) with a solo release for Morphine. Engineered by Rabih Beaini. Art direction by The Tank Boys.The unique tone and twang of Wukir Suryadi’s homemade bambuwukir - a
hollow tube of bamboo with strings and pick ups played like a
guitar/sitar - recorded at Weltkulturen Museum, Frankfurt, by Philip
Albus in October 2015, is twisted and serrated into a pair of gripping
tracks, following an unsteady, zig-zagging and buzzing …
Huruf Hidup
One half (the vocal force) of Indonesia's Senyawawith a solo release for Morphine. Engineered by Rabih Beaini. Art direction by The Tank Boys.
Go Go Theurgy
Go Go Theurgy, the first Anna Zaradny’s album in eight years, consists of two majestic compositions. Strikingly charismatic and intense, they teem with sensuality and anxiety, while their palpably dense and detailed texture is constantly filled with tension and sense of urgency. The crystal-clear narration of these structurally complex pieces creates a framework for Zaradny's uniquely intricate and emotional sound. This music celebrates performativity and defies genre limitations. Although brave…
Peachy
Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…