Antiguos Dolmenes del Paleolitico
“Antiguos Dólmenes del Paleolítico (“Ancient Palaeolithic Dolmens”) is a composition in four parts created exclusively with processed no-input feedback and inspired by these stone monuments. It was created in early 2004 and is the first full-length solo CD from Argentinian composer Alan Courtis, a founding member of the group Reynols. Courtis currently lives in Buenos Aires, and has toured extensively in USA, Europe, Japan & Latin America collaborating with artists such as: Pauline Oliveros, Dam…
BWANA, Rex xhu ping
If, Bwana alias Al Margolis figure de la scène expérimentale new-yorkaise et boss de Pogus. Compositions pour bandes, voix, électronique... Franc, déterminé et tenu. Avec Al Margolis (bandes, clarinette etc), Laura Biagi (voix), Dan Andreana (voix, bandes), Detta Andreana (bandes, cymbales), Orchestre D'Fou...
Time drops
This mini-CD follows on from Akemi Ishijima's previous electroacoustic composition on Variations 2 -- A London Compilation. It includes one new piece and a reissue of "Ab Ovo," previously released on 5 Composers Second Coming on Fylkingen. The two pieces explore a broad range of traditional electronic techniques, both subtle and powerful. "Time Drops" (2000) -- a single stroke of a bell, in its decay, sometimes evokes a sense of infinity in our mind. "Time Drops" is an attempt to express such id…
Automatic Writing
A 1996 CD compiling three early Ashley works from the years 1967-79 -- some of his most experimental and out-there works. A classic electronic music collection and an ideal intro into the somewhat foreboding oeuvre of Robert Ashley's recorded works. The title piece is a 46-minute classic from 1979, which rather famously formed the basis for Nurse With Wound's A Missing Sense. Steven Stapleton's commentary upon this summarizes the intense vibe of this recording: "A Missing Sense was originally co…
Depli
It's probably safe to call Mr. Andre Almuro an unsung hero. And while his scantly available catalog certainly provides reason why, its contents offer ample argument to the contrary. Not long after the conclusion of his apprenticeship to Pierre Schaeffer, he began crafting in what could easily be called the Almuro aesthetic: sparce pieces built from limited sound elements, often timbrally altered percussive sounds, slowly paced and coated thick in reverb and tape echo.While Dépli does not quite m…