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Just arrived, beautiful solo album for the Presto records label's owner...Produced, edited, mixed by Lorenzo Senni and mastered by Marcus Schmickler, "Dunno" is the very first official release from the 27years old italian founder of Presto!?; his previous release "Early works" (2007) is a collection of old re-edited tracks mainly influenced by early laptop heroes Mego style. Now with "Dunno" we have a pure computer music record where digital psychedelia meets brutal pulasr synthesis trains …
Distorted digital sound with interesting sides of matter. Borghi gets the electro-acoustic music out of quicksand showing an hot and dark way to escape. Made using custom max/msp applications, analog effects and varied sound sources. Great first work! "Andrea Borghi’s solo album is ultimately more rewarding for its (relative) sparseness, with some unspectacular but extremely effective laptop treatments adding some fizz to his thrummed fuzz bass jams. It’s still a case of listenin…
Second album after well acclaimed Xax, Tropico is the proof of Vipcancro’s ability to make trips over the edges of industrial-drone-noise exploring several aspects of contemporary music too. Maybe avant or maybe impro, amazing music of course!
Packaged in a 6 panel digipak. Includes a 16 page booklet in French & English. A massive, four side-long drone-epic masterpiece “Shânti” (1972-73) for electronic and concrete sounds, in a spectacular double CD digipack issue. A hundred-and-thirty-five minute piece of "meditation music" for a four-track magnetic tape by Jean-Claude Eloy, produced in the Electronic Studio of the Radio of Cologne “The term “meditation music” triggered many conflicting comments including positive ones (“... let us s…
A work of genuinely monumental proportions. Jean-Claude Eloy's Gaku-No-Michi - subtitled "Tao of Music" or "Ways of Music" - stands among the towering achievements of 20th Century electroacoustic practice. Produced at the electronic music studio of NHK Radio in Tokyo between 1977 and 1978, its four hours of concrete and electronic sound unfold as what the composer called "a film without images" - an immense, spiraling architecture of sonic transformation that remains, nearly five decades on, as …
The follow-up to our "Danza de la Muerte" compilation focuses on the more song orientated Syntactic releases. Also, you will find tracks that were planned as Syntactic or Klanggalerie 7"s, but never made it onto vinyl. The track list reads as follows: Andrew Liles - In this vegetable Glass of Nature Le Zappalot (Rehberg/Bauer/Birnbach) - Erika goes to Leopoldau O Yuki Conjugate - Madal (Circular…
Third soloist album by Roberto Opalio (My Cat Is An Alien, Painting Petals On Planet Ghost, Praxinoscope). During the same period of self isolation in the Westrn Alps that brought to life MCIAA's 'Photoelectric Season' double album, Roberto conceived the creation of his new full-lenght album, inspired by the mystic aura of the nature surrounding himself. Focusing himself on his peculiar wordless vocalizations, and using simply a mini-key…
"Truly an "underground" project, Fougou (pronounced "foo-goo") is a new venture by Brian Lavelle and Matthew Shaw which takes its starting point in the mysterious prehistory of Cornwall in the southwest of the British Isles, in particular that areas's enigmatic subterranean chambers known as fougous. Credible theories have proposed that the purpose of these chambers was ritualistic - as portals to elsewhere. The music of Fougou flows from that idea and is inspired also by the writings of British…
There's a particular kind of composition that refuses to be experienced in a single sitting - music that unfolds across hours, even days, before completing its cycle and returning to its beginning. Mireille Capelle's Sonic Architectures exist in this expanded timeframe, where sound becomes something closer to installation than performance, to architecture than song.
Each Sonic Architecture consists of two compositions that can function independently but reveal their full dimension when played si…
2010 release **
""sixty-five minutes long. two periods of thirty minutes each, with a five minute silence between them. each performer find one sound, preferably with pitch. the sound is played for one duration, between one and fifteen minutes, in each thirty minute period, making sure, in the first period, not to cross over into silence. the duration of the sound may change from one period to the next. one of the durations may be zero seconds. (i.e., a player might decide not to play in one of …
Maranha belongs to the same minimalist tradition as Paul Panhuysen and Arnold Dreyblatt. It is serious, deeply careful stuff (as anyone who has seen one of Maranha’s complex scores will attest), but informed throughout with a sense of practical experiment and discovery rather than the austere conceptualism or mathematical certainty that certain other minimalists adhere to. Like Panhuysen and Dreyblatt, Maranha pays a great deal of attention to instrumental timbre - he’s used the glass har…
LP edition: born out of both creative empathy and chance, Organ Eye were formed in the wake of a live concert of David Maranha (Osso Exotico) and Minit (Jasmine Guffond & Torben Tilly), which took place at the ZDB Gallery in Lisbon, Portugal at the end of February 2005. With the addition of Patricia Machás (also a member of Osso Exotico), the quartet that now forms Organ Eye was completed and in March and December of 2006, they recorded their eponymous debut album.The two raga-like tracks that c…
"For this live-to-air outing, Raphael Lyon’s primary instrument is a customised organ, with which he sketches out simple cyclical themes that suggest either a more rudimentary take on Terry Riley’s Persian Surgery Dervishes or a more involved reworking of Rick Wright’s Eastern-tinged organ mantras on Pink Floyd’s Ummagumma. He adds field recordings and occasional processed vocal incantations. Though modest in ambition, this is impressively concentrated work; its sense of warmth and honesty under…
Compiling the results of what was originally intended to be a compositional collaboration between John Duncan and renowned sound artist Asmus Tietchens, Da Sich Die Machtgier… transcends its tumultuous creation to stand as a distinctive addition to the catalogue of both artists "Asmus Tietchens proposed that he and I work together years ago — many years ago. For a variety of reasons it didn't happen , and at this point I don't remember any of them. Finally we agreed to start: I asked him to send…
Both compositions on that record related to (more or less) to the “tape music”. The piece of Argentinian experimental master Anla Courtis is solely based on manipulated sounds of geyzers, recorded in South America. Ukrainian Edward Sol works with weird cassette loops, lo-fi oscillations and some primitive tones from his vintage USSR-made analogue synth Polyvox. Generally speaking, the sound of this record belongs to the monolith dark drone music.
2005 release ** "This is the first full-length CD release by Norwegian noise artist Andreas Brandal. He has been making music with various bands and projects since the late 80's and released a several 7" and LPs on famous Norwegian label Smalltown Supersound as solo artist, as well as a participant of improv-noise duo Larmoyant. "Drive Home With A Hammer" is not "just another noise record". Once you hear it, you will be unexpectedly surprised by unique sense of Andreas in manipulating with inter…
'Sferics is the shortened term for atmospherics, natural radio-frequency emissions in the ionosphere, caused by electromagnetic energy radiated from nearby or distant lightning. These signals - resonant clicks and pops, called tweeks and bonks by scientists - occur in the audible range of humans and may be picked up by antennas and amplified for listening. They are best received at night, far from power lines. Occasionally, certain sferics get caught on and travel long distances along the magnet…
Alga Marghen presents Éphémère I & II (for tape, or to be played with various instruments) -- two previously-unpublished masterpieces which represent for several reasons a very specific moment in the creative life and catalog of Luc Ferrari. Even if Ferrari's perfect skill in creating some of the most beautiful sonic works ever is now well known to the large audience appreciating his music, the undetermined character marking the two works presented here is quite surprising. Luc Ferrari was tempt…
1st duo release, unedited live recordings from Pauline Oliveros on accordion, conch, percussion and Expanded Instrument System & Chris Brown on piano and live computer signal processing. "Long time friends and colleagues, this is the first ever duo release by Pauline Oliveros and Chris Brown. Music in the Air features Brown on piano and live computer signal processing and Oliveros on accordion, conch, percussion and Expanded Instrument System. The three pieces on the CD were recorded live in the…
Skare is the collaboration of Mathias Josefson (Moljebka Pvlse), Fredrik Olofsson and Per Åhlund. The members of Skare are all fascinated by the circulation of water, snow and ice. The metamorphosis from gas to floating liquid to snow to solid ice through freezing, the light reflecting from the snow and filtered through the ice as a prisma and - most of all - the sound of this ever ongoing circle.Skare's first album, Solstice City, is an interpretation of a journey through a shifting landscape w…