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Electronic /

Ephemeral as Petals
Ephemeral as Petals conjures a nuanced, emotion drenched world from a minimalist core of voice and piano. Higuchi’s voice slides from bombast to mournful chant effortlessly, channeling Diamanda Galas as much as Freddie Mercury, with the instrumental space between vocal passages serving to amplify its affecting resonance. From interpretations of jazz standards to her own compositions, this is album makes for a difficult but captivating new direction in sound.
The Ominous
Jacob is the new project by David Cordero (Úrsula) and Marco Serrato (Orthodox). The duo first collaborated on the arrangements that would become the Emma soundtrack. With a mutual love for sci fi and horror films, Jacob push their dark sonics further on The Ominous, a piece for el cine de la mente. Atonal, dissonant string scrapes meld together in discomforting walls of noise, while hidden forces project an ambiguous malignance lurking in the deep fog. Bleak atmospheres and an abyss of s…
Purge
Kevin Drumm's 2007 cassette 'Purge' on iDEAL went out of stock in less than a week. This is the CD version of that killer thing. Intense listening taking you deep into the known unknown, or perhaps the unknown known. Drumm's noise is extremely powerful and dynamic.; travelling frequencies, rich with details, with very little hope, with guaranteed exhaustion after frequent listening. I always think about Black Metal when I am listening to Drumm's works,Ê they share the same cold and darkness. 'Pu…
The Schulze-Schickert Session
CD edition: Beautiful, previously unreleased private home recording of kosmische drifts starring Schulze alongside his roadie and noted early Krautrock guitarist. Glossy gatefold vinyl with liner notes and photos** "For the first time ever, from the vaults of Klaus Schulze, comes The Schulze-Schickert Session, a rare and previously unreleased private session featuring echo-guitar pioneer, Günter Schickert. Recorded on 26 September 1975 in Klaus Schulze’s home Studio in Hambuehren, Germany,…
Let's Start
His masterpiece "A treat for those into the pioneering works of Terry Riley and Steve Reich in that this combines use of delay lines on keyboards a-la Riley with phasing techniques on voices first explored by Reich" (Mutant Sounds). Originally released in 1979, Wakhevitch's last album before definitely settling down in Auroville (India) was his most meditative and relaxed effort to date. Fruit of his 1978  stay in Israel invited by the "Mishkenot Sha’ananim" Foundation,  the album was again…
Nagual
Originally released in 1977, this was (once again) a product of the fruitful association between Igor Wakhevitch and american dancer/choreographer Carolyn Carlson. Compiling some of the pieces specially written for Carlson's "This, that and the other" (created for the Groupe de recherche Theatrale de l'Opera de Paris), the album follows the otherwordly steps of it's predecessor ("Les Fous D'or") in a more calm, relaxed, almost nocturnal way. Inspired by Carlos Castaneda's writings, Nagual is ano…
Les Fous D'or
Released by Pathe Marconi in 1975 and housed in a fantastic surrealist cover designed by his father, russian painter/art director Georges Wakhevitch, this album marks the debut of Wakhevitch's long-standing collaboration with american dancer/choreographer Carolyn Carlson. It also shows the composer's progression into a more esoteric and lyrical grounds: a departure from the violence of his first three albums into quieter yet equally dark and mysterious regions. Divided in two sides (calle…
Leave/Trace
Formerly operating under the name of Mites, Shakhnes has been recording and performing in Tel Avi, Israel since 2008. His work has been issued both privately in limited handmade CD-R editions, and internationally though Alamut Records (Jerusalem), Mystery Sea (Belgium), and Copy For Your Records (NYC). Consider 'leave/trace' a graduation ceremony, as Shakhnes steps away from pseudonymity and into the bright lights of his own exceptional music."leave/trace" offers a compelling display of mu…
Music
A 3 CD set of works by electronic music composer/performer Lou Cohen. This release is a fantastic overview of his works since around 2003, with over three hours of music. Most of these pieces were composed by means of algorithmic and stochastic processes, with emphasis on granular synthesis. Lou Cohen uses Csound as his primary tool for realizing compositions. Csound is a well-known, open-source, programmable music synthesizer. Its antecedents (called 'MUSIC,' 'MUSIC II,' 'MUSIC III,' e…
Open Space
I've been composing graphical scores since 2004. Each score has been done for a particular group, and not just for a certain set of instruments but also for specific persons, each with their own personal sound and their own distinct approach to improvisation. The scores hover in the gray region between composition and improvisation. They create a situation where the players are free up to a point to improvise but in which they could also find themselves in juxtapositions with other player…
When Snakeboy Is Dying
**370 copies, white vinyl** Originally intended as a part of an audio book, When Snakeboy Is Dying shines of its own (dim) lights, marking the first time for Robert Piotrowicz to augment the compositional palette with instruments beyond synthesizers and computers. His decision of tackling them without external aid is not the fruit of bullheadedness, but a conscious attempt to rigorously focus on the properties of those sounds that he deemed necessary for the music’s constitutional narrative to u…
Touching
"Erstaeu 003 is, at once, the most "traditional" of the first three releases and, perhaps because of that, the most difficult to approach, at least for this listener. My previous experience with Graham Stephenson's work (I think this is my first exposure to Aaron Zarzutzki) has often followed the pattern of initial opaqueness followed by gradual transparency, eventually resulting in enjoyment and appreciation. I say "traditional" a bit tongue in cheek, although the set here, trumpet and electron…
Dystonia Duos
2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…
Sinter
Something very cool about erstaeu 002's existing in such a different world than its numeric predecessor (and 003 is altogether different as well). After the sublime compressive intensity of "Dystonia Duos", "Sinter" injects vast amounts of oxygen into the room, air swirling and echoing in huge spaces, light shimmering and hazy. In metallurgical terms, sintering is the making of objects from powder and "powdery", especially with a metallic connotation, isn't the worst term you could use for much …
Mayville Dream
Ben Billington is a Chicago staple and multi-instrumentalist crucial to the metro area experimental landscape. He can morph his styles seamlessly and is fluent in many musical languages, whether he's playing in Moonrises, Circuit De Yeux (as a touring drummer), or in the legendary underground free-jazz unit Tiger Hatchery. Mayville is the sophomore LP following his Silver Balloons in Clusters LP on Under The Spire (while originally released as a cassette on Deception Island some time ago.) Wi…
Marriage of Metals
In its history throughout millennia it is fair to say the Gamelan has never had an encounter quite like this. Marriage of Metals is a devastating extension of the harmonic properties found in the instruments of Indonesia. Daniel Menche was granted access to a remarkable Gamelan studio where he was given full privilege to record any and all of these rare and ancient gongs -- most notably, the gigantic "Gong Ageng," that contains the deepest of deep acoustic bass. Menche took the raw source mat…
Trainwrekz
Ensemble Skalectrik is a side-project of Nick "Ekoplekz" Edwards. Previous emissions include the self-released psycho-geographical abstraction of Snuff Mill Tapes and a homage to Maurizio Bianchi via Feral Tapes. Focusing entirely on spontaneous composition and one-take improvisation, Ensemble Skalectrik represents the most raw, extreme performance-based electronic music in Edwards' repertoire. On Trainwrekz, Edwards has dusted-off his turntables, grabbed a stack of old vinyl (mainly sound e…
Four Years Older
A new set by the coolest chap in New York City, documenting the development process of a solo electric guitar piece that Alan Licht has been playing out for the last four years. Revered for his work in the Blue Humans and Text Of Light, and a key figure in the pantheon of experimental solo guitar players born in the late '60s such Jim O'Rourke and Oren Ambarchi, Four Years Older is his debut Editions Mego release, representing another peak in a career of mining the rich seams of minimalism, noi…
Proper Headshrinker
Ever since Stephen Sharp and Roc Jiménez de Cisneros embarked on the deconstructive process they refer to as "Rave Synthesis," the goal was to come up with odd relatives of well-established sounds in techno culture by constantly messing with the original recipes, expanding the tropes, and hinting at novel paths for contemporary psychedelia. Almost three years after the influential Rave Slime, Evol's fifth album takes the idea one step further. The content of Proper Headshrinker was first pre…
Ambient/Ruin
Gravetemple was formed in 2006 as a side-project of the band Sunn O))) by Oren Ambarchi, Stephen O'Malley and Attila Csihar. The group formed initially to tour in Israel in the summer of '06, creating several recordings which eventually became The Holy Down album, which was released on Southern Lord Recordings in 2007. At the time of the Israel tour, the Lebanon War started and was in action. In summer '08, the trio reformed together with the addition of Australian drummer Matt "Skitz" Sander…