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Two pieces for hand-held agitated unfilled extended geometric figures made of synthetic ersatz substance with straight parallel sides and a circular round section at each end.Presented as recorded in real-time without any edits, overdubs or effects added. This recording contains unprocessed acoustic sounds only.Headphone listening recommended. Play very loud, at 45 RPM!!! Available in small hole only.
In 2012 the University of Sheffield commissioned Mark Fell to collaborate with Dr. Jonathan Howse, a leading nanoscientist based in the Department of Chemical and Biological Engineering. Their collaboration led to several works including a multichannel sound installation, a series of prints and the recordings presented on this record.The inserts contain graphics, an essay by Dr. Howse and a conversation between Mark Fell and British researcher Peter Worth.
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …
...Mindblowing!!!! "Perpetually rolling, Japanese-American master percussionist Tatsuya Nakatani holds a relentless schedule, road-bound in continuous dedication to his passion. His solo sets thunder with coaxed nuances from his kit, overlaid in staggering bounty. Nakatani is also fearless when it comes to collaboration, and seeks it out adventurously during his extensive tours. In this spirit of combined efforts, Nakatani Gong Orchestra shines a different light in each new location it arises. N…
Underground’s finest couple formed by Dylan Nyoukis and Karen Constance are here to delight us with a massive mind-hammering tape, originally out in a uber-limited 4xCS boxset on their own Chocolate Monk label. A fair where Muezzin Nyoukis will twist & pull your brains, a choir of voices praying, gargling & ooing, discomfort and unclear clatter all over. At some point you will find yourself in a damp swamp, two sticky beings calling each other (the mutant cricket here is Karen), a little slice o…
This vinyl release from B13 Records captures live performances from musician, composer, producer Brian Eno recorded at the BBC in London, England. The 8-song set features takes on material from his 1974 solo debut Here Come The Warm Jets ("The Paw Paw Negro Blowtorch," "Baby's On Fire"), it's follow-up Taking Tiger Mountain (By Strategy) ("The Fat Lady Of Limbourg," "Third Uncle") and 1975's Another Green World ("I'll Come Running") to go along with his 1974 single "Seven Deadly Finns," the Pe…
Restocked: Sub Rosa presents a real sensation: 159 minutes of minimal electronic music, readings, and soundtracks from the archives of composer, poet, occultist, calligrapher, and original Velvet Underground drummer Angus Maclise from 1963-1976, featuring Tony Conrad, John Cale, Piero Heliczer, Beverly Grant Conrad and Hetty Maclise. This deluxe 2CD set features rare music, performances, soundtracks, and spoken word by this seminal poet and musician who was active in the New York avant-gar…
Daisy Bell is Donck's new group. The live show involves a collection of electronic and acoustic instruments, harmony vocal arrangements, lots of live sampling and sound processing plus a video projection, illustrating each song with minimal, yet evocative imagery. All songs are based on poetry by William Blake with his texts providing a vocal spine to the compositions. These range from experimental musique concrete to pop "with a twist" and all with strong intensity, dark atmospheres and raw bea…
Kolk (Another Timbre) offers a rare encounter between Hamburg trumpeter Birgit Ulher and Swiss spinet innovator Christoph Schiller. Recorded in Hamburg in 2010, these five improvisations draw on the duo’s deep engagement with non-idiomatic sound: Ulher works with her trumpet as a physical resonator, channeling air, static, speaker hum, radio noise, and objects, while Schiller’s prepared spinet spills out fleeting melodic cells, clicks, muted thuds, and spectral overtone clouds. Their collaborati…
Fantastic all-electric three way that sees Bruce Russell of The Dead C (on analog electronics) joined by Richard Francis on modular synth and computer and Jason Kahn on analog synth, radio and mixing board: recorded live on January 28th 2011 at Dunedin Public Art Gallery in New Zealand, this is a single 38 minute improvisation that feels environmental in scale but with a heady synthesized aspect that makes for a ghostly metal machine music. Three distinct voices make for a bafflingly beau…
Breathtaking solo organ improvisations recording!! This is the first volume documenting Zorn's breathtaking solo organ improvisations. Although organ was Zorn's first instrument (he often credits Lon Chaney in the silent classic Phantom of the Opera as a primal influence), in 2011 Zorn surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. Premiering at the historic Christ Church in Philadelphia, the word on these concerts spread li…
A threesome of coloured vinyl by WORM Records. These records are extraordinary not just because of their appearance (bright yellow, blue and pink vinyl), but also because of their unique origins. The a-sides of the records were recorded for Soundpiece, a soundinstallation under the floor of the Schouwburgplein in Rotterdam. WORM invited the composers Machinefabriek, Pierre Bastien and Dyane Donck/Daisy Bell to compose a piece for this. The results are three soundartworks/tape compositions that a…
Swedish Contemporary Music on Fylkingen Records captures a snapshot of Sweden’s postwar avant‑garde: electroacoustic experiments, new chamber works and text‑sound pieces shaped at the nexus of Fylkingen, EMS and the ISCM, where technology and radical composition meet.
On Electronic Music, Pär Lindgren turns the studio into a charged, architectural space: three acerbic, abstract works where voltage, noise and spectral residue are shaped into disorienting landscapes with no obvious landmarks, only shifting fields of tension.
** 2026 Stock. Original 1986 Copies that may show some signs of long storage wear. ** Across his career, Rolf Enström has been less interested in occupying a genre than in testing how far music can stretch when it brushes against other arts. Known as a composer who “unceasingly seeks new artistic paths and new means of expression,” he has frequently braided his work with visual art and literature, using text, image, and performance as catalysts for sonic experimentation rather than decorative ad…
On Ite, Missa Est, Tamás Ungváry turns computer music into a spiritual pressure chamber: gliding spectra, organ remnants and razor‑edged noise collide in a twelve‑minute ritual where Catholic dismissal becomes a launch command into pure, disembodied sound.
Original LP from 1982. "Since 1979, the Swedish Radio Company and the Stockholm Electronic Music Studio (EMS) have arranged an annual 3-day Stockholm Electonic Musik Festival. It's purpose is to present a sample of the electronic music being composed in different parts of the world. This record contains four works from the 1980 festival - two are Swedish and two are international; two are for tape and two combine tape with live performance." Lars-Gunnar Bodin: Epilogue; rhapsodie de la seconde r…
** 2026 Stock. Original 1977 Copies that may show some signs of long storage wear. ** Composed between 1972 and 1976, Clouds marks one of Lars-Gunnar Bodin’s most fully realized attempts to fuse electronic music, vocal writing, and visual dramaturgy into a single, inseparable organism. Often described as a pioneer of Nordic electronic and text-sound art, Bodin approaches this piece less as a “work for tape” and more as an advanced form of musical drama: three women singers, three dancers, eight-…
** 2026 Stock. Original 1978 Copies that may show some signs of long storage wear. ** Electronic Music captures Sven-Erik Bäck at a crucial threshold, stepping from the world of string quartets and church motets into the charged, unforgiving arena of the tape studio. A central figure of 20th-century Swedish art music, Bäck was steeped in chamber playing and sacred repertoire, yet closely aligned with the Monday Group’s push toward a modernist idiom that embraced serial thinking and new technolog…
My first complete electronica CD which contains electronic music I performed live over the last couple of years, edited to form a complete work that can be played from beginning to end. The title comes from John Lloyd's and Douglas Adams' dictionary The Deeper Meaning of Liff where it in brief means loud and informative (it is also an Australian town). The music is a combination of harmonic noise music and multi-layered rhythmical electronica'.Mattias was born in Stockholm, Sweden in 1976…