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"A trio comprised of Thomas Lehn (analogue synthesizer), Ivar Grydeland (guitar, guitar banjo) and Ingar Zach (percussion). All three come from the improvisation field and here you can find them in full form, treating their instruments with care and trust, bending and breaking the things at hand. The trio offers a very dynamic set of music, going from soft introspective parts to loud, vicious strokes. Their instruments sound usually unlike what they are supposed to sound, save, perhaps, for Lehn…
Bruce Russell and Noel Meek return with their second harsh noise collaboration. Their first, Classical Music (2018) was an all-electronics wrestling bout that simulated engine testing on a long-haul passenger jet. Their new album combines guitar, violin and electronics and was recorded in a wood workshop. You can hear the power tools, even though none were actually used. Extreme noise can sometimes be associated with offensive, racist or extreme-right views. The New Zealand duo have chosen to sp…
**60 copies** Based in Jyväskylä, Finland, Keijo Virtanen is somewhat of a legend in the whole finnish psych scene (on the same level as Pekka Airaksinen - in fact the two have collaborated before). He’s been working on music for ages but his work has only been starting to get attention during the last few years. This artist’s music is unlike any other, it is often based in ambient and drone and incorporates weird traditional folk instruments from around the world just as much as electronic inst…
**Deluxe edition** Black Editions present the first ever vinyl edition of Go Hirano's third album, Corridor of Daylights, originally released in 2004. Corridor of Daylights is a quiet work of dreamlike brilliance. A home field recording where fragile piano melodies float alongside wind-chimes and wistful melodicas - insects hum in the distance and a breeze gently rustles as summer day eases toward evening. Originally released in Japan by P.S.F. Records in 2004, Corridor of Daylights is a beautif…
"Made when she was just 18 years old, Barbara Rubin's art-porn masterpiece Christmas On Earth (1963-65) shocked NYC's experimental film scene and inspired NYC's thriving underground. For the next four years her filmmaking and irrepressible energy helped shatter artistic and sexist boundaries. A mythical 'Zelig' of the sixties, she introduced Andy Warhol to the Velvet Underground and Bob Dylan to the Kabbalah. But beyond shaping the spirit of the sixties, Barbara was seeking the deeper meaning of…
**250 copies** "Beautiful new LP (the seventh, I believe), from this wonderfully abstract outfit, who were birthed in the shadow of Smegma (Portland, OR), but have since relocated to Maine. The foundational members of the band are Grant Corum (keyboards, vocals, tin whistle, vocals) and Suzanne Stone (alto sax, khene, vocals). For this album, recorded by Big Blood's Caleb Mulkerin, they are joined by Caleb himself (tape loops and treatments) and Tom Kovacevic (piano and synth), both of whom play…
**300 copies** "Three:four Records (Switzerland) and Feeding Tube Records (USA) are pleased to announce the release of Early Abstractions, Vol. 1 by Danny Oxenberg (Supreme Dicks), Bear Galvin, and Friends (Pillow Mt. Conspiracy). Early Abstractions, Vol. 1 is the follow-up their 2016 release Late Superimpositions (three:four records), and contains recordings made in New York, Western Massachusetts, and Los Angeles -- some old, some older, some relatively new, some borrowed, some blue... Around …
**250 copies** "After five long years of waiting, rural psych masters, Sore Eros, return with an extended statement of purpose. Although their partial spatial dislocation from Western Mass has seemly rendered them a studio-oriented outfit, the lovely tangles of sound they create are as optimally fried as ever. The album was helmed by engineer/producer Adam Granduciel (War on Drugs) who was the only one capable of coaxing the whole band into the studio. Aided by players like Daniel Oxenberg (ex-S…
"My first deep exposure to Leonard Cohen was the Bird on a Wire documentary by Tony Palmer, which was, against the odds, broadcast on public television in New Zealand around 1974 or 1975. At age 15 or 16 I thought it was too dark. A few years later, in the late '70s, I wanted things darker. The first Cohen LP was very clever but a little too "up." The second was too public and political for me. Songs of Love and Hate seemed more honest, more about personal failure. I liked it, although Cohen ten…
With This Kind Of Punishment, Graeme Jefferies and Peter Jefferies produced some of most adept DIY sounds to emerge from New Zealand's 1980s post-punk scene. After their phenomenal self-titled debut and classic A Beard Of Bees, the brothers would make one last album together, In The Same Room. Originally released in 1987 on Flying Nun, In The Same Room is perhaps the straightest rock offering in TKP's esteemed catalogue. Opening track "Immigration Song" expertly pairs jagged guitars with wrathf…
Wall of Sound is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally. Ulrich Krieger's Wall Of Sound is a series of CDs about music that invites the listener to indulge themselves in sound. It doesn't guide an audience through a narrative, like a song, but offers the listener slow changing and developing soundscapes, acoustic sculpt…
"Heart Beat Ear Drum" is a feature length documentary about the late artist and musician Z'EV (1951-2017), known for his punk era scrap metal music - an extraordinary range of acoustic phenomena resulting in trance-inducing sounds. This documentary shows how his music changed and grew and how his personal journey led him to the margins of art and the depths of heart. From 2007-2015, director Ellen Zweig followed Z'EV, shooting concerts and interviews, and collecting archival footage. In addition…
Br'laaB is the moniker for the studio works of Brecht Ameel (Razen), consisting on the one hand of themes from Ameel's songbook for the Acid Boogie Quartet, on the other hand of tape collage pieces based on recordings of found audio, ultra-fi sampling, degraded vhs, skipping cd's and sandpaper vinyls. Combining influences that range from Slint to Raymond Dijkstra and from Tape to Peer Raben, the pieces here were assembled and recorded after hours while working on commissions for contemporary da…
**500 copies** Guest edited by Shawn Jaeger. Featuring remembrances and appreciations of the deeply missed composer by Stephen Drury, Rhonda Rider, David Rakowski, Bryan Hayslett, Chris Fisher-Lochheed, Eliza Brown, Scott Wheeler, and Ben Hjertmann. As well as articles by or with Jerome Harris, Charissa Noble, Rick Moody, Sam Amidon, Colin Stetson, Claire Chase, Kate Soper, and Eric Wubbels. Also photos from Katherine Desjardins and exquisite corpse from Shawn Jaeger!- Printed using offset litho…
Ilia, Konstantin & Me is a new Norwegian-Russian (Ilia Belorukov — alto saxophone, Konstantin Samolovov — drums, objects, radio, voice recorder and Christian Meaas Svendsen — doublebass, voiceunion) which, in the borderlands of the known, seeks to find a common musical platform. The barriers are manifold: culture, references, language, upbringing, and education, along with voluntary and enforced indoctrination. Seemingly few things can unite the individuals and bring them into an elevated unity.…
An Annotated Phonography of Chance expands upon the soundtrack to an uncompleted 16mm film made in collaboration with English filmmaker Martha Jurksaitis and the Portuguese artist duo Von Calhau! The film ‘Nossos Ossos’ was shot largely on location in the Alentejo region of Portugal in 2013. Mark Vernon is a Glasgow-based artist whose work exists on the fringes of sound art, music and broadcasting. At the core of his practice lies a fascination with the intimacy of the radio voice, environmenta…
soft tissue is a collaboration between Glasgow-based artists Feronia Wennborg and Simon Weins. Penultimate Press is proud to present their debut release that has grown out of a collaborative process where recordings from everyday life rub alongside experiments with analogue feedback. Exploring the sonic relationships between physical objects, pre-recorded material and digital processing the duo plays within networks of micro amplification, blurring the boundaries between conscious interventions …
Salón Dadá was a Peruvian post-punk band made up of Támira Bassallo, Jaime de Lama, and Juan Huamán Hoover, active in the Lima underground movement of the '80s, known as rock subterráneo. They left no official recordings, but at the end of 1986, they did record a four-track rehearsal which began to circulate as an unofficial demo, becoming a classic of the period. Ensayo 1986 (Rehearsal 1986) is now published for the first time on vinyl. Presented as a 7" EP, this new addition to the Essential S…
Interactions: A Guide to Swiss Underground Experimental Music, a double-LP compilation curated by Luis Alvarado and published by Buh Records, brings together 27 works by more than 30 artists from the current experimental music scene in Switzerland, in a variety of sounds, ranging from free improvisation, ambient, and industrial music, to synthesizer music, sound collage and more. It gives an account of the intense creative activity in the Swiss underground that runs through cities such as Zürich…
Kɑːmos is the duo of Aino Peltomaa and Nathan Wouters. Aino Peltomaa (FIN) is a vocalist with a radiating sound. She performs widely with medieval, renaissance and contemporary music. In 2018, she directed and performed Ordo Virtutum by Hildegard von Bingen with the Finnish Kaari Ensemble. This medieval, mystic nun keeps on intriguing: her songs are also part of Aino’s project Harmony of the Spheres and her words are sometimes used in the lyrics of Kɑːmos.Nathan Wouters (BE) plays the bass as if…