Lentifero
Cancrena III is a solo side project from [fla] - Splinter Vs Stalin. Death ambient - drone - lofi - hopeless and slow cancer. Limited edition. 50 hand-numbered copies in special cardboard sleeve (black/silver). Typographic print.
Fingerpainting
"Now we have The Red Krayola's state-of-the-states address 1999, presented to one and all in grand Red Krayola style, going all the way back to the days when they spelled it with a C instead of a K (c. 1967). Back then, the world was hearing it's first of this now legendary outfit. Having never tried to do anything the same twice, The Red Krayola, manage in a way not to again on Fingerpainting, although this time, in a way, they tried. Fingerpainting features unreleased songs from the distant da…
Non Meters Volume One
Risil is a collective of musicians that are all somehow connected to each other in some form or fashion. Risil's membership includes Guillermo Herren (Prefuse 73/Savath & Savallas), Zach Hill (Hella), Tyondai Braxton (Battles), John McEntire (Tortoise), Alejandra Deheza (School of Seven Bells), Eva Puyuelo Muns (Savath & Savalas).The project started as a chance for a large number of people to freely collaborate without a set goal for the end result or achieving a certain sound. This turned into …
Tre
Brand new album by the experimental duo made up by Xabier Iriondo and Paolo Cantù. Lots of adjectives could define this album made by Paolo Cantu and Xabier Iriondo, talentuous italian musician who also worked to A Short Apnea, Tasaday, Minute War Madness, Four gardens in one. This project began more by an idea, a conversation or a project but the audio result is impressive.
A La Lu La
Amolvacy is Aaron Moore from Volcano the Bear, Dave Nuss from No-Neck Blues Band, and Sheila 16 of the Laboratory Theater Group, NYC. The band creates compositions from its improvisations centered around strong elemental percussion, radical theatrical vocals, and classical acoustic instruments. Recurring themes in Amolvacy’s texts are the pain of relationships, the affirmation of the feminine in myth, the hero’s journey, and continuous need to flame the passions of the heart. “A La Lu La” specif…
The End Of The Empire
Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …
El Pulso
El pulso (1991) is a live collaboration with other guitarists. Masayuki Takayanagi (g), Toshio Sato (g), Shojiro Ikeda (7st.g), Akira Matsuoka (g), Hidetoshi Tanba (g), Taisuke Sakamoto (g), Shinichi Miyazaki (g), Nobuyoshi Ino (bass). Quite possible one of the strangest releases in the Takayanagi (New Direction Unit) discography: an acoustic guitar nontet playing covers of South American tango, milonga, vals, rumba, &c.
Languid Red Marchetti
** Edition limited to 340 copies, with full-color cover, infra-Suprematist inner sleeve and ultra-liner notes insert by Keith Connolly. ** Recorded close to the group's inception in 1994, “Languid Red Marchetti” is the NNCK sound in its empirical form, rhythmically a-linear and fundamentally abstract. While NNCK would go on to become a seven piece performing group, recording and touring extensively, this recording documents a smaller group of four original members engaged in the hermetically sea…
Troubled, Shaken Etc
Another album of unclassifiable experimental songs from British band the Sian Alice Group, who blend elements of avant-rock, folk and dark, cinematic tones for a uniquely atmospheric, inter-disciplinary sound. A Stereolab-like mix of pop modernism and Terry Riley minimalism gets the album started ('Love That Moves The Sun'), before all momentum is dismantled in favour of fluid ambience on 'Airlock'. From here on the band continue to genre-hop before stumbling upon a rich vein of balladry on trac…
The Planetarium Project
In 2007, Area C — the moniker for artist Erik Carlson — along with a range of collaborators took on a series of improvisational performances at the Cormack Planetarium in Providence, RI, an unusual setting for a music performance. From recordings of these events that Area C dubbed "The Planetarium Project" Sedimental records released this limited edition, double CD. With artwork by Erik, Amy Borezo of Shelter Books created and printed a beautiful paper CD case that has a concertina fold that ho…
Dazwischen
Sebastian Lexer piano +. Recorded at the Electronic Music Studios, Goldsmiths, University of London on 16th November 2008. Max/MSP programming, recording and mastering by Sebastian Lexer. Notes by Eddie Prévost, Ian Stonehouse and John Tilbuy. Design by Myah Chun. I am impressed by the varying degrees of intentionality and the spatial deployment of sounds (isolated, remote, etc.) which enrich Lexer's music. Shades of Cardew and Wolff. For example, in an ensemble the piano sound can be effectivel…
Soni Sclavus
Electro-acoustic out-sound experimentician Israël Quellet was born in Neuchâtel, Switzerland in 1972, and this is his second release for the Sub Rosa label - the fifth volume in their Musics in the Margin series.
extended loudspeakers
Jerrycans connected by a network of steel wires, each wire length and can location is adapted to the space. A loudspeaker is slipped inside one of the cans; the sounds it broadcasts make the wires vibrate. When these sounds are modulated (pitch, timbre, volume, density), the cans produce various resonances, which can be injected back into the speaker (feedback). The cans are hanging, so that listeners can circulate and choose different listening perspectives.
Contact
Keith Rowe (guitar, electronics) and Sachiko M (sine wave, contact microphone). Recorded by Taku Unami at Kid Ailack Art Hall, Tokyo on september 21 and september 23, 2008. Mixed by Taku Unami. Mastered by Toshimaru Nakamura.
Nordic Visions
Alreay out of print "While Wooden Wand and Satya Sai jammed with the Sky High Band in beautiful California, the Vanishing Voice dug in deep in the frozen northeast. Snowed in with utopian texts and mounting paranoia, Steven the Harvester, Heidi White Diamond Diehl, and Pete Wolfy Nolan joined nonhorse in an abandoned textile factory, boiling out these ballads of suspended disbelief and hope for the better world... killer vinyl edition on this new label of the self released cdr. Great packaging w…
I Dreamed A World Of Darkness And You The White Light Shining
Gorgeous solo album from Isaac Edwards of ODAWAS. Think Popul Vuh's soundtracks for Werner Herzog. Limited to 300. HIGHLY RECOMMENDED.
Regine Flory
Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic tracks skirt the fri…
John The Revelator
Kline created a Mass for six voices, seeking to craft a "window to a deeper world...unburdened by a rigid plan, formal or stylistic." The result is a 21st century Mass, featuring world-class string quartet, Ethel, and renowned early music vocal ensemble, Lionheart.
Mutually Arising
Davis' second album for Kranky following 2004's Somnia. Features two tracks over 51 minutes, "Cosmic Mundra" is a subtle & slowly changing circle, a sun, the sun, the moon. Not the Arpeggio Minimalists, rather: the quiet time stretchers of long tones & long tones sustained & hyper-sustained until buzz value outweighs pitch, sounds seeming to fly around the screen, hyper-spiritual with hardly a word. "Hall of Pure Bliss" is a chord and all sorts of wonderful sounds which live to its left and righ…
Music for air raids V2.0
LP album, numbered and stamped vinyl edition limited to 250 copies. A different version from ' Music for Air Raids ', recomposed for the vynil format and entirely remastered. Comes above our heads the distant roar of ' Music for air raids v2.0 ' as a prelude to the waves of polyrhythmic drums and unremitting guitars, of powerful and constructive poundings that will penetrate us to the core throughout the album. As this album is a tour de force end-to-end, with raids of drums, persussions and gui…