Machanical Restraint
All pieces recorded live at the Plastikville Studio. Sound sources through the use of pure analogue devices and various kinds of metal apparata connected through electronics, unaffected in any way in the hope of rendering a kind of sonic inscription of the machines.
Here There
Tomas Lehn, analogue synthesizer. Raymond Strid, drums and percussion. Recorded by Tomas Lehn at Inkonst, Malmö 28-09, 2000. Produced by Fylkingen in 2003.
Irregular
Martin Klapper, amplified objects, toys, tapes. Martin Küchen, baritone saxophone. Recorded by Martin Küchen at Galleri Neon in Brösarp, 2001. Produced by Fylkingen in 2003.
My Last Works
Sten Hanson passed away on November 1st 2013. During the last year we discussed with him to make a record with four of his unreleased works from the last then years period. Sten had the title for this record: My Last Works.' Daniel Rozenhall & Leif Elggren, August 2014. My Last Works is a hommage to the work and life of Sten Hanson (1936-2013). Sten Hanson, the Swedish artist, who, working as a sound-poet, created pioneering work in the visual arts as well as performance art, is no more. Strong,…
Whitewashed With Lines (Common Objects)
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
Frozen Orchestra (Amsterdam)
The Pitch is a Berlin-based quartet that explores the area between abstract melody and acoustic drone. Since 2009 they have been developing a musical language and a body of work ranging from quartet music to extended, large-scale ensemble pieces involving guest musicians and further conceptual elements. Improvisation is an important element in their music and it is used as a generative device within specific shapes, structures, and ideas for different pieces of music. Their piece Frozen Orchestr…
Sous La Chambre, Sans Le Savoir
Mysterious collaboration between Francisco Meirino and Roro Perrot in which electronic music weaves his sticky web on amplified sounds and voices yelling in a dreamlike distance.
Dissemines ici et la
Kasper T. Toeplitz, bass & electronics, Jac Berrocal, trumpet and voice, , drums and objects. Live concert in Evreux, France, June 2014. Free rock by three very different musicians. Nice gatefold cover designed by Mika Pusse and 180g black vinyl limited to 300 copies.
Hegemony of Delete
Hegemony of Delete is electronic music in dialogue with the real rhythms of work and leisure. As Co La, Matthew Papich courts the minor distractions and interruptions typically seen to dilute workflow or artistic process. With or without an audience—in the studio and in performance—his music subtly works the room, not unlike those comedians who semi-secretly draw their momentum from crowd “interruptions.”
The six songs of this 12” bear the marks of Co La’s working method, to which the title refe…
(untitled)
(untitled) is a devastating set of almost pure white light. The intense drone music on (untitled) represents a return to "sonic-ism" for the quartet of Jack Rose, Mike Gangloff, Patrick Best, and Mikel Dimmick. Like Pelt's 2003 effort Pearls from the River, (untitled) is an all-acoustic affair. On (untitled) the group concentrates on producing dense clouds of overtones from guitar, cello, tibetan bowls, gongs, sruti, and esraj. Track 1 is an overpowering straight line ala the Theatre of Etern…
Visitors
Visitors was the brain-child of French producer/composer/genius, and enfant terrible Jean-Pierre Massiera. In 1974, he recruited a group of nineteen musicians (most notably jazz violinist Didier Lockwood, who made an indelible mark on Magma's 1975 live album), to record his latest compositions. Massiera had been impressed by violin-fronted jazz-rock acts such as the Mahavishnu Orchestra and Jean-Luc Ponty. He decided that his new psychedelic nightmare should be a concept album on the theme of ex…
Like Sunburned Snowflakes
Limited edition 45 RPM 12” of Alex Turnquist’s not-like-anyone-else guitar stylings, with 5 tracks using only plucked harmonics on his 12 string guitar. Using this limited palate of sounds, Turnquist crafts sparkling waves of notes, employing the minimalist sensibilities that have informed his more recent work (e.g. his 2011 VHF LP/CD release Hallway of Mirrors) on a smaller scale. The harmonics here are frequently struck hard and in complex patterns - this is arguably “new age” but not drifty-a…
No Fans Compendium
Restocked! The unplaceable, implacable Richard Youngs presents a personal selection of five CDs taken from his long-running private press imprint, No Fans, plus 2 discs of previously unreleased and very covetable early material. An enigma to most, us included, Youngs' output over the years stretches as far as the ear can see, from tangled modular pop craft to noisy psychedelia and cranky folk, earning him a considerable cult fanbase in the process. These CDs include some of his rarest mate…
Ghil
2015 repress (yuppie!). A native of Korea, cellist/composer Okkyung Lee has been developing her unique voice in both improvised and composed music by blending her wide interests and influences. Since moving to New York in 2000, she has worked with numerous artists ranging from Laurie Anderson, David Behrman, Douglas Gordon, Vijay Iyer, Christian Marclay, Jim O'Rourke, Evan Parker, and John Zorn, just to name a few, while leading her own projects and releasing more than 20 albums and touring…
Deviate from Balance
John Wiese's long awaited Deviate From Balance is the artist's first album since 2011's Seven Of Wands (PAN). Recorded throughout Europe/UK, Australia, and the US, the album includes scored ensemble pieces including over 20 musicians on each, recorded in Melbourne and Portland, as well as audio documentation of installation pieces Wind Changed Direction, a four-channel sound piece presented in the garden of the Getty Center (curated by Liars), and Battery Instruments, an eight-channel piece…
Playing in the Dirt
Great back-story - reprinted below - on this LP, issuing the home-recorded experimental music of Bob "R.A." Cantius, an instrument builder/performer and Electronic Music Composer working out of my own former stomping grounds of Northern New Jersey in the mid-late 60s.Sonically, there's a commonality with kindred trawlers such as Charlie Nothing, Allan Bryant - specifically the latter's "Space Guitars" LP - and even Harry Partch's inimitable constructs, all wrapped in the same grand "Aleat…
Cold/Burn
Superstar live drone fiesta time here. Recorded in Oslo, during an Aurora Borealic night of January, 2010, this beauty thrums with a majesty-vibe arising deep from within the earth. Each of the participants has been horn-blown around the globe for mastery of individual string/machine attack. C. Spencer Yeh's violin arcs have powered a million strange improv scenes. Jon Wesseltoft is clearly the king of Norwegian harmonium dudes. Okkyung Lee is a Korean polymath re: formal cello innovations, …
Music For Piano
"Although it might sound perverse to say so, Music for Piano may well be my favorite Gary Wilson record. Most people who dig Wilson are very into his lyrics, but I actually find them to be a bit taxing after a while. Those early records all sound and feel amazing, but what I really wanted was to hear the music without the words. I had high hopes when I found a copy of Another Galaxy, the 1974 Gary Wilson Trio LP, but it had a very different heft than that which Gary displayed on You Think You…
Lisa Wants to Talk to You
Vinyl actualization of a Gary Wilson album originally released on CD in 2008. The second of Feeding Tube's Wilson retrievals (following 2011's Forgotten Lovers, FTR 065LP), the label considers this the most solid of Gary's post-revival albums. While it goes in a slightly different musical direction than the deranged porn-lounge inventions of You Think You Really Know Me (the classic '77 LP, heisted in toto by Beck during his Odelay phase), the naif-ache of the lyrics and the music's laid-back…
Between You And The Shapes You Takes
Between You And The Shapes You Take is the second collaborative album by Richmond based musician/sound artists Stephen Vitiello and Molly Berg. As with the duo’s previous release, The Gorilla Variations, tracks are created out of improvisations and sculpted through editing. Molly Berg’s clarinet and vocalizations tend to cover the CD’s lyrical content while Vitiello’s guitar and processing covers a good deal of the textures. Two of the tracks on the CD feature violin by the multi-talented Hahn R…