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*300 copies limited edition* Glory Fades is a song book written using a common collaborative musical language developed by Yair Elazar Glotman and Mats Erlandsson, building intimate musical spaces, primarily focused on acoustic instrumentation with electronic counterparts contributing light and shade. Throughout the eight songs on the record, each piece unfolds according to its own logic while simultaneously reflecting the overarching tonality of the song book as a whole. The music focuses on th…
Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panopticon prison (The White Dove Prison) in Luleå, Sweden. From the opening of Vita Duvan in 1856 until its closure in 1979, prisoners were detained for theft, perjury, drunkenness, domestic violence, and vagrancy. More than fifty women were charged with miscarriage & abortion (which was labeled as child murder); however, they did not spend much time at the prison before fa…
Paul Taylor is one half of Sutcliffe No More, formerly Sutcliffe Jugend. He is and was also a member of Inertia, Bodychoke and Slaves No More. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with scr…
Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-ind…
*300 copies limited edition* Two records came out in 1988 that forever changed the perception of "experimental" or "serious" music produced in Portugal. These were "Plux Quba" by Nuno Canavarro and "Música de Baixa Fidelidade" by Tózé (António) Ferreira. Both were released by the same label - Ama Romanta -, an influential independent imprint closely linked to avantgarde pop band Pop Dell'Arte. Because those records appeared in what could be perceived as an "alternative pop" framework, they rescu…
Reinvigorated by months of shutdown woodshedding, David Grubbs developed new works for guitar, as well as a piano piece and an exceptionally eerie bit of musique concrète. Inspired by the deep dive into Gastr del Sol’s duo magic that facilitated last year’s compilation box, David opened his deeply personal solo pieces for engaging conversational gambits with modern masters Rhodri Davies, Andrea Belfi, Nikos Veliotis, Nate Wooley, and Cleek Schrey.
*150 copies limited edition* "Now here’s a surprise, a solo album by Renaldo M is due for release on Klanggalerie. Called ‘They Blessed The Body Breadcrumbed’ it is a 13 track collection of original songs, most of which were started during the period Renaldo & The Loaf were not together. It features guest musicians Nolan Cook, Mike Howlett and Frank Pahl. With some very extended gaps in between, it has taken over 30 years to complete but is finally done!" Renaldo M. aka Brian Poole is half of Br…
Snakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British blues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers. After the lack of success of t…
Acclaimed Icelandic theremin musician Hekla returns with Turnar, her third album of devastatingly heavy, spectral soundscape-songwriting, entering a sublime paranormal plane of haunting dread. Now augmenting her virtuosic solo theremin work with cello, voice, and the sacred church organ of Icelandic master Kristján Hrannar, the evolution of Hekla’s unique magic summons new worlds with Turnar. The album was recorded partly in (and named after) a medieval castle tower in rural France, its ruinous …
Julek ploski’s ‘Give up Channel’ is on mappa. It’s the follow-up to the Poland-based FL Studio demon’s ‘Hotel *****’, released via Orange Milk in 2023. It’s an album that wrestles against a shadow self. It’s about shelter from the hailstorm of unwanted memories and guilt pangs and serrated blades of thought. It’s about clinging on to some semblance of hope, knuckles taut and teeth gritted. The fragmented drift of opener ‘Naysayer’ flows forward like an anxious daydream, pad eddies and piano plin…
*100 copies limited edition* In his late forties, Andreas Malm is releasing his first solo album. So where has he been hiding all these years? In plain sight, it seems. The past few decades, he’s been a staple in the music scene of Malmö, Sweden. From the free-rock outbursts of Fria Konstellationen to the tapedrones of Amph, the synthscapes of Skeppet and probably best known, the minimalist rockquartet Eternal Music Society: it’s fair to say he’s been around. Just not all by himself. As Kroppskä…
*Limited edition of 100* A new tape by Alessandro Bosetti! At once relaxation tape, language course and conceptual text-sound composition « Coniugazioni » ( Italian for « Conjugations » ) is an immersive harmonic-grammatical meditation made of swirling garlands of verbs and enveloping just intonation harmonic flows ( on synthesizer and monochord ) in which harmonies are generatively deducted from verb conjugations. « Coniugazioni » invites the listener into a synesthetic experience which is hypn…
*Limited edition of 70* Like a multifaceted Nico Päffgen afloat in Silvano Bussotti's spoetata prose, Grip Casino offers us the negative of pictures portraying a world that is unphotographable and even, in that darkroom that is the world's mind - ultimately undevelopable. The darkroom of the world is the wonder that is our daily life. Hovering on flying carpets, magicalmisterytouring guitars, we land on Grip Casino's planet, a place where we get deboned by gentlemen butchers, rolled in sci-fi m…
'Solo Acoustic Guitar Improvisations VII' is volume 7 in a series Dirk Serries is recording in honor of the Höfner archtop guitars. A few years ago Dirk fell in love with the acoustic guitar and specifically the Höfner brand for its specific and unique harsher sound their vintage archtop guitars hold. It's definitely far away from Dirk's electric constructions but at the same the acoustic approach is merely another way for him to express his fascination for sound in particular and how you can …
Big tip! Antigone is Eiko Ishibashi’s latest musical masterwork, one rife with chilling speculations for the future calling from inside her own head. Out March 28th, it marks Eiko’s first “traditional” songcraft album — that is, with lyrics and singing — since 2018’s acclaimed The Dream My Bones Dream, arriving on the heels of her celebrated soundtracks for Ryusuke Hamaguchi’s films. Within Antigone, Eiko teases out images from a dystopia not unlike the one we’ve already got. Hers is suffused wi…
Tip! *50 copies limited edition* "Austrian sound artist Matthias Urban crafted the two 20-minute, side-long tracks on SiAl out of field recordings he made in Iceland a few years ago. His source sounds are often recognizable, filled with running water, chirping birds, and wafting wind. What makes SiAl so compelling is the way Urban sequences those sounds, creating a subliminal narrative where each aural event feels like a new chapter in a story. There’s a stretch on side two that builds palpable …
Includes an 8-page booklet with lyrics in English and Arabic. Nancy Mounir’s debut album, Nozhet El Nofous, is a remarkable communion with ghosts. Moody, hypnotic, and sneakily catchy, the album - whose title means “Promenade of the Souls'' in Arabic - explores microtonality, non-metered rhythms, and bold vulnerability through a musical dialogue between Mounir’s own arrangements and the sounds of archival recordings of once-famed singers from Egypt at the turn of the 20th century. Adding her own…
*302 copies limited edition* "I have been lucky enough to release through Anomalous Records many of my favorite artists that were active in the 1980s such as Hands To, Total, Andrew Chalk, Agog, Ellen Fullman, The New Blockaders, and founder of P16.D4, Ralf Wehowsky. Now I am able to present a new composition by Giancarlo Toniutti, whose work I first heard on the compilation LP "Never Say When", which also introduced me to the music of the aforementioned Andrew Chalk and Total. His track there, …
Tip! "I first played with Magda in 2012 in Zürich. Since then, we've had further concerts together in Germany, Australia and Switzerland. It would be fitting that this, our first release, would be recorded at the Werkstatt für Improvisierte Musik Zürich, the same room where we originally first played together thirteen years ago." - Jason Kahn
Jason Kahn // electronicsMagda Mayas // piano, objects
More than two decades since he blew minds with a suite of brilliant releases on Warp, Vincent Gallo returns to the world of music at long last in Butterfly, his duo with Harper Simon, with the project’s full-length debut, “The Music of Butterfly”. A gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, while interweaving fascinating flirtations with minimalism and experimentalism, it’s a truly ca…