On Procedural Grounds
n his compositions, composer/performer Kyle Bruckmann seeks to integrate rigor and internal logic with raw immediacy while fully engaging his fellow performers as not simply dutiful interpreters, but creatively invested collaborators. Aesthetically, the results evoke much from European modernism, but realized via idiosyncratic modular forms and process-oriented strategies equally indebted to the New York School and the jazz avant-garde. On Procedural Grounds (2010) is a half-hour work conc…
From Straight To Bizarre
Subtitled: Zappa, Beefheart, Alice Cooper And LA's Lunatic Fringe. "Desperate to remove himself from his original deal with Verve Records, in 1968 Frank Zappa set up the Bizarre and Straight labels in league with manger Herb Cohen, and so began a string of releases which remain extraordinary in the extreme. This film revisits and reviews the astonishing music that came out on Bizarre and Straight, and reveals the background, operations and, crucially, the lives of the musicians, performer…
Time will Say Nothing
SEMA is an 80’s experimental-project by Robert Haigh who became well known in the 90’s for his ambient Drum & Bass-project Omni Trio.In 1980 Robert formed the industrial/avant-funk bands Truth Club and Fote as well as his own label Le Rey Records.Between 1982 and 1984 he released 4 Lp’s under the name SEMA on his own Le Rey label: Notes from Underground, Theme from Hunger, Extract from Rosa Silber and Three Seasons Only - which can be found in this Box-Set Release. He also contributed to several…
Nell'alto dei giorni immobili
The album is dedicated to Fausto Romitelli and includes his composition for six instruments "Nell'alto dei giorni immobili" in a unique live recording by the finnish ensemble Zagros with the addition of a double bass as a seventh instrument, that was requested for that special performance by the composer himself.Alongside Romitell's piece, four remixes are presented as the winners of the Sincronie Remix 2011 competition, realized by Diego Capoccitti (Italy), Neil Kaczor (UK), Andrea Mancianti (I…
Jetzt
In 1981/1982 the French composer Luc Ferrari produced the radio play “Jetzt – oder wahrscheinlich ist dies mein Alltag, in der Verwirrung der Orte und der Augenblicke” [“NOW – or Probably This Is My Everyday Life in the Confusion of Places and Moments”] with the Hessischer Rundfunk. Like other earlier radio plays of Ferrari, “JETZT” as “radio play on the radio play” is a special case between music, radiophonic art and narrative radio play. The dialogues between Luc Ferrari and his wife Brunhi…
The art of worms
The first publication from The Bookworm. Contents: 'Parasitic Infestation', an essay by Ken Hollings. Illustrations from the first 25 Tapeworm tapes, including works by SavX, Derek Jarman and Leif Elggren. 66pp, 110mm x 117mm, soft cover, thread bound booklet Ð no ISBN. Edition of 250 copies only
Collected Works: 2002-2012
Throughout the last decade, the works of Anthony Pateras have been performed by some of the world’s leading ensembles and performers. He has collaborated with a broad array of contemporary artists including Han Bennink, eRikm, Christian Fennesz, Paul Lovens, Stephen O’Malley, The Necks and Mike Patton. He is also one half of the mind-blowing piano/drums avant-grind outfit known as PIVIXKI, and is founder of the Electro-Acoustic-Free-Concréte quintet THYMOLPHTHALEIN.This 5-disc set covers many as…
Chora(s)san Time-Court Mirage: Live At The Grimm Museum Vol. 1
2016 restock. Catherine Christer Hennix's extraordinary live recording of 'Blues Dhikr Al-Salam', made on sunday 14th August at The Grimm Museum, Berlin. Swedish-American composer Christer Hennix is regarded among the elite of 20th and 21st century minimal composition, spending the 1960s studying the work of Iannis Xenakis and Karlheinz Stockhausen, and later becoming a noted disciple of Pandit Pran Nath and La Monte Young in the 1970s. Coincidentally, this piece was first premiered at Young's 7…
Ecce Homo: A Portrait Of Célestin Deliège
Ecce Homo: A Portrait Of Célestin Deliège is a deep, strong and raw portrait of one of the greatest musical thinkers in Europe, who passed away in 2010. Célestin Deliège was the last representative (with Pierre Boulez) of post-War modernism. Prestigious musicologist (passing his encyclopedic knowledge through violent polemic), teacher at the Conservatory of Liege, Brussels and La Sorbonne, he impressed many students -- students who have since become important composers today, not the least…
Outside The Great Drought
NY-based multi-instrumentalist Colby Nathan delivers a debut that contains a jumpy and highly neurotic form of outsiderpop combining bebopdrenched rants and surrealistic torchsongs with lush arrangements that constantly test the limits of self-control and good reason. “Outside, The Great Drought” offers baroque exuberance and teenage angst through sixties inspired craftsmanship that keeps spiraling out of this worldly realm. Think Jonathan Richman, Brian Wilson and Van Dyke Parks.
For Pau Torres
Catalan musician Ferran Fages, known for his guitar work as much as his work with turntables and electronics, delivers here a striking album of evocative, nocturnal electric guitar explorations. Bracketed by two intricate pieces of feedback, the centerpiece of this work maps out a carefully constructed arc of a story, bringing this album closer to that often misunderstood soundtrack-for-a-movie-yet-to-be-filmed genre. Ferran Fages: electric guitar and walkie-talkie. Composed, recorded and mixed …
Narratives1: Dreams
"Narratives" is a series of "music text films" that centre on the experience of music mediated through animated text. Kyriakides has developed this form over the years, encompassing about 15 works ranging from orchestral, chamber, to electronic music. In the next year Unsounds will publish the whole collection in a series of DVDs. The first edition: "Dreams", collects the large scale ensemble works - "Dreams of the Blind", "The Arrest" and "Subliminal: The Lucretian Picnic" performed by E…
Medea
"Medea" by Calliope Tsoupaki is the first in a series of chamber music compositions focusing on drama; a "melodrama for 8 instruments". The composition is written for Ensemble MAE, that distinguishes itself for its colourful, direct, physical and improvisatory character. Tsoupaki uses the ensemble's palette, composing solos, duets, trios, wrapped in larger sonic fields, with a strong associative and visual impact. Further there is no story-telling for the listener to be led into the piece;…
The Leaden Echo
Portugese bassist Margarida Garcia remains one of the most distinctive improvising voices on her instrument even as she moves well beyond contemporary improv praxis with an umbilical that runs deep into the contemporary psychedelic underground. This new LP, released in an edition of only 200 copies on guitarist Manuel Mota’s Headlights imprint, sees her exploring some darkly dramatic arco drone space with enough F/X to sink the Titanic. The territory is murky, sub-aqueous, giving the nod …
CINo51
"Previously, a boy dreams the dreams of many other boys. He meets three other boys and they dream together. Sadly, one of his co-dreamer's dreams become nightmare. In an effort to avoid seeing their own dreams relegated back to sleeping, our hero and his fair dreaming compatriots leave their troubled friend to face his nightmares on his own. His nightcap is quickly filled and the boys march forward, eventually seeing all of their dreams made manifest. In this installment our boy has beco…
Sunday Night, Sunday Afternoon
Sunday Night, Sunday Afternoon is the debut LP by the duo of Marcia Bassett and Samara Lubelski. Both musicians have played crucial roles in the development of underground sound over the last 20 years, tinting the broad waters of abstract folk, chromatic noise and long form drone, and cementing themselves as cornerstone artists in the process. Sunday Night, Sunday Afternoon is the perfect synthesis of Bassett and Lubelski's individual crafts - two sidelong forays into deep black string medi…
Frost frost
'Bo'Weavil is excited to present the second album from the Sydney trio Roil. All three of the members of Roil - James Waples, Mike Majkowski and Chris Abrahams have been active in the Australian jazz and Improvised music scenes for many years; James is possibly best known for his work in the Mike Nock Trio; Mike performs regularly with such musicians as Jon Rose and Clayton Thomas; many people would know of Chris through his work with the amazing three-piece group The Necks. Together they have b…
Bless them that curse you
'Bless Them That Curse You captures an unprecedented balance of claustrophobia and solace. It's a strange alchemy to render something both inviting and alienating; it requires a special kind of skill to create music that sounds like it's rattling apart at its seams, unraveling in a torturous but compelling fashion. It demands an acknowledgement of the fine line between noise and racket, between tension and tedium. Finding an interpersonal chemistry to pull it off can take years of searching and …
Two Falls & A Submission
Paul Hession, drums. Alan Wilkinson, saxophones. Simon H Fell, bass. ''Greetings, Grapple Fans' were the words that introduced Saturday afternoon wrestling on British commercial television when all three members of this trio were boys. These memorable words were spoken by a silky-voiced commentator called Kent Walton, who commentated on the wrestling between 1955 and 1988. When discussing improvised music one frequently use analogies and there are three in particular that usually come to …
Sticks, stones & breaking bones
the hardest thing in the world is to have an original idea. As much as creative musicians hate to admit, free improv/experimental/underground (and all other useless adjectival identifiers) music now has as many stylistic tropes as your standard 19th century symphony: the endless variations on white noise, the orgiastic free ensemble climaxes, reassuring bass drones, "brutality", all of which point to performance, not playing. Musicians cling to the next solution that the media spotlight…