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Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
DVD all regions. Celebrating the first 10 years of the festival, this set contains over 11 hours OF audio, a beautiful booklet and a feature length documentary! 20 incredible performances were painstakingly selected by committee from the rich festival history to be shared on one DVD as .wav files (the best way to fit so much high quality audio). The artists featured on this disc are: David Grubbs, Lee Ranaldo + Dean Roberts, Martin Tétreault, Oval, CiNdy (Sam Shalabi + Alexandre St-Onge), Tomas …
A composition by Olivier CAPPAROS & Lionel MARCHETTI. For string quartet, two voices and three loudspeakers. An oratorio of musique concrète and instrumental music about “Kitty Hawk” the city where the Wright brothers did the first experiment with plane.
'Stephen CORNFORD is better known for his work in sound sculptures and installations than as an improvising musician. But on ÔTurned Moment, weighting' (at-b07) he uses the piano as a source for feedback patterns, which he blends with the gentle Feldmanesque playing of pianist Samuel RODGERS to produce three extended improvisations of astonishingly delicacy. Samuel RODGERS has said that 'though being aware of and struggling with the tradition and limitations of the instrument, I have found the…
The second solo CD under his own name, following the widely acclaimed 'Vijf Profielen'. Six pieces from the period 1995-2005 dealing with field recordings and sparse electronic processing. 'This disc consists of 6 pieces, all realized between 2002 and 2005, despite the title. It's bookended by 2 short pieces called Werkplaats #1 and Werkplaats #2, both derived from older Kapotte Muziek workshops. Both of these splurts out some manipulated machine sounds and odd electronic treatments and work wel…
The association between Ulrich Mitzlaff and Miguel Mira promises an unforeseeable sound meeting. The specific, personal and different ways of their distinguished expression is the base for their very dynamic and interactive music. They create sounds where the improvisation moves with great fluency between the establishing of textures and abstract musical ideas and the switching in the musical discourse to singular, rhythmic and melodic affirmations. They construct the sonar explorations using th…
'We kick-off 2010 with possibly the most essential Merzbow release for many years. This 3CD set is culled from appearances on various compilations, ranging from the most obscure cassette releases, to long out of print gems on labels such as Blast First and Susan Lawly. This material spans an entire decade from 1991 to 2001 and as such, tells its own story of the development and sonic chicanery that is the Merzbow sound during this time. If you only own one Merzbow work, this is the one to…
Through their use of low tech means and focusing on the blending of guitar noise and electronic voice processing, Lovesliescrushing can be seen as the early 'missing link' between the likes of Slowdive and Fennesz. Their output has been consistently and beautifully crafted... works that contain an element of sonic mystery and still sound timeless. Lovesliescrushing is an important, if perhaps overlooked, point in the timeline of contemporary electronic music. - Richard Chartier.Loveslies…
Just arrived! The research-performance group kiva was created in 1975 by the American trombonist John Silber and the French percussionist Jean-Charles François as part of a research project at the Center for Music Experiment at the University of California San Diego. During the period of its existence (1975-91) various members (often graduate students from UCSD) joined the two permanent musicians, John Silber and Jean-Charles François, to contribute to the groups artistic production. Two persona…
'Skills is a documentary featuring Lucas Abela, Rudolf Eb.er, & Zbigniew Karkowski. Faces is a live document with footage from Peter Flemmig, Dave Phillips, MSBR, Tim Hecker, & Kouhei Matsunaga. Edition of 300 copies.'
This is one of the ultralimited edition of 26 copies (numbered from A to Z) with a different artsy cover, with one piece of Wayne Jacob (Michael Ranta's alter ego) original painting, and on back Hartmut Geerken original Lomographies; hand-colored, stamped and signed. It comes with ORIGINAL flyers/booklets, as well as a full LP, NOT one-sided as the regular edition...Again, truly monumental last ever Qbico release is a feast of exotic instruments, skilful playing and spirituality. No less than si…
"Clivages is Univers Zero's first new studio album in over five years. They have spent the last five years performing at prestigious rock and new music festivals throughout Europe and North America and ever-widening their audience. Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizabl…
VINYL FORMAT. Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct app…
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70s and formed R.M.I. in 1993. After nearly 20 years together as R.M.I. and over 30 albums and hundreds of concerts, you might think that there might be no surprises left, but like their undulating, fl…
Duo of Agnes Szelag & Marielle Jakobsons (aka DARWINSBITCH). They create electroacoustic songs on many instruments such as violin, cello, voice, bass, gezhong, piano, & accordian. Their scores are often conceptually or process-driven, resulting in their unique style of electroacoustic music, reminiscent of Scandinavian free folk, lullabies, dramatic film scores, & electronic improvised music
Four exotic and talented women doing the Book of Angels. A capella. “Mycale” is definitely not my favorite entry in the already 13 albums long series (even though I only have half of those yet), but it is an entirely new approach to the material and therefore about as fresh and original as I suspect it can get after versions over versions of these kind of compositions. But mainly it’s just a lot of fun.
Not Not Fun records are knocking out a vinyl compilation in celebration of the diversity of women artists currently working within the US underground. It's cleverly entitled 'My Estrogeneration' and features unreleased and/or rare tracks from Zola Jesus, Pocahaunted, Tickley Feather, Inca Ore, Valet, Talk Normal, Topaz Rags, Islaja and a bunch of others. The track listing is a little tricky to make out so I'm not entirely sure which track is which but certain things are obvious to me because I l…
Sometimes the best gigs are the happy accidents-- stumbling on an unknown band, or being convinced to see an artist by a friend only to become a convert yourself. That's how I was introduced to Major Stars: Hijacked, dragged to a tiny Baltimore bar where the band was headlining. And then, boom: Wayne Rogers launched into the first of many acid-rock solos and full-front assaults. I was awestruck in a way you assume people felt when first seeing, say, session guitarist Pete Cosey (best known for …
"Active in electronic composition since 1971, Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. The second Tzadik CD by this modern…
"Ghost Surveillance is Algernon's third album and is their first on a label able to reach a wider audience. Their music brings a lot of influences together in surprising and entertaining ways. A quick listen to the download sample will show you why we have such great enthusiasm for this band, as they manage to be quite accessible while pushing stylistic boundaries and exploring new paths. Algernon are one of Chicago's fastest rising young bands. All instrumental, they feature a unique line-up of…