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Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty c…
The self‑titled Pat Metheny Group album is the moment an idea becomes a band. Emerging in the late 1970s, Pat Metheny Group arrive with a sound that feels fully sketched yet still buzzing with first‑chapter urgency. Pat Metheny’s guitar speaks in a c…
Vocalist and violinist Alice Zawadzki makes her ECM leader debut with Za Górami ("beyond the mountains"), a luminous and deeply personal song-cycle that gathers melodies from across the folk traditions of Central and Eastern Europe, the Sephardic and…
One of ECM's best-loved albums: oud master Anouar Brahem in a hushed, nocturnal trio with piano and accordion, dissolving Arabic music, European chamber music and jazz into pure melody and space. A modern classic.
On Blue Maqams, oud master Anouar Brahem brings his instrument into the very heart of the modern jazz tradition, recording in New York with a band of genuine giants. Bassist Dave Holland, drummer Jack DeJohnette and pianist Django Bates meet Brahem's…
Norwegian trumpeter Arve Henriksen and pianist Harmen Fraanje in a duo of whispers: fragile melodies, ghostly vocals, electronic shadows and open silence. Ambient, melancholy and deeply atmospheric.
Chick Corea's luminous 1972 classic that launched a movement, with Stanley Clarke, Airto Moreira, Flora Purim and Joe Farrell. Sunlit Brazilian melody and weightless groove; a founding ECM statement.
Jan Garbarek crafts a brooding, electronic-tinged song without words, with violist Kim Kashkashian and drummer Manu Katché. Spacious, hypnotic and cinematic; ambient chamber music, unmistakably ECM.
A cornerstone of the early Nordic ECM sound: Jan Garbarek's keening saxophone over shifting, atmospheric backdrops, with John Taylor, Bill Connors and Jack DeJohnette. Glacial, majestic, carved from northern light.
ECM's landmark cross-over: Jan Garbarek's saxophone improvising around medieval and Renaissance chant sung by The Hilliard Ensemble, recorded in a monastery. Sublime, meditative and utterly unclassifiable.
Guitarist John Scofield offers a warm and affectionate tribute to a lifelong friend and mentor on Swallow Tales, an album devoted entirely to the compositions of the great electric bassist Steve Swallow. Joined by Swallow himself and by longtime drum…
On this absorbing recording Keith Jarrett steps away from jazz entirely to interpret the Württemberg Sonatas of Carl Philipp Emanuel Bach, performed on clavichord. Best known for his groundbreaking improvised concerts and his luminous jazz quartets a…
Where it all began: Keith Jarrett's first ECM solo piano album (1971). Spontaneous compositions of startling melodic and rhythmic invention that foreshadow The Köln Concert. A cornerstone of jazz piano.
Keith Jarrett's most tender solo album, taped at home during recovery from illness as a gift to his wife. Standards and folk songs played with disarming simplicity. Hushed, fragile and deeply moving.
Intimate duo standards from pianist Keith Jarrett and bassist Charlie Haden, from the Jasmine sessions. Unhurried and conversational, two old friends; a poignant and beautiful farewell.
My Song is the beloved high point of the so-called "European" or "Belonging" quartet led by pianist Keith Jarrett, and one of the most cherished albums in the ECM catalogue. Recorded in 1977, it unites Jarrett with three of Scandinavia's finest music…
French clarinet master Louis Sclavis and pianist Benjamin Moussay in a spare, searching duo. Composition meets free improvisation in delicate, chamber-like dialogues. European improvised music at its most refined.
Swiss pianist Nik Bärtsch and his band Ronin deliver hypnotic 'ritual groove music': interlocking minimal patterns, funk-tinged grooves and Zen-like repetition. Precise, physical and mesmerizing.
The landmark that redefined the ECM trumpet album: Nils Petter Molvaer fuses Nordic trumpet with ambient, dub, electronics and drum'n'bass. A manifesto for future jazz; cinematic and groundbreaking.
The Pat Metheny Group at a joyous peak, with Lyle Mays, Mark Egan and Dan Gottlieb. Bright, anthemic and melodic, led by the soaring '(Cross the) Heartland.' One of ECM's most popular records.