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2015 release. Recorded at the height of their powers as the leading free jazz trio in Europe, 1971 includes some of the hottest and heaviest music ever made by Peter Brötzmann, starting with an inflammatory, incandescent 26-minute live track recorded at the New Jazz Meeting auf Burg Altena. Only available on a nearly-impossible-to-find LP sampler issued at the time by the festival, this marks the first appearance of "Just for Altena" on CD. Two more tracks come from pristine studio recordings ma…
2015 release. A reissue of arguably the rarest LP of European free jazz, Axiom, recorded in 1963 for the Swedish label Sonet. Test pressings were released to the musicians, but they were not approved and the label never printed more than the two first copies. Tom Prehn's music, which is exclusively known from a 1967 release that was reissued on the Unheard Music Series, is not only impossibly uncommon, it is also exceptionally wonderful, featuring an extended tenor saxophone solo by Frits Krogh …
2015 release. A reissue of Steve Lacy and Steve Potts's Tips, originally released on Hat Hut Records in 1981. Soprano saxophonist Lacy wrote the suite of tunes for Tips to feature the aphorisms of painter Georges Braque, as sung by Irene Aebi. Together with his right-hand-man, alto saxophonist Potts, he and Aebi recorded these 14 anthemic tracks in Paris in 1979, and the young hat Hut Records label issued them on a now-rare LP. The music allowed Lacy to extend and deepen his longstanding interes…
2014 release. In July 2013, a few months after the passing of his mother, cornetist Rob Mazurekperformed solo at the Corbett Vs. Dempsey gallery in Chicago. Mazurek is one of the highest profile figures in contemporary creative music, leading bands like the Exploding Star Orchestra, Skull Sessions Octet, and Starlicker. On this occasion, he brought a box filled with various implements -- his cornet, naturally, but flutes, bells, books, maracas, apples, and little electronics. This box became an …
2012 release. In 1981, Joe McPhee culled together one of his greatest bands to record Topology (1981), his classic outing for Hat Hut Records. Featuring an expanded version of Po Music, his ensemble with saxophonist André Jaume, guitarist Raymond Boni, and bassist François Mechali, the group included pianist Irene Schweizer, percussionist Pierre Favre, baritone saxophonist Daniel Bourquin, cellist Michael Overhage, and trombonist Radu Malfatti. One of the tracks left on the cutting room floor wa…
2012 release. A reissue of Joe McPhee's Variations On A Blue Line / 'Round Midnight, originally released on Hat Hut Records in 1979. Variations On A Blue Line / 'Round Midnight was recorded in October, 1977, during a highly significant period in Poughkeespie, New York, multi-instrumentalist Joe McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. Blue Line comes from a concert in Rouen, France, when McPhee pla…
2012 release. A reissue of Joe McPhee's Glasses, originally released on Hat Hut Records in 1979. Glasses was recorded in October, 1977, during a highly significant period in McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. Documented in Tavannes, Switzerland, the set contains sensational tenor work, including the title piece, which finds McPhee ringing out a rhythm on a half-full wine glass, from which he …
Previously unreleased, the three tracks on Pays Noir come from recording sessions held at the same time as those for the cult album No Man's Land (FFL 026LP), produced by Jef Gilson in 1976, and published on vinyl by Souffle Continu Records in 2017. Singled out at the time of its release by Actuel, Rock & Folk, and Melody Maker, the tabula rasa of No Man's Land is the result of free-flowing experiments born of chance, if the two musicians are to be believed. Indeed, their approach to free im…
Jim Denley has been playing flute since 1969 - after 50 years of a curious love/hate relationship with the instrument this is his first solo flute-only recording. He aims to situate this music within a global outlook, with a pacific perspective. Being from a continent, Australia, where there is no flute tradition, he’s taken cues and elements from flute traditions that still have power and currency — the European flute with it’s purity, brilliance and dexterity, the earthy simplicity of bamboos …
I first met Mark sometime in the early 90’s when we were both working in Chelmsford. He was running Soundworld Records above the musical instrument shop of the same name, I was over the other side of town in an insurance brokers. I’d played quite a bit of free improvisation at that point, mostly at the old LMC in a quartet called Make Shift together with Peter Urpeth, Stuart Wilding and long-time colleague and playing partner Geoff Collins. But had been away from it for a few years and wa…
Matsuli Music is proud to announce the re-issue of Black Fire, the 1976 debut album of legendary Cape Town spiritual jazz funk band Pacific Express. The band was home to jazz musicians Chris Schilder, and Basil ‘Manenberg’ Coetzee as well as fusion and soul musicians Robbie Jansen, Issy Ariefdien, Paul Abrahams, Jack Momple and Zayn Adam.This album is hard evidence of that 1976 musical moment in which Pacific Express forged an entirely new South African sound and musical identity out of what was…
ESP-Disk present a reissue of Albert Ayler's Prophecy, originally released in 1975. Recorded in concert at the Cellar Cafe, NYC, June 14, 1964. Three weeks before this trio recorded ESP-Disk's first jazz album, the epochal Spiritual Unity (ESPDISK 1002CD/LP), it was captured "live" by Canadian poet Paul Haines, who also recorded the New York Eye and Ear Control soundtrack (ESPDISK 1016CD/LP). This is one of the most influential groups in jazz history, a coming together of like-minded innovators …
Paul Rutherford's been making amazing sounds on trombone for decades – and he still sounds incredible here on this late 90s performance in Japan – a set that has the trombonist working with percussionist Sabu Toyozumi – but at a level that really seems to let Paul take the lead on most numbers! The set begins in a slightly tentative way – with Rutherford maybe going for some more familiar modes of expression, but quickly opening up as Toyozumi fills in the spaces between the notes – always in wa…
Sun Ra is still trying to get our attention 50 years after dispatching this transmission. Humanity’s path since then makes his message even more urgent today. Years after Herman Poole “LeSony’r Ra” Blount “left the planet” he’s still trying to reach us, to wake us up and to change our destiny.Sun Ra and the Arkestra weren’t a traditional studio band, and every star in the vast galaxy of their discography reflects this. The origins of these records can be hard to pinpoint at times, but when it co…
**500 copies** It is always a treat to see some major musical innovators in action. Especially in a mind-blowing line-up, at the top of their game and unrecorded until now on this impressive new Dropa Disc release.Evan Parker might be a member of some legendary trios – one with von Schlippenbach and Paul Lovens and one with Barry Guy and Paul Lytton – still this brilliant master of the saxophone and pioneer of free music managed to surprise us big time when he introduced his trio with John Edwar…
Actor/singer/flautist Vesa-Matti Loiri's third album 'Veskunoita' (1973) delves deeper into the kind of vocal jazz-pop which he mastered on his second record, 'Vesku Suomesta', but with a more light-hearted approach. During the recordings Loiri was joined by a host of well known Finnish jazz and rock musicians. This is the first ever reissue of this title of which original copies are almost impossible to find.
It was the summer of love in 1967, and more than 12 000 people found their way into the Rheinpark in Cologne – situated opposite the majestic cathedral and right at the bank of the Rhine river – for the first German open air jazz festival. Featured on those two sunny days in September were three big bands – including ace musicians like Jiggs Whigham, Dusko Gojkovic, Manfred Schoof and Volker Kriegel – and the Kenny Clarke - Francy Boland Sextet. When the festival was revived the following year, …
Port of Call is a studio-recorded duet by Klaus Treuheit and Lou Grassi. The latter is an American drummer who runs the gamut of ragtime (Max Morath) to no time (Gunter Hampel, Burton Greene). Treuheit is a German pianist who studied under Herbie Hancock and modern classical composer George Crumb. Mostly co-composed, this Port takes in the elemental blues, as on “Mysterioso IV”. This series of duos has a somewhat free-ish conversational cast, especially in “L’Space Sonore”, while “Lament #PB III…
Peter Evans - piccolo trumpetJohn Butcher - tenor and soprano saxophonesFrédéric Blondy - pianoClayton Thomas - double bassPaul Lovens - selected and unselected drums and cymbals