Jazz /
Lotus Crash
Trumpeter Marco von Orelli's piano-less quartet with Tommy Meier on tenor saxophone, bass clarinet, Luca Sisera on double bass, and Sheldon Suter on drums is caught live at Theater am Gleis, in Winterthur, Switzerland in 2018, and at Boudoir au Revoir, the same year, performing von Orelli's compellingly clever compositions, plus one each from Adam lane and Tommy Meier.
Consequences
Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.
Heliocentric Worlds 1 and 2
The two volumes of "Heliocentric Worlds", recorded 7 months apart in 1965, represent perhaps one of greatest chapters in Sun Ra's legacy, bringing together his immense orchestration skills with future-leaning free jazz, allowing his players expanse inside disciplined compositions that reflect on both space and the then-new freedom explored by jazz soloists.
Invisible Light, Live Sao Paulo
Captured live at the 2016 Jazz at the Factory Festival in Sao Paulo, this addition to New York pianist Matthew Shipp's catalog finds the masterful player presenting his own compositions like "Symbol Systems", "Gamma Ray" or "Invisible" light alongside unique takes on "Angel Eyes", "On Green Dolphin Street", "Yesterdays" and "Summertime".
Impressions Graz 1962
Taking his quartet on a European tour in the fall of 1962, Coltrane's band with McCoy Tyner on piano, Jimmy Garrison on double bass, and Elvin Jones on drums performed in Graz, Austria at Stefaniensaal, the concert beautifully recorded by ORF Steiermark and here released as the first of two volumes, showing both Coltrane's lyrical origins and expanding free inclinations.
Why Not? Porto Novo!
Reissuing two essential albums from saxophonist Marion Brown--Why Not? (ESP, 1968) and Porto Novo (Polydor, 1969)--the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.
Capricorn Moon To Juba Lee
Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.
Prophecy
With the essential sidemen to express his unique voice and approach to free jazz, saxophonist Albert Ayler, double bassist Gary Peacock, and drummer Sunny Murray, recorded these sessions in 1964 for the ESP label as "Prophecy", this excellent reissue & remaster also adding the live "Albert Smiles with Sunny" (inRespect) from the same concert; essential.
Spirits To Ghosts
Three variations of quartet settings from iconoclastic free jazz saxophonist Albert Ayler, remastering and combining two Debut Records albums, "Spirits" from 1964 and 1965's "Ghosts"
No Place To Fall
**First pressing of 175 copies with red cassette shells** The longer one works as an artist, the more secure one’s own identity becomes — whether visual, sonic, textual, or otherwise, the goal is to be clearly oneself. It may seem overly simple to cut the fat and center on creation and individuality, but considering those who have gone before and died for their art, the gambit seems far from easy. Saxophonist and photographer Rodrigo Amado (b. 1964, Lisbon) has worked in two different but relate…
Musa
A passionate and personal album, more or less a piano only instrumental work that will attract all kinds of music lovers from jazz, classical music, avantgarde and progressive rock. Excellent performance with a great flow in the composition and breathtaking improvisations. Some kind of jazz version of Keith Emerson.
Stanley Cowell, born in 1941, is a living legend as jazz pianist and his skills can be witnessed on his 1974 solo effort “Musa: Ancestral streams”. This record already fetches high p…
A Safe Return
Everland Jazz have picked a real gem for a reissue here! Originally released in 1980, “A Safe Return” is the second album by the Surinam jazz flutist Ronald Snijders. It is a strong alloy of soul, funk, jazz and smooth disco sounds! Mersmerizing musical craftsmanship! “Lenox” the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approach of…
Sweet Heritage
Rare private press Jazz-Funk with breaks and some spiritual influences reminiscent of Brother Ahh at times. The group cover Stevie Wonder’s You Are the Sunshine of My Life and play originals that include Sweet Heritage, Free Will, One of a Kind (Love Affair), Serene Beauty, and In the Fall of the Year. This is a beautiful sounding record with elements of straight Jazz, Soul-Jazz, and some funky stuff including some Free and Afro-centric influences.The main man is Jaman himself (J.E. Manuel) on k…
Space Jungle Luv
"Space Jungle Luv" emerged in 1976 (a year after the classic "African Rhythms" set) and marked a distinct change of direction for Plunky and co. Their feet were still in the ghetto, but this time they were looking at the stars; headed up by the strong, sweet vocal stylings of Jacqueline Holman (aka Lady Eka-Ete) and Branch's often effects drenched saxophones, this is cosmic dancefloor jazz of the first water.
African Rhythms
Remastered reissue of overproof and classic American R&B and Afro-jazz-funk LP from 1975, crammed with killer breaks and vibes for days. Includes previously unheard nuggets such as ‘Afrobeat’ discovered on the original master tapes.
Oracy
**Seminal Spiritual Jazz from Detroit, 1977. Officially licensed and re-mastered re-issue**. Comes with fold-out insert of Ade Olatunji’s Poetry that features on the album and never before seen artwork designed by New Zealand based designer David Broome. Oracy' by The Positive Force & Ade Olatunji belongs to the body of 1970s recordings that joined two of the great African American vehicles for expression, jazz and poetry, into a single, powerful force. A profoundly inspiring that doubles as an …
Pyramid Pieces : Modal & Eco-Jazz From Australia 1969 1979
Borrowing its title from an infamous Australian jazz composition, Pyramid Pieces is a long overdue compilation which documents a period of Australian modern jazz that flourished during the late 1960s and 70s. A brief yet vital survey which examines an isolated yet thriving vibrant scene that was largely unheard outside of its own country. Whilst many local musicians found success abroad in the UK or the USA, those that remained found limited support for jazz from the commercially-minded mainstre…
Blacknuss
Blacknuss was a trend-setting iconic contribution to jazz. Rahsaan Roland Kirk’s creative force helped to define musical culture. From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Roland Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here. A…
Intercommunal Dialogue 1&2
In process of stocking. Between 1969 and 1971, Francois Tusques and Sunny Murray were often accomplices in rebellious music. After other recordings, their collaboration culminated in an album that became mythical, Intercommunal Music, the site of a joust within the orchestra. The ephemeral and demanding label Shandar had invited François Tusques to lead a recording session on his own suggestion. Sunny Murray, one of his guests, arrived at the studio at the eleventh hour with a group of musicians…
Option
**300 copies** "FTR is proud to present what is only the second solo album by Borbetomagus' sax giant, Don Dietrich. Crazily, Option documents the first solo performance Don ever did. It was recorded in 2019 as part of the Option series in Chicago, where Dietrich appeared at the invitation of Ken Vandermark (who also wrote the liner notes). The cover photo shows one of Don's polycarbonate sculptures, after which the album is partially named. Twisted, compressed, and strangely inviting, it is emb…