* Limited edition 180 gram solid purple coloured vinyl. 2020 Stock * Lush Life (1958) is among John Coltrane's best endeavors on the Prestige label. One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material. Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass), and Art Taylor (drums). The intimate setting is perfect for ballads such as…
Here it is, naked to the bone, free jazz in all its glory, loose, intense and furious, not in hanger but with "joie de vivre." A sax-drums duo like comprised of Thomas Beaudelin on saxophone and Erwan Cornic on percussion, makes you anticipate an essentialist approach to the communicative powers of improvisation. The music is dense and intense, seeming to drag everything that happens to be in their path with vehement free sounding and shamanic interplay. Don't miss this one
Super album, mixing some of the improvisational verve of jazz into Fela Kuti's Afro-funk stew. These four workouts, all sung in Nigerian, are propulsive mixtures of funk and African music, avoiding the homogeneity of much funk and African records of later vintage, done with nonstop high energy. The interplay between horns, electric keyboards, drums, and Kuti's exuberant vocals gives this a jazz character without sacrificing the earthiness that makes it danceable as well. "Jeun Ko Ku (Chop'n Quen…
These percolating, horn-heavy grooves simmer while Fela Kuti lays down his trademark rants, often in deliberately skewered pidgin English....totally unstoppable in its mix of music and message. His voice, interlocking guitars and percussionist Tony Allen turn grooves that often have 1 or 2 chords into complex statements - minimalism made for dancers.
2020 stock. 2014 release. One of the most celebrated folks in improvised music, Swedish saxophonist Mats Gustafsson made three ultra-limited edition vinyl LPs, each featuring a different dedication to a favorite musician from the past. Released in batches of 99, these records found Gustafsson playing compositions by Duke Ellington, Albert (and his brother Donald) Ayler, and the important post-bop baritone player Lars Gullin. Long out-of-print, these priceless slabs of free music have quickly bec…
«My favorite albums have always been the ones that take the listener on a journey. I aim to do that, to create worlds with my albums - universes. I wanted The Other Side of Time to unfold like a story and I've continued that process with The Shadows and The Light. I'm influenced by so many different styles of creative music and I like to try and bring all those influences into harmony on these records. There is long-form and short-form composition. You have groove and you have free improvisation…
I have to admit that I'm biased in favor of Charles Tolliver. He plays with a combination of strength and sweetness that goes beyond mere language. The fact that he is self taught is more miraculous. This particular recording has the best sound quality I've ever heard. The clarity is stunning and all the music is magnificent. The recording is so good, one can hear the sound of a musician's fingertips accidentally brushing across the bass strings, for example. Alvin Queen is always brilliant on t…
In 1978 Pharoah Sanders went into the studio with pianist, Ed Kelly, who was an important figure in the local San Francisco and Oakland jazz scene. The two of them recorded six tracks which ranged from covers of standards, through soul jazz through to two real gems. The album was originally released as Ed Kelly and Friend due to Pharoah being contracted to Arista Records at the time. Indeed, as you can see, the cover shows Kelly playing next to Pharoah’s hat, shoes and Selmer tenor saxophone.
Ra…
* 2021 Repress. Remastered. 180 gram LP * It seems that every major jazz artist has a one-off sort of record in their discography, be it with strings, voices, spoken word or - as in this case - a foray into the funkier side of jazz. Charlie Rouse (going here as Charles Rouse) gets his chance on Two Is One, a funky soul jazz excursion on Strata-East, the artist-run label where creativity and pushing boundaries was at the forefront. Playing mostly with a group of session musicians, Rouse put toget…
* 2021 Repress. Remastered. 180 gram LP * A passionate and personal album, more or less a piano only instrumental work that will attract all kinds of music lovers from jazz, classical music, avantgarde and progressive rock. Excellent performance with a great flow in the composition and breathtaking improvisations. Some kind of jazz version of Keith Emerson.
Stanley Cowell, born in 1941, is a living legend as jazz pianist and his skills can be witnessed on his 1974 solo effort “Musa: Ancestral st…
* 2021 Repress. Remastered. 180 gram LP * One of the rarest albums on the infamous Jazz label Strata-East from 1977 and it’s a spiritual soul jazz masterpiece. Sonelius Smith’s free piano comes together with Shamek Farrah’s heartfelt saxophone for a totally unforgettable journey into the meaning of sacred jazz. Fresh and imaginative, but not too improvisational. Rhapsodic but never over-indulgent and with a raucous, bold groove that’s in the real classic Strata East mold.Playful and wild but bea…
* First ever vinyl reissue of this French free jazz nugget from Sahib Shihab & Jef Gilson Unit Remastered from the master tapes * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gillespie, Monk and Coltrane, for a brief stroll in the desert. For three-quarters of an hour, the caravan passes by, evoking, one after the…
* First ever vinyl reissue of highly sought after French experimental jazz from the legendary Jef Gilson Remastered from the master tapes. * In 1971, the day after the death of Igor Stravinsky, Jef Gilson and his Unit (Pierre Moret and Jean-Claude Pourtier) made this curious homage to classical music. It is jazz, contemporary and electroacoustic music that the trio interrogate through a wild ‘noise’ session evoking as much John Cage as Pierre Henry, John Coltrane as the Percussions de Strasbourg…
Bristling with tension and remarkable restrained interplay, encountering both players at the top of their game, No Business’ latest LP, Live at FarOut, Atsugi 1987, a never before issed duo between Bailey and the Japanese saxophonist, Mototeru Takagi, is easily among the best documents of free improvisation we’ve heard all year.
NoBusiness presents NOX, a new set of recordings by Nate Wooley / Liudas Mockūnas / Barry Guy / Arkadijus Gotesmanas recorded 29th October, 2019 during Improdimensija (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania. Sound Engineer - Arūnas Zujus. Mixed and mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas.
Nate Wooley - trumpetLiudas Mockūnas - contrabass clarinet, soprano and tenor saxophonesBarry Guy - bassArkadijus Go…
300 copies. NoBusiness presents Irvin's Comet, a new set of solo bass recordings by Barry Guy, recorded 29th October, 2019 during Improdimensija (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania. Sound Engineer - Arūnas Zujus. Mixed and mastered by Arūnas Zujus at MAMAstudios. Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London. Design by Oskaras Anosovas.
NoBusiness presents Hokusai, a new set of recordings by Sabu Toyozumi and Mats Gustafsson, recorded live on 11th and 12th June, 2018 at Jazz Spot Candy, Chiba, Japan by Kunimitsu Tsuburai / 粒来国充. Concert produced by Miyoko Hayashi / 林美葉子Jazz Spot Candy. Mastered by Arūnas Zujus at MAMAstudios.
Sabu Toyozumi 豊住芳三郎 - drumsMats Gustafsson - baritone saxophone, fluteophone, flute
Braids by the Sam Rivers Quartet was recorded May 15, 1979, in Hamburg, Germany and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Joe Daley - tuba, euphonium; Dave Holland - bass, cello; Thurman Barker - drums.
NoBusiness presents Suite 10 Years Anniversary, a new set of recordings by Red Trio and Celebration Band recorded by Filipe Silva at Teatro Maria Matos on February 10th, 2018. Mixed by Rodrigo Pinheiro. Mastered by Arūnas Zujus at MAMAstudios. Booklet photos by Lais Pereira.
Red Trio:Rodrigo Pinheiro - pianoHernani Faustino - double bassGabriel Ferrandini - drums and percussion
Celebration Band:Sei Miguel - trumpet, Luís Vicente - trumpet, Fala Mariam - trombone, John Butcher - tenor and soprano…
NoBusiness presents Live at Jazz inn Lovely 1990, a new set of recordings by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi Recorded live by Sony TC-DM at jazz inn Lovely, Nagoya, Japan, October 9th, 1990.
Track 1,4 & 5 improvised and composed by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi. Track 2 & 3 improvised and composed by Masayuki JoJo Takayanagi and Nobuyoshi Ino. Gigs produced by Katsuhiko Kawai 河合勝彦. Tapes provided by Koujiro Tanaka 田中康次郎. Mastere…
NoBusiness presents Flatbosc & Cautery, a new set of recordings by Frank Gratkowsk, Achim Kaufmann, Wilbert de Joode and Tony Buck recorded live at Loft Köln on May 25th 2018 by Stefan Deistler. Mixed by Wolfgang Stach, Maarwegstudio 2, Köln, Germany. Mastering by Martin Siewert, Vienna, Austria.
Frank Gratkowski - alto saxophone, clarinets, flutesAchim Kaufmann - pianoWilbert de Joode - bassTony Buck - drums, percussion
**Edition of 285 silk-screened wooden slipcase with inserts and a 6 postcards set. Liner notes by Michel Henritzi. An'archives presents three documents, three vinyl records carved by the illuminations of Masayoshi Urabe, six performances engraved like epitaphs in the stone that covers the Living World. These are recordings made in small suburban venues in Japan where Urabe would play in front of a meagre audience: the Bitches Brew in Yokohama, the Groove in Okinawa and the Gari Gari in Tokyo. …
**2026 stock** Noah Howard should need no introduction. The American alto saxophonist was born in1943 in New Orleans, who moved to Europe in 1968, and eventually settled in Brussels after living in Paris and Nairobi. He was a member of the avant-garde jazz movement of the 1960s and, amongst many influential albums, made the seminal Black Ark album with Arthur Doyle in 1969. This album came about as a result of Justin Wiggan’s love of Howard’s music. 5 years after Howard’s death in 2010, Justin w…
A truly stunning accomplishment on the part of Otoroku, "Collected Solos" is easily one of the most exciting reissues of the year. Gathering all four of Evan Parker’s seminal solo releases for Incus, plus a cassette featuring extra cuts from the sessions at FMP studios from the "Saxophone Solos" session, and an accompanying booklet written by the late writer, Paul Haines, issued in a deluxe, screen printed box, in an edition of 250 copies, it is a towering artifact of European free improvised mu…
A real stunner brought back to life with a much-needed repress. Edition of 300 copies, remastered, comes with a 6 pages 30x90 fold out booklet "One of the great projects in Egyptian jazz, the Cairo Free Jazz Ensemble was formed by Salah Ragab and Hartmut Geerken as an avant-garde offshoot of The Cairo Jazz Band - the first jazz big band in the country - formed in 1968 when Ragab was appointed chief of Egypt’s Military Department of Music and had at his disposal a vast staff of musicians (almost …
Absolutely Stellar jazz from Sun Ra alongside Luqman Ali (Drums) John Gilmore (Tenor Saxophone, Percussion) and Michael Ray (Trumpet, Percussion). This quartet version of the title song appeared on 1978's 'New Steps' LP. Over on the flip is the 'Alien vocal version' of Somewhere In Space, recorded in 1957.Two expertly plucked out (fully licensed) Sun Ra essentials, presented on a heavyweight (70gram) Art Yard styled 7". Don't be sleeping..!
**CD version** "A sublime trio set from drummer Charles Rumback – a record that has us really appreciating the special touch the leader can bring to a date, as this album may also be one of the best that we've heard from pianist Jim Baker in years! Baker has this great way of sounding soulful and lyrical, yet also moving towards the freer side of his spectrum too – working with the subtle drums of Rumback and the careful bass of John Tate, all with energy that almost takes us back to the groundb…
Temporary Super Offer! This release can be seen, informed by the 100th anniversary of Charlie Parker’s birth, as an occasion for not only celebration, but reexamination and rediscovery, based upon the special qualities these particular performances provide. Parker is the focal point, the vortex of energy and ingenuity. The effect of hearing him in this arena of spontaneity and inventiveness is like watching Edison at work in his laboratory. It is Parker at his most audacious and prophetic. - Art…
Temporary Super Offer! The Quartet Prismo is the continuation of the collaboration of Sergio Armaroli and Fritz Hauser with an extended circle of musicians. Sergio has proposed his wife Francesca Gemmo, I proposed my esteemed colleague Martina Brodbeck. Around the two recorded versions of Structuring the silence, we recorded combinations of instruments put together by lot. Without time limit, without formal requirements, without rules. Pure improvisation. Together we selected the tracks to be i…
Joshua Abrams' second album with group from 2012, superb avant-jazz, newly remastered at Dubplates & Mastering and released in an edition of 999 copies on 180gr. vinyl.
Joshua Abrams’ first Natural Information album from 2010, superb avant-jazz, newly remastered at Dubplates & Mastering and released in an edition of 999 copies on 180gr.
* First Release. Includes 12-page 8" x 8" booklet with photos, essays and credits, as well a 12-page 5.25" x 8.25" replica concert program by the Palo Alto High School International Club, and 16.5" x 10.5" replica concert poster. * Palo Alto is a previously unknown and unreleased live Thelonious Monk recording. After the assassination of Dr. Martin Luther King, Jr. in 1968, racial tensions across the country rose. Palo Alto, a largely white college town in California, was not immune to the event…
**180 gram audiophile vinyl** When driving a band with his upright bass, Charles Mingus looked -and was- gigantic, in more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz classic.
* Gatefold with session photos. Hype sticker. HQ Virgin Vinyl 180 gram. 2020 Stock * "Very few albums can match this Miles Davis's 1959 classic, often considered the greatest album in the history of jazz. Backed by an exquisite combo, this is an essential recording even for those who don't listen to jazz. With Davis himself on trumpet, Julian "Cannonball" Adderley on alto saxophone, John Coltrane on tenor saxophone, Wynton Kelly and Bill Evans on piano, Paul Chambers on bass, and Jimmy Cobb on d…
* A remastered, deluxe 180g 2-LP, each with the original album plus a bonus disc of alternate takes and versions – including rehearsal and incomplete tracks, as well as False Starts – only previously included in The Heavyweight Champion: The Complete Atlantic Recordings of John Coltrane boxed set. 2-LP configuration features a 12” x 12” 12pp booklet, packaged in a replica of the original 1969 stereo pressing, with a 12” x 12” album cover insert included * John Coltrane is one of the most renowne…
* Limited edition 180 gram solid orange coloured vinyl. 2020 Stock * This 1961 Impulse album was particularly notable for Coltrane’s use of the ex- panded sound provided by a ‘big band’ with trumpets, trombone, baritone sax, Eric Dolphy’s bass clarinet and flute, and (most unusually) French horns, euphonium and tuba. Overlaying this backing is one of Coltrane’s great quartets with Messrs. Tyner (who, with Dolphy, did the arranging), Workman and Jones. The album’s centrepiece is the extended Colt…
* Second edition. Each cover have individual artwork, different from the 1st edition * Modern Free / Experimental Jazz with heavy Brazillian rhythms and thundering electronics from the mysterious (but obviously very experienced) group.
"Make it like starring at the shadows in plato's cave . Oblique and mysterioso - in a ponderous kind of everything and nothing puff of peppermint tinged smoke kind of a way"
This book, the only history of free jazz in Japan, has been reprinted many times in Japan and is finally available to readers overseas in English translation. From its earliest stirrings in the 1960s until it reached international recognition in the 1970s and after, free jazz in Japan is a unique music that has found its perfect scribe. Soejima Teruto was a writer who fell in love with a music and devoted his life to it as promoter, critic, label owner, tour organizer, and much more. All new pho…
Matchless Recordings presents a live concert by Eddie Prévost, N.O. Moore, and Jason Yarde recorded at the Vortex Jazz Club, in London, UK, on February 22nd, 2020, by Giovanni de Rovere. The album includes four tracks performed by Eddie Prévost - Drums, N.O. Moore - Electric Guitar, Effects, Jason Yarde - Alto Saxophone, Soprano Saxophone, Electronics.
Matchless Recordings presents a live concert by Eddie Prévost, John Butcher and Guillaume Viltard recorded at Iklectik, in London, UK, on November 23rd, 2016, by Giovanni de Rovere. The album includes four tracks performed by John Butcher - Tenor Saxophone, Soprano Saxophone, Eddie Prévost - Drums, Guillaume Viltard - Double Bass.