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**300 copies** In the early eighties, Edmond Mondésir, professor of philosophy and Léon Bertide, trade unionist, founded the Bèlènou group. They were actors of the great agricultural strike of 1974, which resulted in the death of two workers (Ilmany and Marie-Louise) and left many wounded. Activists of the patriotic movement Asé Pléré An Nou Lité (Stop crying, Fight), they were part of the identity and the cultural affirmation [la revendication identitaire et culturelle] of the time. Like the Gu…
This is the 20th Sun Ra release from Transparency and possibly the very best. A complete 2 1/2-hour concert showcasing all dimensions of the group: free jazz, psychedelic, the beautiful vocals of June Tyson and a one-way ticket into space with several astounding Sun Ra synthesizer solos. The bonus DVD is a short interview with Sun Ra filmed the same day as the concert broadcast, aired only once on Finnish television and never seen since... until now. The concert and interview are licensed from Y…
Dudu Phukwana and the Spears recorded in London, but were only ever released in South Africa. The story behind this extraordinary music and the famous names involved are documented in this extended edition of Dudu Phukwana’s debut album.
In 1964 the Blue Notes left South Africa to play at the Antibes Jazz Festival in France, and more or less stayed away forever after. In January 1969 alto saxophonist Dudu Phukwana went home briefly along with producer Joe Boyd who persuaded Johannesburg record c…
Atavistic presents live recordings circa 1970 Berlin from the legendary free music duo of German free jazz saxophonist Peter Brotzmann and Dutch jazz drummer and percussionist Han Bennink and pianist Fred Van Hove. Instrumentation: Peter Brozmann (tenor saxophone), Fred Van Hove (piano), Han Bennink (drums, gachi, shell, voice). Recording: Recorded by Wolfgang Bukatz on August 17th, 1970 in Berlin. Supervision by Hans-Dieter Frankenberg. Produced by Jost Gebers. This album was originally release…
Why some artists achieve the recognition they deserve while other equally talented ones don't depends on many things. But one thing is clear, that obscurity does not always mean lack of talent. Regardless, it is always a pleasure to discover little known but immensely gifted musicians and it is really a great pleasure to hear the reissue of The Diamond Five's Brilliant!. The Diamond Five, a Dutch quintet led by pianist Cees Slinger, was founded in 1959 and lasted until 1965. They were based at t…
Temporary Super Offer! It is surely significant that both Lovens and Stoffner use all four limbs to control their instrument. Lower limbs used principally to play bass drum and hi-hat in the case of Lovens, volume control and effects pedal for Stoffner. Right and left limbs, right and left brain hemispheres It is not surprising that there is plenty going on in their music. “Whatever happened to the Art of the Individual?!” Han Bennink once asked rhetorically to a crowded backstage. Well here i…
Together, ‘Spirits Rejoice’ and ‘Bell’s encapsulate a four month period where long-gestating ideas of Ayler’s were birthed, helping to usher in a conception of music unlike virtually anything else extant, paving the way for his own adventures of the next several years and, perhaps more importantly, providing an extremely fertile bed for a generation or two of musicians to come. – Brian Olewnick
Albert Ayler’s recording career was a short one, spanning only the years 1962 – 1970, yet he went thro…
Classic Cool/Bop session from 76, and regarded as one of the finest Norwegian jazz live recordings of the seventies featuring an impeccable performance by alto sax player Carl Neumann, playing mostly original songs by pianist Christian Reim, Bjørn Kjellemyr on Bass and Ole Jacob Hansen on drums. First time on vinyl format and with great sound quality, new pictures, new notes.
* Edition of 500 * An amazing loft tape find of a Norwegian Jazz concert suite taped at Molde Jazz Festival 1973, Christian Reim’s sextet Mona Lisa features Norway's top jazzmen at the time and it’s a rollercoaster post-bop showcase with influences from modal and spiritual jazz with folk undertones and pop psychedelia, one of a kind, never previously released and in great sound quality!
In 2002 Misha Mengelberg was invited for the second time to the AngelicA Festival in Bologna. That edition, the twelfth, took part entirely in a squatted social centre of the city, and, in collaboration with Tristan Honsinger, was conceived as one large opera lasting six days – an opera within which the performances of many national and international artists fitted in like individual mobile “modules”.
Especially for this occasion and on the festival director’s suggestion, who had attended a perf…
In the year 2000, when Bologna was European Capital of Culture, AngelicA Festival, then in its tenth edition, invited Cecil Taylor to hold a concert at the Teatro Comunale - Opera House of Bologna: solo, with his piano (and his dance and his poetry readings) he opened an evening that ended with a rendition of the luminous piece Coptic Light by Morton Feldman performed by the Orchestra del Teatro Comunale di Bologna, conducted by Jurjen Hempel.
This unusual juxtaposition (not in the history of th…
On October 14th 1989, Horace Tapscott, founder of the Pan Afrikan Peoples Arkestra, performed alongside his close friend and musical partner Michael Session at the Théâtre du Chêne Noir in Avignon, France. This was during a tour in which they traveled across Europe. The duo presented compositions by Leimert Park musicians Jesse Sharps, Nate Morgan and Tapscott himself.
The stark instrumentation of this concert led to minimal arrangements of compositions typically performed by much larger ensembl…
Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms.
His first solo release reflects this diversity of interest…
The International Nothing is the Berlin-based duo of clarinet players Kai Fagaschinski and Michael Thieke. The two have been working together since 2000, refining a highly personal language focused on introspective, microtonal textures through stasis, patiently investigating timbre, multiphonics and extended techniques, with a commanding intensity spiced with a dry sense of humor (reflected also in the cover art by Japanese Masae Tanabe). This duo has released three albums on the Japanes…
Killer 1973 Solo album from the percussionist of kraut band Can. A boiling cauldron of polyrhythmic grooves and jazz improvisations with a strong early 70ies prog touch, haunting Exotica jazz passages with “jungle” feel. For fans of Osibisa, Fela, Ginger Baker Airforce, Miles Davis… all around 1969 to 1973 This is the 1973 solo album by Ghanaian percussionist Anthony Kwaku Bah, who was given the nickname „Reebop“ by American jazz legend Dizzie Gillespie. He passed away early at the age of 39 in…
The dramatic act of this performance draws a deamhulatory line colouring each phase in the sound of the required instrument; large discursive logic intensity in the atmosphere appropriate to each segment. After his entry "City of Lyon"which sets the happening hic et nunc, the second piece "Art Dance"on alto clarinet is heard as a twirling questioning with changes of mood from anger to melancholy: bal(l)ade autumnal de Dakka Du Boo Yu", again on the clarinet,"Music is Sound, Sound is Music"thunde…
Vinyl edition of this joyous improvised music drawing on South African roots and European free jazz from Chris McGregor and a group including Evan Parker, Louis Moholo, Barre Philllips, &c. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the previously…
"Moon Piano" is the second in Laraaji's trilogy of piano albums, and follows the spiritual "Sun Piano", released earlier this summer. The piano was the first instrument the esteemed ambient idol learned, and his return to the keys feels generous and open-hearted. Laraaji's focus here is more melancholy and contemplative than on the album's predecessor, and while the same process was used - “I’d sit down, touch the piano and through free association, also blending it with my prepared mental state…
The immaculate mess of Blunder originates from a three-piece impro group consisting of Mads Forby (drums), Kristian Poulsen (guitar) and Lars Greve (saxophones and clarinets). Their debut album Blunder presents a music that's hazy and patient, struck by a disarming sense of attentiveness. It's a slow dance around a malformed energetic forcefield, it's the pull of the vortex, sucking the listener into an elastic sound world of repetitive rhythmic structures and shamanistic summoning.