Jazz & Improvisation / All styles

What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…

The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…

The saxophonist Sakina Abdou follows up her first solo album with this trio release, which has all the freshness of a very first encounter.The album is the fruit of an improvised, closed session of several days in her home, punctuated by two concerts, and offers an arc of 60 minutes that retraces a musical itinerary that is intimate and acoustic. We have previously heard Toma Gouband with Evan Parker and the pianist Marta Warelis with Dave Douglas and Andy Moor. Sakina Abdou first played with Go…

Avant-garde bassoonist Karen Borca's first proper leader record is a series of duos with drummer Paul Murphy who she first played with in Jimmy Lyons group.

Biggest Tip! 180 gram Vinyl Edition. Recorded in 1966 and released by Blue Note Records in August of 1967, Don Cherry's Symphony for Improvisers features Gato Barbieri, Henry Grimes, and Ed Blackwell, all of whom had appeared on Cherry's previous album Complete Communion. Also featured are Karl Berger, Jean-François Jenny- Clark, and Pharoah Sanders. The abum received a rating of ***** on AlMusic, with reviewer Steve Huey string that, "Even though the album is full of passionate fireworks, there…

For "Daughter of a Temple", ganavya invited over 30 artists from various disciplines to a ritual gathering in Houston. Consequently, the album features numerous contributors, including renowned musicians such as esperanza spalding, Vijay Iyer, Shabaka Hutchings, Immanuel Wilkins, and Peter Sellars. The results—an innovative and deeply moving blend of spiritual jazz and South Asian devotional music—were initially recorded by Ryan Renteria and then further edited and mixed by Nils Frahm at LEITER'…

Big tip! Sing Me a Song of Songmy is an album-length composition by avant-garde Turkish composer İlhan Mimaroğlu, released in 1971. Principal performers include jazz trumpeter Freddie Hubbard and Mimaroğlu himself. The piece includes a chorus, strings, recitations of poems by Fazil Husnu Daglarca and other texts, organists and tape-based musique concrète, as well as Hubbard's jazz quintet. It is considered as one of Hubbard's most experimental albums.

Twenty years of working almost only with sine waves, tuned by the laws of the natural harmonic series and produced by generators he builds himself. Della Marina thinks of the pieces as sound sculptures, and works between music and the visual arts.

Biggest Tip! 180 gram Vinyl Edition. Gatefold Cover. Recorded at A & R Studios in New York City on July 1, 1970, Pharoah Sanders' album Deaf Dumb Blind (in Arabic "Summun Bumun Umyun" was released on Impulse! Records that same year. It features the leader along with fellow stars Woody Shaw, Gary Bartz and Lonnie Liston Smith. The album received a **** rating on AllMusic, with reviewer Thom Jurek staring that this is a stunningly beautiful and contemplative work that showcases how intrinsic melod…

CD deluxe, gatefold mini LP replica with obi & Japanese insert. Pianist-composer Joachim Kühn has been a force on the international jazz scene for half a century. Trained as a classical pianist, Kühn migrated to jazz, playing fusion with Alphonse Mouzon, free jazz with Ornette Coleman, and modern jazz in his iconic group with bassist JF Jenny-Clarke and drummer Daniel Humair. Here he teams up with acclaimed German electric guitarist Toto Blanke, the eclectic Afro-American bassist John Lee, and L…

CD deluxe, gatefold mini LP replica with obi & Japanese insert. Fantastic work from avant saxophonist Hans Koller – rare material that stands with the best Free Sound albums he released for MPS in the 70s! By this point in his career, Koller was really exploding with talent – a sax player who first begun in the postwar years with modes that were more California modern, but expanded and changed throughout the 60s – to the point where Hans was one of the most open-minded, freely-creative musicians…

Originally released in 1974, this album features Kunihiko Sugano, often referred to as a piano magician, who is the sole leader remaining in TBM following the 5 Days in Jazz concert recordings sponsored by TBM. Echoes of Erroll Garner's "Genius Kuni" can be felt throughout the music. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been exper…

Originally released in 1973, this jazz funk album features Steve Grossman and a lineup of exceptional musicians, appealing not only to jazz fans but also gaining significant support from the Rare Groove and DJ generation worldwide. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly remastered and cut by the renowned Bernie Grundma…

Originally released in 1974, this is Isao Suzuki's second album, following his acclaimed debut, "Brow Up," which introduced him to the jazz world. The album features exquisite interplay with Kazumi Wataabe, showcasing a unique musical synergy that makes it a true masterpiece. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly rema…

*2024 stock* "The opening and closing tracks from the Blazing/Freezing album on a 7" single by the genre-merging Downtown NY trio of Sam Day Harmet (mandolin), Sana Nagano (violin) and Zachary Swanson (upright bass) deconstructing Americana roots music by slicing and dicing it with jazz/improv, electronica, sample sources, and inexplicable errata." - squidco.com

Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss!

*2024 stock* Daniel Carter, William Parker, and Federico Ughi have been playing together since 2005, the year in which they recorded their first album The Dream. The band has performed regularly in the US and Europe ever since, gaining considerable success, with a 2010 European tour throughout Portugal, Spain, and Italy that resulted in the live album Navajo Sunrise (2012). In 2015 the trio started to rehearse with multi-instrumentalist Watson Jennison (Toronto, CA). As a quartet, the band toure…

*2024 stock* When Kid Millions and Sarah Bernstein conceptualized their new album, they decided to move away from well-trodden improvisational approaches and towards more transcendental, otherworldly sounds. Pulling inspiration from disparate influences such as early liturgical music, Ornette Coleman, Laurie Anderson, the minimalist metal band Sleep, Yoko Ono, masters of dub, drummers Milford Graves and Tony Williams, and composers Morton Feldman and Lou Harrison, they set out to create a cyclic…

“Weston lays down a ferocious groove with ecstatic shouts … tugging rhythmic displacements that tease like thunder and lightning throughout.” — All About Jazz

When you wish upon a star… that turns out to be Saturn!

Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: They borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (trumpeter Vite…

“This is the time that we, who have benefited from the Last Poets should be able to say, ‘it’s the Last Poets. It’s them we should be honouring, because we did not honour them for so many years…” KRS One wasn’t just addressing the hip hop fraternity when he uttered those words by way of introducing the video for Invocation – a poem written thirty years ago, around the time of the Last Poets’ last significant comeback. He was speaking to everyone who’s been affected by the word, sound and power i…

Captain Beefheart meets Keiji Haino meets JamMan. Free noise blues/post apocalyptic jazz from sars covid headquarters.

The Burning Bright Light is a mind-meld between improvisation trio Dromedaries (saxophonist Keir Neuringer of Irreversible Entanglements, Shayna Dulberger on double bass and percussionist Julius Masri) and sci-fi writer/vocalist Alexoteric (Alex Smith), evoking epic sci-fi cinemascapes, vocabulary- and reference-rich underground writing, the liberatory jazz tradition, and playful avant-garde experimentation. Recorded in a single high voltage burst of cosmic collaboration on an October afternoon …

The second album by Kio Amachree in Afro Boogie Funk style recorded in Lagos Nigerian in early 80s. Limited Edition.

"No music making can be entirely non-idiomatic. Removing the metaphor, the claim is that it is characterless, without personality. But despite his best intentions, perhaps, one can hear a range of influences in Bailey’s own work – even if jazz isn't one of them. And the present album shows that "non-idiomatic" is the wrong description for much free improvisation. The common description "abstract" is also misleading. All music is abstract in form, humane in utterance."  – Andy Hamilton

*200 copies limited edition* Gustafsson and Lindsjö had collaborated in the mid-eighties in the Swedish-American group The Bad Quartet. Playing local gigs in both New York and Lund. Lindsjö later moved back from New York City to reunite with Gustafsson in Stockholm, where the ensemble Gush had just begun to establish itself. With their shared American influences in mind, Raymond Strid was recruited on drums to form the trio Maxcolic. The trio started off in a free improv funk/rock that contraste…

When I arrived in Geneva, Claude picked me up in his Aston Martin. He had a tape deck playing Lowell Fulsom – a guy who used to come to Memphis a lot and I knew some of his musicians. I grew up around the Blues, so this was a natural sound for me. Claude didn’t tell me until much, much later that he played Blues harmonica. He took us to the hotel where we had a warm and cordial welcome. Montreux was a quaint and sleepy town in 1967. However, there was a palpable excitement in the air and we coul…

Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. Th…

Thirteenth issue of We Jazz Magazine, "Zoning". 128 pages, 170 x 240 mm in size and printed on 140g Edition paper with laminated 300g Invercote covers.All articles presented in English. Includes Mary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up & Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman & Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt,…

*2024 stock* Girma Bèyènè is a true legend of Ethiopian music. After an exile in the United States and a silence that lasted 25 years, he jubilantly accepted the invitation of the group Akalé Wubé to return to the front of the stage. The comeback was held last September at a memorable concert with Akalé Wubé in Paris. The adventure could not stop in such a good way ...Under the direction of Francis Falceto (director of the famous Ethiopiques series) Girma and Akalé Wubé recorded this album to im…

This is the world's best student band rare groove! A storm of jazz funk coiled by the 70's Kashmere High School Brass Band from Houston, Texas, with an astonishing groove that you wouldn't expect from high school students! The songs, jacket design, sound quality, and every aspect of this rare groove masterpiece will be reissued on LP for the first time, including the four titles in the entire catalog!This is the third album released in 1971, and includes a cover of James Brown's "Super Bad" (A5)…

This is the world's best student band rare groove! A storm of jazz funk coiled by the 70's Kashmere High School Brass Band from Houston, Texas, with an astonishing groove that you wouldn't expect from high school students! The songs, jacket design, sound quality, and every aspect of this rare groove masterpiece will be reissued on LP for the first time, including the four titles in the entire catalog!Among the many student band albums, this 4th album released in 1972 is hailed as the "world's be…

Lucky restock! We present you a very special and limited edition 5-LP box - a piece of Otomo Yoshihide’s New Jazz Quintet European tour in January-February 2024. In this box you will find recordings from the band's only concerts in Poland at Pardon, To Tu in Warsaw and at NOSPR in Katowice. The recordings have been meticulously mixed and mastered for the best sound quality for you to enjoy. Otomo Yoshihide’s New Jazz Quintet visited Poland for the very first time and it felt really important to …

The J&F Band is on the move once again! The new musical journey taken by the band with "Star Motel: an American music  experience" spans from the North-East Chicago blues, with Route 66, to the funk of the deep South, going West to L.A. via Nogales, Arizona, to meet the Mingus ghost and his visions, back through the Great Plains where the Rez is the way of life for many. To end where it all began, in the South-East country and funky vibe... The 30-minute Mingus celebration, in the 100th annivers…

Recorded September 20, 1963, at the Monterey Jazz Festival, this set featured Miles Davis's new quintet, with George Coleman, Herbie Hancock, Ron Carter, and Tony Williams. This group, minus Coleman and with the addition of Wayne Shorter, would soon go on to make some of the most highly regarded jazz LPs of all time. This smoking set features a wonderful rendition of "So What", among others. Essential live jazz classic.

Spanning five pivotal years, Live and Radio Recordings 1957-1962 captures Krzysztof Komeda at the edge of Polish jazz’s modernist awakening. These performances surge with lyricism and quiet provocation, showcasing a composer whose restlessly poetic imagination reshaped European jazz sensibilities.​

Art Blakey & The Jazz Messengers ignite the Lausanne stage in Second Set Lausanne 1960, channeling hard bop’s volatile spirit through a telepathic lineup. Reeling through standards and infernal originals, the band radiates volcanic intensity and effortless swing, immortalizing a high-water mark in live jazz.​

"The starry floor/The watery shore/Is given thee til the break of day.“ - William Blake Music records a dream in which your other body goes out for a walk with a friend or two or more and brings back things you can grasp in the real world. If the ground beneath you is water and reflects the stars you may dream you're walking on stars. One morning, the Somnambulist woke up from his dream-walk with a record in his hand and miraculously they were all there: the uncanny encounters, spooling elucubra…

Everything is True is an album of a personal and sentimental nature, where various musical styles blend, influenced by music from different cultures, contemporary, orchestral, and electronic music. The instrumentarium is equally diverse, combining acoustic, electronic, and even unconventional instruments such as lithophones or prototypes of string instruments like the bassdesmophon. This fusion creates timeless-sounding pieces with exceptional tonality. Most of the tracks on the album were recor…