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Cadillac presents For Heaven's Sake by The New Stan Tracey Quartet. Recorded in Wembley, 14 September 1995. Engineered and mixed 3 October 1995. The opportunity to present this first recording by the New Stan Tracey Quartet has been an event of great importance to me for a number of reasons. It perfectly fulfils the motivation for the Cadillac Label's creation and continuance since 1973, to wit the documentation and dissemination worldwide of unique moments of creative music making by artists wi…
Cadillac presents The Crane River Jazz Band. John Jack reissued this album in 1996 as part of a projected series in honour of his friend and mentor Doug Dobell. This compilation brings together rare live and studio recordings from the early 1950s and includes extensive notes from Bill Colyer and Pat Hawes and rare photos from the Pat Hawes archive. This is the first time the album has been made digitally available.
Instruments [Suitcase], Liner Notes – Bill Colyer, Executive-Producer [Assistant]…
Cadillac presents The Real Ken Colyer by Ken Colyer's Jazzmen featuring Pat Hawes, recorded live at The White Horse, Willesden, London, February 27, 1964. John Jack reissued this album in 2000 as part of a projected reissue of a number of 77 albums in honour of his friend and mentor Doug Dobell. Extra takes were added from the original session acetate. This is the first time the album has been made digitally available. Ken Colyer's life and musical career have been well documented, but many youn…
** In process of Stocking. 2021 Stock ** Cadillac presents The Last Night At The Old Place by Mike Westbrook Concert Band, recorded at Ronnie Scott’s Old Place 25 May 1968. Exactly 50 years on, a unique event featuring the music of the most exciting British jazz group of its time in full swing, released for the first time. Remembering John Jack Mike Osborne, Harry Miller, Paul Rutherford. So many good things were contained within the Mike Westbrook Concert Band of 1968 that it’s hard to know wh…
Much needed repress. Originally issued by the seminal imprint Saravah in 1972, and among the most uncategorizable and sought after artefacts of the French avant-garde, Barney Wilen’s Moshi is nothing short of a masterpiece - long holding a coveted spot in the hearts of adventurous listeners and record collectors alike. A wild unkept cultural collage. A series of sonic experiments. A spiritual, psychedelic pilgrimage into the unknown - darting from one continent to the next, each of its tangents …
Unbelievable new compilation of deep spiritual music by John Coltrane, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other groundbreaking Impulse Artists.
Comet Records presents the Tony Allen & Afrika 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket.
Tony's solo album, No Discrimination, marks an important turning point in Tony Allen's musical life. Tony had recently left Fela Kuti's band, which was clearly an emotional yet necessary change as Allen sings of love and brotherh…
2021 release ** "Between 2009 and 2011, Swiss percussionist Christian Wolfarth released four 7"s presenting eight short examples of his playing. Utilising purely acoustic methods, they varied between remarkably electronic sounding drones to clattering asymmetrical rhythms with quite a range in between, and showed the process of Wolfarth finding a voice in what was already a widely researched area of sound. Scheer is a new solo disc of two pieces that consolidate those experiments in extended wor…
Vibe’s Maestro Khan Jamal’s “Infinity” features a Stellar line up, a drums and percussion-rich sextet that features altoist Byard Lancaster and a Philadelphia-based rhythm section, Clifton Burton on harmonica and the legendary free drummer Sunny Murray. Khan Jamal contributed four of the five songs, while pianist Bernard Sammul brought in a cooking "The Angry Young Man." The music stands up to and can be compared to anything released on the great Jazz labels and just like a Classic Blue Note, Pr…
The 14th Darmstadt Jazzforum held in October 2015 focused on different aspects of identity in jazz. The participants talked about the perception of female instrumentalists, about „male“ or „female“ sound, about homosexuality, about references to the body as well as about the denial of the erotic element in music, about Jutta Hipp, Ivy Benson, Clare Fischer, Sun Ra and others. The conference participants looked at jazz history, but they self-confidently also looked at the jazz scene of today. The…
Second album by Greece's premiere Afro-jazz band. An Odyssey of sound through West African percussion, jazz, Greek melodies and a tinge of funk. Greece is maybe not the first country that comes to mind when you think of Afrojazz. Afrodyssey Orchestra unexpectedly hit the scene some time ago after we released In the Land of Aou Tila, their debut album — while that first album was going to the hands of the few lucky ones who managed to discover the band back then, Afrodyssey Orchestra were already…
The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul …
** Edition of 500 ** Horoscope is an Occult Jazz masterpiece from 1973, never before reissued on vinyl. In 1967, Matti “Rag” Paananen decided to compose his own vision of the Western astrological signs. Each one has its own composition on the 12-song theme album that was originally released in 1973. For the compositions he studied every astrological sign and made his own interpretation of how it would sound as music. Although the compositions were already made in 1967, they weren’t recorded unti…
** Edition of 500 ** Svart Mondo presents Jappa: The Complete Jazz at the Polytechnicum Recordings 1967-1968 by Eero Koivistoinen with friends. By early 1960’s, jazz in its mainstream form had become the standard dance music for the student parties in high schools and several student union clubrooms in Helsinki. The Polytech union even organized matinée dances for high school students on Sundays. The change in the musical preference of young people’s dance music occurred with the arrival of Brit…
Published on the 50th anniversary of the original printing, Black Art Notes features writings by Tom Lloyd, Amiri Baraka, Bing Davis, Melvin Dixon, Jeff Donaldson, Ray Elkins, Babatunde Folayemi, and Francis and Val Gray Ward. “If there is one lesson the post–civil rights period has taught us, it is that those most likely to shape the destiny of Black Americans in the next decade are activists and artists, who may possess additional skills as organizers,” writes Ward in “The Black Artist—His Rol…
In 1961 Sun Ra took off from Chicago – where he had established the Arkestra, his dedicated ensemble and the vehicle for his mission to better the planet – and with a scaled-down version of the band he landed in NewYork. Their first recording session was in Newark in October of that year. The Futuristic Sounds of Sun Ra, recorded for the Savoy label, is a beautiful document of the material they'd honed during a long residency at the Wonder Inn at the end of the Chicago period. Among tracks left …
Mexican born, New York-based vibraphonist, marimbist, improviser and composer Patricia Brennan has confirmed the release of her debut full length album Maquishti, January 15, 2021 on the Valley of Search label. The twelve original instrumentals that make up the album were composed and performed solo by Brennan on vibraphone and marimba. Employing unusual performance techniques and occasional electronics, many of the compositions were borne from improvisations created live in the studio at the ti…
45 years after his debut album Valley of Search (1975/India Navigation), jazz saxophonist Alan Braufman returns. The Fire Still Burns has that gritty, forthright sensibility we hope to hear in sonic collaborations borne out of beauty and struggle, but there’s a populist ease that comes with age and reflection. Put simply it’s natural music – complementary, individual, and full of the sweet, hot taste of celebration.
The first ever reissue of the 1975 free jazz album originally released on India Navigation. What we know of Downtown New York comes from the countercultural and creative flowering that emerged in lower Manhattan in the 1960s, attributable to cheap live-work spaces called lofts. These were often abandoned and disused small manufacturing spaces and they became a nexus for artistic practice and life. From a jazz perspective, lofts were alternatives to the club scene, and they gained notoriety in th…
Edition of 250 * Following up on the legendary Club7 album from 1971 by this same group, here is a Webster Lewis Quintet's live recording made in August that same year at Kongsberg jazz festival in Norway. This Quintet from Boston plays a strong sense of seventies American groove-laden jazz but with a raw soulful rhythm and blues approach that is completely unique! Captured on tape in Norway at the time the band was there with George Russel, a few months after the legendary Club7 recordings. Her…