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The debut album by post-punk/funk group, Pigbag - Formed from creative jam sessions in punk’s aftermath, the young group gathered steam after convincing Simon Underwood to join the fun following his departure from The Pop Group. Mixing punk, funk, jazz, ska, reggae and afrobeat into a bewitching brew, this vinyl reissue is the first time this album has been on wax since 1982.
Big Tip! 2024 Stock. Edition of 300. Swedish free jazz trio consisting of piano, double bass and drums. The trio has during the years since their first recording moved from composition-like melodies, riffs and rhythms to 100% improvised music. However, the trio has strong roots in “conventional” jazz which shines through from time to time with tough swing and clear rhythms and melodies. Correction has received fine reviews from all over the world for their releases, the strong point being their …
In process of stocking. In late November of 2018, long-time collaborators (and life-long Los Angelenos) Carlos Niño and Miguel Atwood-Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven’s Universal Beings. Just 11 months prior, Carlos and Miguel were part of recording the ‘Los Angeles Side’ of Universal Beings at Jeff Parker’s house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-lea…
US sax player Stanley J. Zappa and Finnish drummer Simo Laihonen come together on the new album "Muster Point" on We Jazz Records, August 7. The two students of Milford Graves add bassist Ville Rauhala on a couple of tracks to make a bold and adventurous album captured both live and in the studio while Zappa was touring in Finland with the Black Motor musicians. This is a set full of fire and thunder, but also features some more meditative spiritual jazz. RIYL: Milford Graves, ESP-Disk', spiritu…
An average of one album every other year is pretty good going for a free jazz collective, and that's what The Nu Band has achieved. Its fifth, Live In Paris, comes ten years after their first communion in 2000. It's also a departure, not in that it is a concert recording as there are already three of those in the discography, but in that, for the first time, the quartet showcases its considerable talents at instant composition. Reedman Mark Whitecage's résumé numbers two fine, though overlooked…
LP version. Tip-on sleeve. For every celebrated name in jazz, soul and related music, there are probably another 1000 musicians who had all the talent and potential but for whom widespread recognition remained elusive. Roscoe Weathers is one such figure, a jazzman who earned his chops the hard way, a sideman in smoky clubs from Memphis to Seattle, before finally settling in LA. He recorded a significant amount of music through the 1960s, but never found the slightest modicum of commercial acclai…
Crossfade Estate was a special, distinct project. It was made in November 2005. Recorded in 10 hours. Edited, mixed and collaged over 18 months. It was a development of Charles Hayward's long term relationship with The Albany in Deptford, London. They asked him to push their recently installed digital recording suite and see what he could make. The approach was a step further from the series Accidents+Emergencies which Hayward had curated in the late 1990's.
It was a pulling together of differen…
Sainkho Namtchylak is a singer originally from Tuva, an autonomous republic in the Russian Federation just north of Mongolia. She is known for her Tuvan throat singing or Khöömei. Her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. Once the Soviet Union had collapsed, she moved to Vienna, making it her base, although she traveled widely, working in any number of shifting groups and recording a number of discs that revolved around free improvisation. Amongst th…
Phil Minton is a jazz/free-improvising vocalist and trumpeter. He is a highly dramatic baritone who tends to specialize in literary texts: he has sung lyrics by William Blake with Mike Westbrook's group, Daniil Kharms and Joseph Brodsky with Simon Nabatov, and extracts from James Joyce's Finnegans Wake with his own ensemble. Minton is perhaps best known, however, for his completely free-form work, which involves "extended techniques" that can be as unsettling as they can be mesmerising. His voca…
The sounds of late '70s and '80s east coast avant-garde jazz, soul, and punk rock are well documented, but in Nothing but the Music Thulani Davis gives us something beyond, delivering a collection of synesthetic, transportive documentary poems that breathe anecdotal and impressionistic life into a sonic-social history about which most can only speculate. Davis' verse takes free flight with its muses, scatting and leaping off the page and the shoulders of the musicians, nightclubs, and choreograp…
Deluxe, spot gloss-printed, massive three-hour box set collecting the full work of Herbert Joos (one of the most celebrated musicians in Lithuania’s avant-garde scene) 1968-1973 units, the Modern Jazz Quintet Karlsruhe and Four Men Only
The Sea Is Rough is only a single (released as a 12’’ EP, played in 45 rpm) that features 2 pieces, recorded by the Russian power-pree jazz outfit Brom (Бром) with Japanese legendary trumpeter Toshinori Kondo, known for his collaborations with innovative improvisers around the globe like Peter Brötzmann, Han Bennink, Henry Kaiser, Bill Laswell and Paal Nilssen-Love. This promising meeting of Brom and Kondo was recorded at Orange Studio, Moscow in March 2019. The first version of the title-piece…
Turkish free jazzers Konstrukt continue their series of exciting collaborations with Otomo Yoshihide, highly repudiated multi-instrumentalist and composer in the experimental world. #4 in the continuing series of Konstrukt collaborations on Karlrecords is a live document of the concert by the Turkish freeform group with the Japanese experimental musician Otomo Yoshihide from the TUSK Festival 2018. Konstrukt, the Istanbul based free jazz/freeform group founded and led by Umut Çağlar and Korhan F…
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance
“With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
**Seminal Spiritual Jazz from South Africa, 1970. Officially licensed and re-mastered re-issue**. With a unique sound founded on a persuasive mix of American and African jazz, Armitage Road, originally released in 1970, was the only studio recording released by South Africa’s Heshoo Beshoo Group. As a highly prized collector’s item, a re-issue and re-appraisal of this lost gem from the apartheid era has been long overdue. Heshoo Beshoo loosely translates from the inter-tribal lingo of the townsh…
LP version. We Release Jazz present a reissue from Geneva's Boillat Thérace Quintet, the My Greatest Love album, featuring bebop and hard-bop legend Benny Bailey and available for the first time since 1975. Galvanized by the creation of the Montreux Jazz Festival in the late '60s and lively local scenes, jazz music was healthy and booming in Switzerland in the 1970s. One band that beautifully captured this energy was Jean-François Boillat and RaymondThérace's Boillat Thérace Quintet whose self-t…
Corbett Vs. Dempsey present a reissue of Alexander von Schlippenbach Trio's Three Nails Left, originally released in 1975. One of the all-time great records of improvised music from Europe. Period. Blisteringly hot. Uncompromisingly inventive. Staggeringly beautiful. And insanely rare. Originally issued in the mid '70s on FMP, at its core Three Nails Left features the legendary Schlippenbach Trio -- British saxophonist Evan Parker, and German percussionist Paul Lovens joining the German pianist …
Never-before-issued music from three very different settings in upstate New York, all recorded in the period running up to Poughkeepsie multi-instrumentalist Joe McPhee's Nation Time (CVSD 054CD). From a year before that landmark LP, in the same hall at Vassar College, McPhee led a band with soulful vibraphonist Ernie Bostic and voluble rhythm section of Tyrone Crabb and Bruce Thompson, both of Nation Time fame, performing a John Coltrane-oriented set that included versions of Mongo Santamaria's…
Spiritual keyboard improvisations performed by Laraaji and recorded in a Brooklyn Church by Jeff Zeigler (Kurt Vile, The War On Drugs, Mary Lattimore). Sun Piano finds Laraaji fulfilling a lifelong ambition to return to his first instrument, learnt whilst growing up in 1950s New Jersey. A departure from his FX-soaked cosmic zither jams, these elegant miniatures nevertheless reveal enough personality and inner light to be clearly identifiable as ‘Laraaji Music’.
This release is the latest step in…