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On No Obituary, Concealed Class - the duo of Charlie Mumma and Matt Purse - reduce harsh sound to its barest, most hostile state: absolute electronics where saturation, feedback and structural collapse are the only remaining facts.
Merzbow (aka Masami Akita), animal rights activist, writer, and musician, an Iconic figure in International noise scene. Renowned for his pioneering contributions to the noise music genre, Merzbow has solidified his position as one of its most signif…
Trepaneringsritualen explores themes of religion, magick and the hidden realms of consciousness, taking its musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sens…
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and str…
*100 copies limited edition* Debut cassette of new duo, John Grimaldi (Hand & Knee, Detachment Programs label) and Scott Kindberg (Silver Moult, Begin Hostilities label) -- Harsh noise / found sound manipulation
*200 copies limited edition* Originally released in 1990 on Harsh Reality Music, heavyweight collaboration / cassette culture meeting of minds featuring source material by PBK, City Of Worms (Jeph Jerman), and John Hudak mixed by Illusion Of Safety. …
*200 copies limited edition* Historic first-ever compilation of the extreme UK electronics trio directed by dominatrix / model Dannielle Black, along with Barry Fuller and Jason Whittaker they were active in the early 90s tape trading scene putting o…
*200 copies limited edition* Highly-influential noise project from the peak years of Providence's scene and known for intense live performance. I:G releases appeared on labels such as Troniks, RRRecords, Monorail, and Hospital, though the majority we…
Debut solo tape by this up and coming Dutch project associated with notable artists like awenydd, Jonathan Bergen, JSH, Moozzhead, Richard Ramirez and Vincent Dallas.
Psychedelic Harsh Noise from Finland with previous releases on Freak Animal, Narcolepsia, Satatuhatta and Tribe Tapes. Relentlessly heady mind frying electronics from the man behind Uton.
Lusters is a duo between Finnish projects Edge of Decay and Circle of Shit. This is their first proper full length CD following cassette releases on Freak Animal, Satatuhatta and Tribe Tapes.
Monocyclocybercilia’s debut cassette Lyserkinesis appeared in early 2026 as a brutally limited run of 30 copies. The material hit hard immediately, leaving a strong impression on those lucky enough to get hold of it. Originally a concise 15-minute ca…
Satatuhatta is proud to present the new full-length tape by The Day Of The Antler. The Day of the Antler has been called the best kept secret in the Finnish industrial underground, and those who have heard the small-run self-released tapes or the bri…
Let me bring you love from the fields! Field recordings from half forsaken and decaying places with creaky broken objects, rubble and assorted scrap. Ancient battlefields - now forgotten - where the grain grows on the graves of nameless warriors (dri…
K2 is the project of Kimihide Kusafuka, born in Shizuoka, who began his musical activity in 1981 devoting himself entirely to recording noise and experimental music — before the term "noise music" as a genre had even been established. Over the follow…
*10 copies limited edition* Made as an act of mindfulness, Linear Contact emerges as JCKSN’s debut foray into the genre of ‘harsh noise’. Across these four tracks, the erratic sound of household clatter paired with bit crushed field recordings, resid…
*100 copies limited edition* Originally released in 1986, Folk Music stands as one of the most uncompromising statements to emerge from the Japanese industrial underground. Created by Jun Konagaya after the dissolution of White Hospital, the album ma…
TripleAkuma is the third in a series of essential live documents from Merzbow. The stage and the studio are not the same place, and Merzbow has an acute understanding of this juxtaposition. Whilst the sheer density of the music might be maintained ac…