FRKWYS Vol. 18: Extended Field
FRKWYS Vol. 18: Extended Field witnesses Horse Lords and Arnold Dreyblatt in deep collaboration, melting minimal composition and polyrhythmic invention into a sprawling sound experiment. The album pulses and stretches, dissolving genre boundaries and conjuring a space where tradition is not static, but ever-evolving.
Interstitial Spaces
Interstitial Spaces marks Martin Brandlmayr’s first venture with Faitiche and explores those rarefied, nearly invisible moments at the threshold of musical narrative—what lingers after conclusion, what bristles before commencement. Here, Brandlmayr—Radian and Polwechsel's celebrated percussion mind—deploys field, film and record scraps, sculpting from absence a delicate, audio micro-drama.
Wildlife & it's Results
The tape Wildlife & it’s Results by Sue Fishbein, reissued by Counter Culture Chronicles, captures a collage-based soundpiece from early 1980s San Francisco. A key figure in the mail art network, Fishbein constructs an aural patchwork where found sound, irony, and cultural debris converge into a sharp yet playful critique of everyday noise.
From the Archives Vol. 13 (Tape)
From the archives vol. 13, released by Counter Culture Chronicles, gathers rare recordings from key figures such as Lawrence Weiner, Ulises Carrión, Michael Gibbs, and others. This collection traces the porous boundaries between conceptual art and sound, where language, gesture, and environment intersect in works both fleeting and resonant.
Dick Higgins
This tape by Dick Higgins, released by Counter Culture Chronicles, documents a 1977 interview conducted by Michael Gibbs in Barton, Vermont. A crucial Fluxus figure, Higgins reflects on intermedia, publishing, and experimentation, creating a vivid self-portrait where personal recollection and artistic theory flow into one another.
Afrikan Klavierkonzert
The tape Afrikan Klavierkonzert by Rolf Julius, recorded in 1980 and now reissued by Counter Culture Chronicles, reveals the German artist’s delicate approach to sound: sparse piano textures, environmental resonance, and a restrained poetics of listening that dissolve boundaries between music, silence, and space itself.
Ulises Carrion
The self-titled tape by Ulises Carrión, reissued by Counter Culture Chronicles, revisits his elusive Trios & Boleros, a work once privately circulated. Here, Carrión reimagines popular form through a deconstructed lens, where fragments of music and voice are refracted into conceptual gestures that linger between intimacy, satire, and radical sonic experimentation.
Morgen II
Morgen II by Pier van Dijk and Robert Joseph revives the radical Dutch sound poetry of the 1980s. This tape, released by Counter Culture Chronicles, documents a sprawling word-piece where language fractures, collides, and reforms, blurring the divide between voice and noise, gesture and rhythm, memory and rupture.
Klavierduett: In memoriam George Maciunas
Signed. Comes with its original record bag/shopper! When George Maciunas died in New York in 1978, aged 47, Joseph Beuys and Nam June Paik did what artists do when words fail: they played. The piano duet they performed at Düsseldorf's Kunstakademie lasted precisely 74 minutes, the numbers inverted as if time itself could be bent backward in grief. An alarm clock ended the performance at 9:14 pm, another numerical echo of Maciunas's brief, incendiary life. This wasn't theater. It was something ra…
Kartoffel-Opera
Edition of 150. This ultra-limited 7" presents the first audio documentation of Henning Christiansen's Potato Opera, a conceptual masterwork that stands among the most radical gestures in Fluxus history. Originally performed in 1969 at the Kunstakademie Düsseldorf, this piece embodies the radical questioning of musical convention that defined the post-1968 avant-garde. The inaugural performance in 1969 brought together Henning Christiansen with artist Lene Adler Petersen and painter Ursula Reute…
Musica Futurista (2LP)
condition (record/cover): NM/NM Gatefold sleeve with original innersleeves. The sound of the Italian avant-garde 1909-1935! First edition on Multhipla Records, Gianni Sassi's label dedicated to avant-garde music and performance. Music and words from the Italian Futurist movement, featuring original recordings and contemporary performances. Luigi Russolo's Esempi Sonori documents his revolutionary Intonarumori (noise intoners) – mechanical noise-generators that realized his manifesto L'Arte dei R…
Musica Futurista (2LP)
condition (record/cover): M/M (still sealed) Gatefold sleeve with original innersleeves. The sound of the Italian avant-garde 1909-1935! First edition on Multhipla Records, Gianni Sassi's label dedicated to avant-garde music and performance. Music and words from the Italian Futurist movement, featuring original recordings and contemporary performances.
Luigi Russolo's Esempi Sonori documents his revolutionary Intonarumori (noise intoners) – mechanical noise-generators that realized his manifesto…
K7 Box
*2025 stock* "K7 Box" encompasses performances and soundscapes recorded at unique venues, including specially commissioned announcement sounds for the Yokosuka Museum of Art. Each track brings forth Suzuki’s lifelong dedication to the art of listening, his fascination with natural and manmade acoustics, and his innovative approach to instrument building. Enriched by a booklet with texts by Suzuki himself and renowned music writer David Toop, the release provides insights into Suzuki’s creative p…
I've Got a Right
** Original copies of this rarity. Factory sealed. Few copies available ** Lenny Kaye, legendary guitarist for Patti Smith Group and compiler of the influential Nuggets garage-punk compilation, steps into the spotlight with I've Got A Right, part of John Giorno's groundbreaking Giorno Poetry Systems series that merged downtown poetry with punk rock energy.
Released through Giorno's visionary label that documented the intersection of New York's literary and musical underground, this album capture…
Musik LP
** Edition of 200. Comes with a 2-sided insert, and has hand-stamped label (color varies) by the artist. ** In honour of the recent 80th birthday of Finnish conceptual art pioneer and counterculture icon J.O. Mallander, private recordings from the artist’s personal archive have now been made available for the first time. Known primarily as a visual artist, art critic and gallerist, Mallander has also made forays into poetry and sound art, and his recorded output enjoys cult-classic status among …
WhiteOut
"Even without visiting a place, we often think we know it. It’s a syndrome of the modern age. The world is right before us, on screen, summarised and sensorially curated into a particular vision that casts light across ‘just so much’ of an impression of a place and a time. In some ways, I realised this phenomenon most strongly when I visited Antarctica in the summer of 2010. In my mind’s ear (and eye) certain features of that place were front and centre – imagined, as to be real. The stark colou…
Flitting Splits Reverb Adage (Book)
An assignment: find the titles of Rob Mazurek’s records and the names of his bands. Put them in a line. Now tell me he’s not a poet. Mazurek is a bona fide polymath. He thinks in multiple media. One modality bleeds into another, the musical into the visual into the verbal. And they are cumulative, as seen and heard and read in these beautiful poems. Colors explode, repetitions draw musicality out of words, text refers to the shape of a sound. Conjuring a cosmic sonosphere, the sound-crust on the…
Ja As Long As I Can
A minimalist exploration of voice, breath, and human connection across continents: this rare 2013 LP release documents an extraordinary sound art collaboration between Norwegian artist A.K. Dolven and American poet John Giorno, produced by Edition Block in Berlin. The 22-minute work represents a unique transatlantic dialogue that explores the fundamental properties of human communication through the sustained repetition of a single word: "ja," the Norwegian equivalent of "yes." A.K. Dolven (born…
Das Leben Chopins Und Andere Ton-Dichtungen
A rare double LP from 1988 presenting a comprehensive collection of "sound poems" by Gerhard Rühm (born 1930), one of Austria's most important experimental artists and a founding member of the revolutionary Wiener Gruppe (Vienna Group). Released by Edition Block in Berlin, this recording documents Rühm's groundbreaking work at the intersection of literature, music, and visual art, featuring compositions created between 1978 and 1984 that exemplify his unique approach to what he terms "auditory p…
The Golden Violin
Original 1981 copy in perfect condition of this rare document from Poland's underground conceptual art movement