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Sound Art /

Arba, Dak Arba
Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« was conceived as the soundtrack for the eponymous installation piece by the French artist Fanny Béguély. First presented as part of the group exhibition »Panorama 21 - ›Les Revenants‹« at Tourcoing’s Le Fresnoy Studio National des Arts Contemporains in December 2019, Béguély’s chemically painted photographs focused on humankind’s propensity for self-examination and its attempts to probe the mysteries of the past, present and future. Ob…
Works, 2020
**CD in gatefold carboard wallet, 300 copies. To be released in mid July 2020.** Works, 2020 includes two new compositions, Different Speeds for Decay Instruments (for electric piano; the score of this piece adorns the front cover) and Music for Glass, Plastic and Rubber. Japanese musician Reizen is based in Tokyo, he composes and performs using mainly drone and minimalist techniques. He plays electric guitar, the inside of pianos, and creates works of phonography. He formed the drone quartet Ne…
Around the Plywood
**300 copies** Document of salad, who performed BGM and sound performance for the exhibition "new lagoon in Hokan-Cho, Okayama " curated by Ayako Tsutsumi (edition.nord). Salad is a music team consisting of Masami Baba (Based in Hyogo) and Nagai Tsume (Based in Niigata). Ayako commissioned Nagai Tsume to compose the BGM for the exhibition. Masami Baba is a sound artist who has been attracting Ayako's attention for some time.This work is a reconstruction based on the sound of their first performa…
Wetland
**300 copies. The leaves assembled on the CD package were collected around the pond where the recording was made.** As in Eisuke Yanagisawa's own words: I set the recorder on the shore and collected it the following day. At midnight, the growling of animals (which turned out to be the sound of bullfrogs, an alien species) reverberated around the pond. Mizorogaike, which consists of a pond and a wetland, is located on the northern edge of the Kyoto Basin. Many aquatic plants, insects, fish, wild …
Common Time
Renowned as both choreographer and dancer, Merce Cunningham (1919–2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works. Cunningham, together with partner John Cage, invited those artists to help him rethink what dance could mean, both on the stage and in site-responsive contexts. His notion that movement, sound and visual art could share a “common time” remains one of the m…
Record: The Space Between
A rare classic of sound art from Brazilian avant-gardist and provocateur Antonio Dias, available in a limited edition
The thoughts of Gilbert & George
**Signed and numbered edition** This vinyl LP record, published in a limited edition each signed and numbered by Gilbert & George, is a new and unique artwork on which the sculptors revisit their first mature work, The Singing Sculpture (1968) - their recording of Flanagan and Allen’s Depression - era song “Underneath the Arches”--as if it were an old friend they had not seen in years, reminiscing with it and bringing their liaison up to date on their most recent art, thoughts and endeavors in t…
Intonarumori: Ieri ed Oggi
New and old compositions for Luigi Russolo’s legendary Intonarumori. After publishing his visionary manifesto, the Art of Noises, in 1913, the futurist painter Luigi Russolo designed and built a revolutionary family of new instruments with which to compose with noise: black, wooden boxes, fitted with huge acoustic horns, crank-handles (to drive them) and levers (to vary the pitch). They came in different varieties – designed to give composers access to five of what Russolo had identified as ‘the…
Electric Landlady
**Edition of 150 copies** Malcolm Green (b. 1952) is a British artist, dancer, and publisher. His eccentric, liquid ideas seem to come with a smile. Or is it a wry grin? His colorful paintings, usually adorned with phrases, are little riddled plaques. Luckily, Malcolm is of the ilk of visual artists who also records audio works (this multiplicity is always interesting). Green's own label Seedy CDs/Sieh Dies issued a number of CDrs between 2000 and 2005, including many of his own works, along tho…
Music with Roots in the Aether
"Music with Roots in the Aether" is a series of interviews with seven composers who seemed to me (Robert Ashley) when I conceived the piece-and who still seem to me twenty-five years later-to be among the most important, influential and active members of the so-called avant-garde movement in American music, a movement that had its origins in the work of and in the stories about composers who started hearing things in a new way at least fifty years ago.There is, of course, our indebtedness to Eur…
Outside of Time - Ideas about Music
English-German Edition, 655 pages (!) collection of writings about ideas concerning music by American composer Robert Ashley. For nearly forty-five years, composer robert Ashley has pursued his vision of opera in the face of near complete indifference from the American mainstream culture industry. Ashley’s experience parallels that of other American indepen-dent avant-garde figures such as Terry Riley, Alvin lucier, and Pauline Oliveros. like these composers, Ashley uses notation only to the ext…
Cues: Writings & Conversations
544 page English/German Edition. In 2002 Christian Wolff was a guest composer at the Huddersfield Contemporary Music Festival and during the course of the festival he was interviewed by Christopher Fox and by James Gardner. Fox's interview took place before an audience in the Lawrence Batley Theatre on 25 November; Gardner's interview was recorded in private in the George Hotel, Huddersfield on 27 November, and edited excerpts from that recording were subsequently used in a programme produced by…
Finding Music
A general introduction to Tom Johnson’s music, as well as many articles written from 1961 until 2018, with texts both In English and German. "I can not say that I always manage to find my music. Sometimes it still seems necessary to compose it, particularly when I want to produce another opera. I can say, however, that there is something particularly satisfying about projects where the logic (the music) seems to arise naturally from some discovery outside of myself, and where everything comes to…
Smetak Inventions: The Interfused Realms of Inventor, Sound Artist, and Musician Walter Smetak (1913-84)
Musician and inventor Walter Smetak, who emigrated to Brazil in 1937, is one of the most important protagonists of sound art and experimental improvisation of the Brazilian avant-garde of the 1960s–80s. His work continues to have an impact today. Forming the core of his creative output are more than 100 instruments and sound sculptures that he invented and built himself, his so-called »Plásticas Sonoras«. His work also includes numerous compositions, sound recordings, books, poetry, writings, an…
The World's Worst - A Guide to the Portsmouth Sinfonia
"Butchering the classics through avant-garde amateurism: the Portsmouth Sinfonia embodied the joyous collectivism of 1970s British counterculture. In 1970, galvanized in part by the musical experiments of avant-garde composers Gavin Bryars, John Cage and Cornelius Cardew, students at Portsmouth College of Art in England formed their own symphony orchestra. Christened the Portsmouth Sinfonia, its primary requirement for membership was that all players, regardless of skill, experience or musicians…
Fusées
“Fusées” isn’t the first collaboration between Thomas Bonvalet and Jean-Luc Guionnet, their first joint effort “Loges de Souffle” appearing on Be Coq last year. The same label also put out a vinyl edition of “Fusées”, but now Sarah Hennies’ label Weighter Recordings has thankfully stepped in with a CD and download release for the rest of us. Although the two artists are primarily known for their attachments to a particular instrument (guitar for Bonvalet, saxaphone for Guionnet), these instrume…
Listening to the Wind: Encounters with 21st Century Independent Record Labels
If there’s a cultural artefact capable of withstanding the vagaries and fickleness of the digital age as well as the printed book, it’s the vinyl record... In Listening to the Wind, Ian Preece sets out on an international road trip to capture the essence of life for independent record labels operating in the twenty-first century. Despite it all – from algorithms and streaming to the death of the high street and the gutting of the music press – releasing a record to serve its ‘own beautiful purpo…
After Sound - Toward a Critical Music
After Sound considers contemporary art practices that reconceive music beyond the limitation of sound. This book is called After Sound because music and sound are, in Barrett's account, different entities. While musicology and sound art theory alike typically equate music with pure instrumental sound, or absolute music, Barrett posits music as an expanded field of artistic practice encompassing a range of different media and symbolic relationships. The works discussed in After Sound thus use per…
The Conversation
**Edition of 200, sold out at source** The edition consists of a one-sided vinyl, including a track written by the artist herself for the performance interpreted by a deaf man who reprocesses the music detected only through vibrations, using the Italian sign language. The Conversation extends the concept of artistic and musical performance by addressing new relations among music, noise, deaf culture and the very act of listening. Francesca Grilli’s research is indeed often focused on human commu…
Das Typische Ding - Reenactment I
** 18x18cm box-set, 300 copies. ** Suezan presents the CD version of the latest recordings by Die Tödliche Doris after a silent period of decades. Die Tödliche Doris are back, no kiddin': in the sound spectrum of 31 contemporary dildos and vibrators, we are residing in 2019 with a resurrection of The Deadly Doris. She now appears to us as a performer, musician and instrument in one. Doris has never been that close to us. Tabea Blumenschein, a band member of the first hour, made illustrations of …