Sound Arts now
In Sound arts now, Cathy Lane and Angus Carlyle explore contemporary artistic practices and theories, and what contributes to or hinders artistic and career development. This is conducted through a series of interviews with artists and curators, putting the often-unheard voice of the maker at the centre of the discourse. There is a conscious shift of reference away from the “white men from the global north” who have dominated the canon during the decades of the discipline’s emergence and establ…
Sound, Art, and the Promise of Hospitality
In Resonant Matter, Lutz Koepnick considers contemporary sound and installation art as a unique laboratory of hospitality amid inhospitable times. Inspired by Ragnar Kjartansson’s ninechannel video installation The Visitors (2012), the book explores resonance—the ability of objects to be affected by the vibrations of other objects—as a model of art’s fleeting promise to make us coexist with things strange and other. In a series of nuanced readings, Koepnick follows the echoes of distant, unexpe…
Acoustic Justice : Listening, Performativity, and the Work of Reorientation
Acoustic Justice engages issues of recognition and misrecognition by mobilizing an acoustic framework. From the vibrational intensities of common life to the rhythm of bodies in movement, and drawing from his ongoing work on sound and agency, Brandon LaBelle positions acoustics, and the broader experience of listening, as a dynamic means for fostering responsiveness, understanding, dispute, and the work of reorientation. As such, acoustic justice emerges as a compelling platform for engaging str…
Sonic Possible Worlds, Revised Edition Hearing the Continuum of Sound
From its use in literary theory, film criticism and the discourse of games design, Salomé Voegelin expands ‘possible world theory’ to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice MerleauPonty’s phenomenological life worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thin…
Half Sound, Half Philosophy : Aesthetics, Politics, and History of China's Sound Art
From the late 1990s until today, China’s sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electroni…
Pianos, Toys, Music and Noise - Conversations with Steve Beresford
Steve Beresford's polymathic activities have formed a prism for the UK improv scene since the 1970s. He is internationally known as a free improviser on piano, toy piano and electronics, composer for film and TV, and raconteur and Dadaist visionary. His résumé is filled with collaborations with hundreds of musicians and other artists, including such leading improvisers as Derek Bailey, Evan Parker and John Zorn, and he has given performances of works by John Cage and Christian Marclay.
In this b…
Virtual Music : Sound, Music, and Image in the Digital Era
Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go...' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and liste…
Making It Heard : A History of Brazilian Sound Art
From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recog…
Liturgy
** In process of stocking ** Liturgy is a journey into the uncanny realm of the senses that dives into histories of perception and intuition. The artist Flora Yin-Wong deploys a variety of images and texts to explore issues related to cosmic principles, conspiracies, and parallel universes. The result is a constellatory work filled with religion, dreams, and fragmented memories and knowledge that also gestures at the artist’s own history. The book’s chapters—Rituals & Fire; Omens; Hexagrams / Or…
Theatre
Theatre is an artist book that documents seven early performances by Dan Graham taking place from 1969 to 1977 with notes, transcripts, or photographs for each work. Originally published in 1978, and produced here in facsimile form, the publication focuses on several key works that interrogate or undermine the psychological and social space created by, or between, individuals inside the performance venue. Like most of Graham’s work, they also serve as a critique of cultural norms, with many of t…
Camino Road
First published in 1994, Camino Road is artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. Lyn does her Spanish homework and makes note to read Ann…
10 Friendship Songs
** Edition of 200. Artist book + CD ** n the year 2018 visual artist Ken Verhoeven presented his Friendship Paintings, a collection best described as “deconstructed designs for friendship bracelets”, at Trampoline gallery in Antwerp. The subject: the friendship bracelet. A wristband infused with meaningful (?) symbols. Symbols crafted thread after thread. One pulls a string, and … friendship happens. Or … friendship is being manipulated by symbolism. Not unlike a fetish. Ken Verhoeven upcycled t…
An Anthology
* Artist's book, letterpress and offset printed. Original copies of this seminal fluxus book, in perfect condition after over 50 years * Edited by La Monte Young in 1961, designed by George Maciunas, and published in 1963, An Anthology contains contributions by more than a dozen artists, many of whom would become associated with Fluxus. An early manifestation of the genre of artists’ books —books in which the content is the artwork— An Anthology contains a diverse array of contributions, includi…
Melody III Book II
**Original 1977 copies * Beautiful artist book based on Melody III (1975) for tape and slide projections Rather than a musical score, the work in this book is a graphic realisation of the structure of a musical composition. The pattern which unfolds takes on elements of landscape and architecture in stark black and white.
Two-Way Mirror Cylinder Inside Cube and a Video Salon
This video and book are based on Dan Graham’s Rooftop Urban Park Project, which opened as an extended exhibition at Dia Center for the Arts in 1991. Re-released as a VHS and packaged with the original 1992 publication, this title includes an essay by the artist and a 20-minute video.
A Family In Brussels
** 2021 Stock ** Filmmaker Chantal Akerman presents A Family in Brussels, a fictional stream-of-consciousness text encompassing multiple subjectivities and laced with autobiographical references. This is the first English-language publication of the work, which Chantal Akerman wrote and first performed as a monologue in Paris and Brussels. The accompanying CDs document the theatrical reading that took place at the Dia Center for the Arts, New York, in October 2001. In them, the listener can hear…
Deep Listening Anthology: Scores from the Community of Deep Listeners
"Thirty-eight works by twenty-five musicians come together in this anthology. Contributors to this collection come from the United States, Canada and Switzerland, and reflect the international aspect of the Deep Listening community. The range of work in this anthology demonstrates further diversity: scores using common practice Western musical notation, graphic symbols and images, interwoven with texts, textual instructions for performance, guided meditations, commentary on the creation and use …
Deep Listening Anthology, Volume Two: Scores from the Community of Deep Listeners
The Deep Listening Anthologies are collections of work by musicians and artists from around the world who have embraced the ideas of Deep Listening in their own ways. Inspired by DL's tenets of listening, openness and play, these volumes contain a wonderful variety of interpretations and integrations of global ideas into individual practices. This volume is the second Deep Listening Anthology, containing mostly instructional scores by composers, along with scores in traditional notation, poetry,…
Yes
A fully illustrated retrospective look at the long and influential career of a challenging avant-garde artist reviews forty years of Ono's work, including films, music, and Conceptual art, and includes thought-provoking essays from respected scholars and a music CD.
Born in Tokyo in 1933, Yoko Ono moved to New York in the mid-1950s and became a critical link between the American and Japanese avant-gardes. Ono's groundbreaking work greatly influenced the international development of Conceptual ar…
Yoko Ono: One Woman Show, 1960–1971
Yoko Ono: One Woman Show, 1960–1971 examines the beginnings of Ono's career, demonstrating her pioneering role in visual art, performance and music during the 1960s and early 1970s. It begins in New York in December 1960, where Ono initiated a performance series with La Monte Young in her Chambers Street loft. Over the course of the decade, Ono earned international recognition, staging "Cut Piece" in Kyoto and Tokyo in 1964, exhibiting at the Indica Gallery in London in 1966, and launching with …