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Richard Raux's band after Magma, recorded at the Château d'Hérouville in 1974: spiritual jazz, progressive rock and Malagasy rhythms, with his brother Patrice on guitar. Restored and remastered for Souffle Continu's 100th release.
Unreleased recordings by Danish tenor saxophonist Carsten Meinert, with the Danish Radio Jazz Group on side A and his C.M. MusicTrain on side B, Coltrane-rooted fire with Ole Matthiessen and Pierre Dørge. Liner notes by Mats Gustafsson.
Believe, four Australian improvisers, Peter Farrar, Novak Manojlovic, Clayton Thomas and Laurence Pike, who also produced: free jazz momentum and creative sound making recorded in Sydney in 2023.
Martin Küchen's trio Angles, with Ingebrigt Håker Flaten and Kjell Nordeson, joined by vibraphonist Mattias Ståhl of Angles 9: four Küchen compositions recorded in Stockholm in April 2024.
New compositions by Camila Nebbia for her sextet The Hanged One, with Julia Biłat on cello, Arne Braun on guitar and Andres Marino on electronics: intricate structures and open spaces with her tenor saxophone at the centre.
Second duo LP by Sarah Hennies and Tristan Kasten-Krause: two sidelong pieces grown from a live work played in darkness, singing bowls, gongs and double bass drifting into waltz-like pulses and field recordings. Numbered edition of 200.
Anthony Braxton's 12+1tet live at Victoriaville on 20 May 2007: Composition No. 361, seventy minutes of layered Ghost Trance writing with Taylor Ho Bynum, Mary Halvorson, Steve Lehman, Nicole Mitchell and others.
Jean Derome and Louis Sclavis share a quartet with Bruno Chevillon on double bass and Pierre Tanguay on drums, live at Victoriaville on 19 May 2001: flutes, clarinets and saxophone on compositions by both leaders.
Vancouver's Hard Rubber Orchestra led by trumpeter John Korsrud, with guests Lori Freedman, Marilyn Lerner and Brad Turner: new big band music by Korsrud, Turner, Jean Derome, René Lussier and Ron Samworth, recorded in 2000 and 2001.
Urs Leimgruber, Jacques Demierre and Barre Phillips recorded at Radio DRS in Zurich in January 2001: saxophones, piano and double bass in quiet, closely controlled improvisations where dynamics become the material.
Urs Leimgruber, Marilyn Crispell, Joëlle Léandre and Fritz Hauser in their first concert as a quartet, Victoriaville, 15 May 1998: eight improvisations growing from small details into heated four-way exchanges.
Boris Kovač and the Ritual Nova Ensemble from Novi Sad: saxophones, clarinets, violin, piano, bass and soprano voice in a chamber music that joins Pannonian folk memory, minimalist repetition and jazz.
Miya Masaoka's orchestra, recorded live in San Francisco in 1995 and 1997 with George Lewis, Vijay Iyer, Trevor Dunn and others: strings, Asian winds, shamisen, electronics and turntables under her whole-body conduction.
René Lussier conducts Vancouver's NOW Orchestra, recorded in February 1995: guitar and daxophone with Paul Plimley, Peggy Lee, Dylan van der Schyff and a full reed and brass section, in a suite of quick-changing vignettes.
Pino Minafra's Sud Ensemble in the studio in Milan, January 1995: trumpet, didgeridoo and ocarina with Carlo Actis Dato, Lauro Rossi and Giorgio Occhipinti, mixing southern Italian band music, free jazz and theatre.
Elliott Sharp writing for strings: Orchestra Carbon's violins, viola, cellos and double bass with electronic percussion, recorded in New York in 1992. Dense, restless pieces between contemporary chamber music and noise.
Jean Derome's written music for a Montreal ensemble of flutes, clarinets and saxophones with bass, drums and percussion, recorded at Studio Victor in 1988. Composed jazz with a nod, in the title, to Japanese court music.
Fred Anderson's 1979 session with Larry Hayrod, Hamid Drake and Adam Rudolph, first issued by Nessa in 1984; the CD adds Drake's previously unreleased Tabla Peace.
The Second Quintet with Shorter, Hancock, Carter and Williams on its autumn 1967 European tour: Antwerp, Copenhagen, Paris and Karlsruhe on three CDs, restored by Michael Brändli, with an essay by Art Lange.