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Torbjörn Zetterberg’s new record, Opinions, is not a conventional “solo” outing. It doesn’t represent the bassist, composer, and bandleader stepping away from all that to prove his mettle as a virtuoso unaccompanied improvisor. Anyone familiar with Zetterberg’s small group recordings needs no confirmation of his prowess. And anyway, strutting his stuff is not his vibe. Certainly not the vibe of this record, where the bassist plays more than bass, a solo venture on which he is occasionally joined…
The debut album from Swedish duo David Bennet & Vilhelm Bromander features their co-created piece Within Reach of Eventuality. Following a semi-open score by Bennet, the duo is treating elements such as complex textures, non-pitched sounds, microtonality, beatings and intense pauses in an improvisatory and careful manner.
From the liner notes, by Peter Margasak: "This isn’t music where we need to know exactly what’s happening or trace how it proceeds. It exists to entrance the listener within th…
*In process of stocking.* Minimalism is the keyword for the release from Bryan Eubanks. He composed work for four double basses, and Jonathan Heilbron, Mike Majkowski, Andrew Lafkas and Koen Nutters are the performers here. The score/concept is explained on the cover here; this is an excerpt: "[..] .....Each bass bows natural harmonics on one of the strings (I, II, III, IV), holding each note for the chosen duration and allowing a pause equal to half of this duration between each note. ..... All…
Bill Dixon's last large ensemble concert, at Victoriaville on 22 May 2010, weeks before his death: trumpets and cornets with Taylor Ho Bynum, Rob Mazurek, Graham and Stephen Haynes, with Glynis Lomon, Michel Côté and Warren Smith.
Barre Phillips on double bass, Catherine Jauniaux on voice and Malcolm Goldstein on violin, live at Victoriaville on 22 May 2010: three veteran improvisers in a delicate, conversational trio.
Anthony Braxton's septet live at Victoriaville on 21 May 2011, performing Echo Echo Mirror House music, where each musician plays an iPod loaded with Braxton's recorded history alongside their instrument.
Evan Parker's trio with Alexander von Schlippenbach and Paul Lytton meets Peter Brötzmann's trio with William Parker and Hamid Drake, live at Victoriaville on 19 May 2003: two tenor saxophone giants face to face.
Four double bassists, Barre Phillips, Joëlle Léandre, William Parker and Tetsu Saitoh, live at Victoriaville on 23 May 2003 in memory of Peter Kowald: bowed and plucked basses and voices in a shared farewell.
*100 copies limited release* Recorded and mixed by Daniel Bengtson at Studio Rymden, Stockholm, Feb 2021Produced by Alex Zethson & Johan BerthlingMastered by Daniel Ögren
All music by Johan Berthling except For Turiya by Charlie HadenDedicated to Maria, Arvid & Vidar
Produced with support from the Swedish Arts Council
We Jazz Records presents "Pu:", the boundary-breaking solo debut of bass player Ville Herrala. Herrala utilises only the double bass but approaches the instrument from various different perspectives. The end result is an inspired set of 14 miniatures, each pushing the concept forward in a highly personal way. The first single "Pu: 12" presents a rhythmic approach with echoes of from the world of minimal classical music and electronic music. Bowed tracks such as "Pu: 2" offer another perspective,…
This habit some experimental musicians have of applying forced context or stories to what is essentially pure improvised music does sometimes perplex me. Here Janek references Kaspar Hauser with the title and in the sleeve notes. He also states the intention “…to de- and reformulate the idea of beauty”. When referencing the case of Kaspar Hauser, I assume Janek sees himself as “…set free…” from traditional technique, and aims, on this disc at least, to “…redefine by discover[y] and recover the p…
Tip! "Recorded during the first lockdown in July 2020. All pieces are derived from improvisations experimenting with extended techniques / prepared bass, microtonality and Harry Partch's 11-Limit tonality diamond tuning system, overdubbing and long formless melodies. Inspired and dedicated to my daughter Yumi who was born on 25th April 2020." - Michael Bardon
Evan Parker's ElectroAcoustic Ensemble with Sainkho Namtchylak, recorded at Victoriaville on 19 May 1996 and released in 2021: saxophones, bass, violin and percussion processed live by Walter Prati and Marco Vecchi.
Seventh entry in Claudio F. Baroni's SoLo series, scored for double bass and loopstation and performed by Dario Calderone. Three movements derive their pitch material from a transcription of the celestial map of Ursa Minor, a method indebted to Cage's Atlas Eclipticalis but permitting performer freedom: pitches notated as loop sequences whose entry, exit and length the bassist controls, each tied to a specific extended technique. Acoustic drone of starfield variety.
"There is an expression that string players use: the wolf tone. It refers to a floating sound, an unpleasant vibratory acoustic phenomenon, which occurs when the instrument emits a sound like the cry of a wolf when the bow is drawn across a string. This illustrative metaphor arises from the instrument’s physical properties, due to which it will never be a docile sheep: from time to time its “wolven genes” show through. Owing to its shape, the double bass is like a large wild beast, particularly …
Lou Harrison's Suite No. 2 for Strings, Suite for Symphonic Strings and Concerto for Pipa with String Orchestra, three first recordings in their categories, played by Wu Man and The New Professionals Orchestra, London, conducted by Rebecca Miller.
Christian Wolff's complete works for bass, played by Robert Black under the composer's supervision: Look She Said, Jasper (with violin), String Bass Exercise out of Bandiera Rossa, Dark as a Dungeon (with trombone) and Untitled for electric bass-guitar.
** Small repress, absolutely astounding! ** Anyone encountering the efforts of the cellist, Okkyung Lee, faces an unavoidable truth. She’s an unreckonable force. Few players in the contemporary landscape relinquish themselves so completely to the practice of free improvisation, adapt with such ease without sacrificing the distinctions of self, or exist in the moment so completely, not to mention her awe inspiring technical skill. Her latest LP, Yeo-Neun, issued by Shelter Press, stands as tower…
300 copies. NoBusiness presents Irvin's Comet, a new set of solo bass recordings by Barry Guy, recorded 29th October, 2019 during Improdimensija (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania. Sound Engineer - Arūnas Zujus. Mixed and mastered by Arūnas Zujus at MAMAstudios. Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London. Design by Oskaras Anosovas.