★901 Editions
Semèia Kài Tèrata
"The Septuagint is the name in which the first Greek translation of the Old Testament is identified, datable to the 2nd century A.D. According to Aristea's letter to Philocrates, in which the genesis of this version is mentioned, 72 sages from Alexandria commissioned by Ptolemy II were responsible for the translation. Within the text, the term "prodigy" (τέρας, tearas) is never found alone but forms an inseparable binomial with "sign" (σημεῖον, semèion), thus forming the expression σημεῖα καὶ τέ…
Prisma
* 6-panel digisleeve (coated 350gms cardboard). Edition of 200 * 'Prisma' is the first solo album from Italian composer Luigi Turra on 901 Editions, despite his long-term relationship with the label and appearances on various collaborations and compilations: 'Ma 間' with Fabio Perletta (2020), 'Kailash' with Shinkei (2016) and the piece 'Ki IV' (2016) for the series 'Quark: How Does The Invisible Sound?'.
Three years after 'Fukinsei', his latest solo album released by the Japanese label mAtter,…
Leaving
**Glass mastered CD • 6-panel digisleeve (coated 350gms cardboard)** Operating between Italy in Japan, since its founding in 2018, 901 Editions has carved a singular path through the landscape of experimental sound. Like its predecessor, Farmacia901, the label is founded around principles of minimal beauty, music as design, and sound as malleable material, issuing stunning works by Akio Suzuki, Steve Roden, Minamo, Yann Novak, Giovanni Di Domenico, Asmus Tietchens, and numerous others. Their lat…
La Disparition
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Text by Xavier Veilhan. Designed by Mote Studio ** Inspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt. — Score and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.
Affective Room Tones
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Text by Xavier Veilhan. Designed by Mote Studio ** “When Xavier Veilhan kindly invited me to consider which artists to involve in his amazing Studio Venezia project, one of the first names I had penciled in was Nicola Di Croce. Between the many sound artists that I know and admire, Nicola has the unique quality of always provoking an original dialogue between his theoretical reflections and his practice as a…
Dust Bunnies
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Designed by Mote Studio. Photography by Fabio Perletta ** Dust Bunnies is Giovanni Di Domenico's first solo release for 901 Editions. Recorded in Oude Kerk Charlois with the majestic 1784's Hess pipe organ and in Klangendum / Worm studio in Rotterdam, the album beautifully merges acoustic and synthetic sounds. As pressurized air flows through the pipes, the music reminds us of desertic wind, evoking introspective p…
Un Fiocco di Neve
“Un Fiocco Di Neve” (Italian word for snowflake) is one of the possible crystallisations of an ongoing project called Nucleazione (Nucleation), started in 2017 and consisting of the accumulation of over 200 sound files and silences pulled together and randomly overlapped with no control. The five compositions of this album originate from a series of auto-generative methods, which I found brought me to new listening experiences in the process of composing. I trace my steps back to a decentered, l…
MLMC Live At Punctum
“MLMC Live at Punctum” marks the return of media artist, performer and experimental musician Aloïs Yang to 901 Editions after his immersive sound explorations on “Micro Loop Macro Cycle” (2018). “Micro Loop Macro Cycle” is made up of installation, performance, video, and digital releases that investigate environmental cycles through the studies of various states of water. It invites participants to consider their profound relationship to the element of water through technology, and the combined …
Superscience
901 Editions is proud to announce the latest release by Japan’s Minamo, the duo formed by Tetsuro Yasunaga and Keiichi Sugimoto. "Superscience" follows their recent collaboration with Moskitoo "Superstition", released by 12k in April, 2020. The work was recorded at Ochiai Soup in Tokyo on May 11th of 2019 as part of the label’s showcase 9+1=0. This live format, which embodies the notion of imperfection, irony riddled in its name, has been presented in Rome, Milan, and London. These showcases com…
Circular Arguments
Israeli-born, Montreal-based sound artist, performer and composer Adam Basanta returns to 901 Editions after his contribution to the Quark: How Does the Invisible Sound? project in 2016, with a delicate and sublime album summarising his feedback works between 2014–2016."The following are recordings of sound installations created solely using live feedback techniques, varying choreographies between microphones, speakers, kinetic system, physical spaces, and custom software. These works exist - ta…
Floating Weeds
Edition of 200. Japanese-born and London-based sound artist Ken Ikeda has previously appeared on the label’s project “Quark: How Does Invisible Sound?” (Q06). He now teams up with Rie Nakajima and Makoto Oshiro for a series of collaborations included in this CD alongside his solo opening track. The album title is borrowed from the 1959’s movie by Yasujirō Ozu called Ukikusa (Japanese word for Floating Weeds). Motors, sound objects, automated gestures, mixed materials as opposed to synthesizer-ge…
Frequencies
Edition of 200. This is the last release in the series of Nicolas Bernier’s worldwide
acclaimed and Prix Ars Electronica Golden Nica awarded project
“frequencies”. The piece frequencies (a / archives) is a composition based on sounds
from the scientific archives of Rennes 1 University (France). This
impressive collection of antique scientific apparatus includes one of
the few remaining "Grand Diapason" built by Rudolph Koenig circa 1880.
The two gigantic forks of the Grand diapason can gen…
Undefined
Undefined is the first collaboration between artists Richard Chartier and Yann Novak. For this piece the artists chose to collaborate in a way that was less about concept and more about the act of listening. The piece began with Chartier creating an unfinished work and sending it to Novak with no explanation, just the instructions to add to it, subtract from it, or a combination in order to finish the piece. Novak was then to send the recording back to Chartier for a simple approval or rejection…
Blue.Hour
Yann Novak Blue.Hour explores the high contrast colors created in the landscape during “l’heure bleue,” the period of twilight each evening when there is neither full daylight nor complete darkness. Directly following the ‘Golden Hour,’ know for its diffused yet powerful light, the Blue Hour retains the diffusion but lacks the strong light source giving this period of the day an especially melancholic and meditative atmosphere. Blue.Hour is presented here in stereo with some compositional elemen…