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A New Wave Of Jazz

Zwosch, Zwosch & Zwosch
Tip! 200 copies. Comes in a beautiful gatefold sleeve, designed to our house style by Rutger Zuydervelt. Liner notes by Guy Peters. Live concert at Festival DME - Lisboa Incomum, recorded by Mariana Vieira and Jaime Reis on the 30th July, 2021. Title inspired by Kurt Schwitters. Mastered by Dirk Serries.
Hunt At The Brook Again / Hunt At The Brook With Neil Metcalfe
Tip! In Vital Weekly 1397, I reviewed a CD by Dirk Serries, Benedict Taylor and Friso van Wijck they released on the Portuguese label Creative Sources Recordings. Now, the Portuguese entered Serries' label New Wave Of Jazz. The improvised music scene is small but very busy. A trio consisting of Carlos "Zingaro" on violin, Guilherme Rodrigues on cello and José Oliveira on percussion. They played on July 30, 2021, in Lisbon and for the title, they took inspiration from Kurt Schwitters. I think the…
Live at Plusetage Volume 1
*300 copies limited edition* Disc One: Charlotte Keeffe (trumpet, flugelhorn) & Andrew Lisle (drums). A New Wave of Jazz live event : in concert at PlusEtage (Baarle- Nassau, The Netherlands) on April 29th, 2022. Recorded by Dirk Serries. Mixed and Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium). Disc Two: Stefan Keune (sopranino, alto sax) / Dirk Serries (archtop guitar) / Benedict Taylor (viola). A New Wave of Jazz live event: in concert at PlusEtage (Baarle- Nassau, The Netherlan…
Disengage
*300 copies limited edition* With three studio albums, four live releases and a number of tours, the Belgian-British Kodian Trio has built up quite a reputation within the European improvisation scene. The trio unites the attention to texture and detail often associated with the 'English school' with the fierce urgency of the 'fire music' of the sixties and seventies. The result is a wringing cocktail on the seesaw between European free improvisation and witty free jazz. Dirk Serries' disordered…
Dandelion
Tip! *200 copies limited edition* “If the measure of freedom is measured by the resilience of an elastic band, they get close to the point where the rubber is about to snap, but it is exactly at that spot, where they recognise something and react to that with a refreshing lack of explicitness, that you can feel the result, and unfolded potential, of a shared intimacy.” - Guy Peters
The Art of Crashing
*200 copies limited edition* “Costa and Ernsting are assertive and confident players who don’t hesitate to claim their positions, but most of all, they are keeping up with each other, using their dialogue to explore and expand. And that is what it is about, a quest for ideas and a way for them to co-exist, make sense, keep the story moving forward on all levels. And as far as the greater story is concerned: this album is another fine addition to an endlessly fascinating mosaic of sounds.” - Guy …
Translucence
"As such, the music succeeds in maintaining a balance between cohesion and surprise, occasionally coming close to the jazz tradition, but always on its own terms. It gives the album a refreshingly unconventional approach, a counterpoint of ideas that consistently marches to the beat of a different drummer. " - Guy Peters
Vistas
"The most striking thing about it all is how these four people with four different nationalities (Kroatian, Swiss, Portuguese, Dutch) and backgrounds turn VISTAS into something wholly convincing. It is a rich, bold and rewarding statement that not only betrays a healthy disregard for genre conventions, but also creates a strikingly refreshing balancing act, and as such also offers a new shade to the steadily expanding New Wave Of Jazz-catalog, where improvisation, minimalism and various other st…
Twofold
*In process of stocking* "Onno Govaert. Now here is a guy who deserves to be in the spotlights.  Verhoeven and Govaert form a beautiful musical partnership that thrives on abundant dynamics and colourful interaction. Whether it is the subtle ripostes or the unanimous cadences that develop throughout their improvisations, there is always a crisp and natural affinity at the core of their partnership. With Dirk Serries, Govaert alters his approach. The combination with the amplified acoustic guitar…
Today And All The Tomorrows
"Today and all the tomorrows is one of those releases that sounds like cinema for the ears, despite the fact that the ‘song’ order might seem random and that it might be hard to find a general arc. Verhoeven firmly stands at the center of this music, flanked by two guitarists that get caught up in six three-way conversations. There is no agreed method or set of expectations and fixed ideas, but listen carefully, and you will notice how each piece has its own characteristics and turns the combina…
Solo Acoustic Guitar Improvisations II / III
*200 copies limited edition. In process of stocking* "These performances are all about the process, about exploration and they more than once reminded me of a quote by Derek Bailey about the creation process as a kind of jigsaw puzzle: “Emptied out of the box, there’s a heap of pieces, all shapes, sizes and colors, in themselves attractive and could add up to anything— intriguing. Figuring out how to put them together can be interesting, but what you finish up with as often as not is a picture o…
The Other Lies
“”The Other Lies is a collection of six improvised duets performed by Tom Jackson on clarinet Colin Webster on alto and baritone saxophones. Tom Jackson is very accomplished in the fields of contemporary classical music and free improvisation. He also holds a Ph.D from Canterbury Christ Church University. Colin Webster is a musician whose works I’ve reviewed here before. When one of his releases comes up on my Bandcamp feed I always take notice. He’s a prolific and under appreciated figure in th…
Melancholia
“‘Melancholia’ is, perhaps, a somewhat misleading title for the duet of John Edward (double bass) and label boss Dirk Serries (acoustic guitar). One might expect some sad music, a soft thud on the bass, a few strums on the acoustic guitar, but it is clear that these men deal with a different kind of melancholia right from the start. In the two pieces (forty-four minutes), I think there is a mutual agreement between the two to work along dynamic lines. They cut out the middle ground, it seems. Th…
Cure And Mound
“Thanks to Anton Mobin and his ‘prepared chamber’, a wooden box with strings, objects, and amplification. An instrument not unlike Tore H. Boe’s ‘acoustic laptop’. It is also an instrument for which we don’t know what it will sound like, unlike the piano, played by Martina Verhoeven, even when she plays the piano less traditionally; techniques that go back to John Cage and his prepared piano. Verhoeven divides her attention to both the keys and the inside of the piano. In the prepared chamber of…
One In The Eye
“From May this year, One In The Eye is a double CD bringing together Alan Wilkinson and Dirk Serries for selection jagged, moody, to-playful improv. The set features one disc taking in eight tracks, and a second disc features two longer work-out. The first disc opens with the nearing six minutes of “Upshot”- here we find Serries jagging ‘n’ jerking strums weaved with Wilkinson energetic and at points quite seared sax work- this works as a nicely urgent and shifting opener for the release, throwi…
Pieces Of Apparatus
“Pieces Of Apparatus severs up five examples of extremely sparse and often spaced-out improv for guitar- with all the tracks unfolding in both a jaggedly wondering, dartingly inventive, and largely rewarding manner. Here on the New Wave Of Jazz label is CD release, presented in the labels house style packaging of a white and grey box gatefold, that features a worthy write-up about both Gérard work in general and the pieces offered up here. Pierre Gérard is based in  Liège, Belgium- and has been …
Ballads From The Wrecked Ship
Ballads From The Wrecked Ship is a decidedly varied and rather wonderful improv release,  which sits somewhere between sonic creativity and atmospheric moodiness. The seven-track album slides in at a concise and focused forty minutes, and I must say it certainly stand as one of more distinctive/ original improv release I have heard in some time. The album appears on the always worthy/ interesting New Wave Of Jazz- coming in the labels house style mini grey gatefold packaging, which as always fea…
Monólogos A Dois
**Limited edition of 100 copies** “I am not sure if with the double bass there are various types, like with the guitar, but none is mentioned on the cover or the fact if this is a mono recording. The latter probably not. It was recorded in the spacious surrounding of the old church in Oud-Charlois, which is a part of Rotterdam and home to a few great concerts, some of these involving the church organ housed there. Goncalo Almeida stuck to his bass. We know him for his one-off collaboration with …
Solo Acoustic Guitar Improvisations I
**Limited edition of 100 copies** “Following some forty CD releases on his imprint New Wave Of Jazz, Dirk Serries thinks the time is right to expand to the world of vinyl. Here he plays a 1957 Hoffner archtop guitar, and recorded with a single microphone, some 50 centimetres from the guitar and there has been no other audio processing. The liner notes, as always by Guy Peters, are on the front cover, and he uses the extra space the format allows him, to talk some more on the history of free jazz…
Imaginary Junction
Performed by Cath Roberts (bariton saxophone and objects), Dirk Serries (acoustic guitar), Martina Verhoeven (piano), Tom Ward (flute, clarinet and bass clarinet) on July 18th 2020. This music was recorded simultaneously in two locations - Brockley and Sint-Lenaarts - using the JackTrip software to transmit/receive the live sound via the internet. The musicians could hear each other at studio quality in near-realtime, despite the physical distance separating them.
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