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Behind the name Pouf Pouf Pantoufle lie six musicians from Nancy, graduates of the Lillebonne music school: Vincent Petit on double bass, Gabriel Lambert on bass, Guillaume Schwab on keyboards, Tom Colombain on trombone, Gaspard Petitnicolas on flute, and Solal Piquand on drums.
In 2022, they founded the APC (Appellation Pantouflarde Contrôlée) association and started organizing concerts at the legendary MJC Lillebonne, often alongside BMM and RPT. Thanks to their eclectic and avant-garde line-u…
The Natural Yogurt Band returns from the rolling Derbyshire hills with an enthralling new album that redefines their unique sound. Known for their signature blend of raw neo-library and exotica grooves, the band now adds an innovative electronic twist, broadening their sonic palette while staying true to their eclectic roots. This record invites listeners into a richly textured soundscape where soulful string synths soar above playful modular chirps and crunchy electric pianos. Each track is car…
Émile Sornin aka Forever Pavot is currently on an impressive release run. After composing the soundtracks for the films De Nos Frères Blessés by Hélier Cisterne in 2020 and Babysitter by Monia Chokri in 2022, he presented in March a new solo album, L'Idiophone on Born Bad Records, for which he has been touring Europe since its release. The Parisian multi-instrumentalist is already back on BMM with his third soundtrack for Monia Chokri's new film, Simple Comme Sylvain. "Monia came to me for her p…
We're delighted to welcome Émile Sornin's solo project, Forever Pavot, to the BMM family, with this heavily retro soundtrack for the French-Canadian motion picture Babysitter directed by Monia Chokri. As a fan of Jean-Claude Vannier and François de Roubaix, Émile illustrates this light and poetic movie with 18 melodic loops and short ambient pieces, faithful to the 60's and 70's French soundtrack style.
Dance The Devil Away, the new album from The Natural Yogurt Band is a collection of 10 psychedelic, esoteric and cartoony library tracks, carried by Tom Dempsey’s heavy drum play. We find again that raw yet distinguished sound, proper to the Nottingham-based composer, with screeching organs, threatening grooves enlightened by the transverse flute, and loud drum breaks that navigate inside the stereo like a ghost haunting this record.