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A stroll for pleasure. 'Lustwandel' gathers Roedelius's graceful piano-and-synth miniatures, tender, unhurried and quietly luminous, a proto-ambient forerunner of everything gentle in electronic music. Timeless kosmische calm.
'Fly bird fly': Roedelius at his most songful and light. Gentle keyboard melodies flutter and loop with folk-like innocence, the warm, melodic heart of the Cluster co-founder's solo work. Radiant miniature music.
'Through the desert': Roedelius sets out on solitary electronic wandering. Spare, hypnotic keyboard figures and dry, shimmering textures conjure vast imaginary landscapes, early solo kosmische of quiet, questing beauty.
France's electronic guitar visionary. The Heldon founder folds searing, delay-treated guitar into churning synthetic drift: heavy, hypnotic and cosmic, where krautrock momentum meets sci-fi menace. Pinhas at full intensity.
'Calling': more hushed, luminous keyboard music from the reborn Cluster lineage. Qluster let melodies surface slowly from analogue haze, patient, warm and quietly devotional. Ambient kosmische at its most human.
'Listening': Qluster distil their art to its essence. Soft analogue tones and slow, deliberate motion invite deep attention, chamber electronics of great tenderness from Roedelius and Onnen Bock.
'Questions', a companion in Qluster's quiet dialogue. Roedelius and Onnen Bock spin delicate, unhurried keyboard music, more felt than composed. Intimate, spacious and gently searching ambient kosmische.
Roedelius and Onnen Bock as Qluster: 'answers' in the form of hushed, exploratory electronics. Analogue keyboards drift through patient, chamber-like pieces, the Cluster spirit reborn, meditative and warm.
Kurt Dahlke's debut as Pyrolator. 'Inland' collides sequencers, tape and early synths in short, sharp electronic sketches: playful, political and DIY to the core. The inventive nerve-centre of Ata Tak and the NDW.
'Abroad': Pyrolator's imaginary world tour on synthesizer and tape. Kurt Dahlke maps invented territories in bright, restless electronics, witty, inventive and unmistakably Ata Tak. German new wave at its most curious.
The self-titled debut of Jaki Liebezeit's post-Can group. Motorik pulse meets echo, dub and electronic haze: loose, driving and deeply hypnotic. Krautrock's rhythmic genius stretching out on his own terms.
Can drummer Jaki Liebezeit's own vehicle. Phantom Band ride his inexhaustible groove into dubwise, hypnotic krautrock: spacious, propulsive and endlessly funky. Rhythm as pure hypnosis, from one of the great German drummers.
The Tangerine Dream man's debut solo statement. 'Romance 76' splits between pulsing electronic sequences and orchestral romanticism: lush, melodic and forward-looking. A landmark of the Berlin school stepping toward song.
Tangerine Dream's keyboardist in solo flight. 'Nightfall' glides on elegant sequencer patterns and widescreen synth melody: the Berlin-school aesthetic at its most polished and songful. Cosmic music with a pop pulse.
An unlikely trio: Cluster's Moebius, Guru Guru's Mani Neumeier and Die Krupps' Jürgen Engler. 'Another Other Place' grinds electronics, percussion and industrial edge into taut, exploratory grooves, three generations of German sound in dialogue.
Cosmic bass explorer Michael Bundt goes fully electronic. 'Electri City' rides propulsive sequences and interstellar synth sweep: Berlin-school motion with a rock heart, a lost gem of German space music returned.
Rev's earliest experiments unearthed: cassette recordings, 1973-85. Skeletal drum-machine pulse, raw keyboard drones and proto-Suicide menace, the primordial ooze of minimal electronics, captured as it first formed.
The first solo record from Suicide's synth architect. Rev strips everything to skeletal drum-machine pulse and cheap-keyboard melody, at once brutal and strangely tender. A foundational document of minimal synth.
Martin Rev turns to reverie. 'Les Nymphes' drifts through delicate, looping electronic tone-poems: melodic, meditative and unadorned. The Suicide co-founder in intimate, luminous solo flight.