Esplendor Geométrico was a pioneer in the noise world and this record is one of his most edgy and advanced works of all. It is noisy, gauzy, confrontational and frankly weird for the way it mangles synths, layers up distortion and contorts vocals int…
Released in 1986, Geboren stuns in the same way early Esplendor tracks do, with blasts of chugging, caterwauling noise sounding straight from the factory floor. Tietchens’ most monotonously rhythmic work to date, it lacks the esoteric primitivism of…