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** Limited edition of 150 copies ** Presented here as novel and CD audio work, The Happy Jug uses a combination of verbatim text, fiction, granular synthesis and speculative philosophy to interrelate these formally distinct events in a weird causal r…
** Limited edition of 200 copies ** On Sunday 3 October 2015, London-based choral ensemble Musarc spent the afternoon at Extra City Kunsthal in Antwerp to perform and record four pieces by artist/composer Neil Luck. These sessions were expertly captu…
For a while it was possible to describe the duo Coppice’s often indescribable music simply by identifying their many instruments, particularly the harmonium and accordion wielded by Joseph Kramer and Noé Cuéllar. But the notion of renewal is built ri…
Nyantora — Koji Nakamura — is a prolific musician and producer whose work ranges from ambient music to scoring TV commercials and films. He was a member of renowned Japanese rock band Supercar from its inception in 1995 until its break-up in 2005. Ba…
Destroyer of Naivetés is a recording by Cave Bacchus (Joseph Nechvatal, Black Sifichi and Rhys Chatham) of Nechvatal’s sex farce poetry book Destroyer of Naivetés that was published in 2015 by Punctum Books (and is available here). Destroyer of Naive…
Gerard Herman blubbered his way through a trench of clay-like melodies that cluttered down the sole of his run-down sandal and his worn-out shoe. Upon arriving he sneezed, and Entr’acte opened the door.
Transistor formed in 2009 when Franck Vigroux was performing in NYC where Ben Miller led several projects. Vigroux was in a creative transition suggesting a stripped down electro-industrial sound with the latter as lead singer. Miller had sung in man…
Kallabris is the project of Michael Anacker. Active since 1986, its work has been described as ‘electro-acoustic chamber music’ — a description which should be taken literally. Anacker’s main interest is a reflection on the electro-mechanical conditi…
"Theoretically blasphemous, his behaviours dictated by an innate inability to comprehend. The monarch of evildoing, perhaps a former innocent creature descending into despair, entirely aware of having chosen a wrong route but incapable of a decisive …
Double bass, bass guitar, analogue synthesizer, vibraphone, piano, percussion, field recordings.It’s the Australian composer’s 6th solo album since his debut, Ink On Paper (2008) and possibly the strongest demonstration of his innovative extended tec…
Sensate, recorded between 2009 and 2014 with prosumer music equipment, exploits the heavy- handed engineering of various hardware and software synthesisers, samplers and sequencers. Edition of 200 copies. Mastered by Jacques Beloeil
Brendan Doughert…
Ulex is the 4th album of incisive electronic studies by Croydon’s Dale Cornish for the ever-intriguing Entr’acte label following their Glacial, Fleshpile Sister, and Xeric LPs. His latest deconstruction/exploration of “a/rhythm, space, silence and…
Sam Kidel a.k.a. El Kid presents an extended drone work for the excellent Entr’acte label inspired by Henri Michaux's 'Untitled (Movements)' drawing. Located much farther out than his work with Killing Sound or the Young Echo collective, or even his …
A quote from Timothy Leary, 'The message is very simple : think for yourself and question authority, opens and closes this piece of around 30 minutes. Close mic sounds and electronics.Limited edition of 100 copies. Mastered by Jacques Beloeil.
Hanno Leichtmann: Percussion and synthesiser. Valerio Tricoli: Revox B77. Recorded live to 8-track by Hanno Leichtmann and Valerio Tricoli. Mixed by Hanno Leichtmann at Static Music, Berlin. Hanno Leichtmann is a sound artist and musician from Be…
Belgium’s Yves De Mey strikes clean and sharp with four modular rave prongs for Entr’acte, leading a jagged dance after his recent 2nd album, 'Drawn With Shadow Pens' for Spectrum Spools.
In De Mey’s own words: “Late-Night Patching is the result o…
Swedish iDEALIST, Joachim Nordwall spills the psychic contents of his skull temple in Soul Music 2, just over two year since his 1st volume, also for Entr’acte. Technically a collaboration with Dungeon Acid on percussion, this album pursues a rich se…
One of the strongest and most mysterious Entr'acte's in a while features baroque electronic fractals with nods to classic Coil and the cascading weirdness of Anthony Manning, brought to you by someone/s operating under a veil of anonymity as "Six Swo…
“RX22 combines the sounds of two RX11 Yamaha drum machines. Built in the early 1980s, these drum machines have independent outputs for each element of the drum set — hi hats, rides, claps, shakers, etc. I connected a wireless transmitter to each outp…
Welcome return from erstwhile Oslo punk David Gurrik, a.k.a. Human Inferno, with a killer slab of advanced caveman electronics for Entr’acte. Gurrik was last spotted as Human Inferno on his outré label, Sonmoi, in a class split with Lasse Marhaug, an…