★ezz-thetics
At Antibes 1960, Revisited
"Mingus the visionary composer. Mingus the virtuoso bassist. Mingus the volcanic bandleader. As the 1960s began, with the new decade bringing a radically expansive new view of the possibilities of jazz expression, Charles Mingus, by virtue of his bri…
FFlair III
"Basically, we witness an intimate dialogue between two improvisers. If there had not been a special circumstance leading to this result. Christine Abdelnour and Hans Koch could not hear each other. In fact, "FFlair" is based on two separately record…
Braids
"Here, then, are three men who have, if you will, won the argument already. They don’t need excess volume or headline soloing to get their message across. Their message is inscribed in elegant lower-case and rarely used aural fonts. You will find you…
Meta Zero
"Meta Zero’s music is art from the here and now ‒ and not made to portray the neoliberal drivel but to create a meta world and invite people to explore it. Here they see a function of art in an increasingly fragmented society: to create plausible ima…
At The Village Vanguard 1961, Revisited
'Mention of Motian and LaFaro brings us to this disc, perhaps belatedly. But other than observing that the music is presented here following immaculate and unprecedented sound restoration, what more needs to be said about it? What more, usefully, c…
John Cage Variations + Four6
"I ask how CALATO's use of graphic scores help them break down the divisions between contemporary composition and improvisation? “We started as a noise improvisation band,” they respond. “We spent several years playing together without any kind of p…
With Archie Shepp, 7-Tette & Orchestra - Revisited
While his recordings with Archie Shepp and 7-Tette established Bill Dixon as a distinctive jazz modernist, ahead of the curve, creating a niche within a crowded field of emerging artists, it is Intents and Purposes (Orchestra) that established his si…
Draw From The Source
Tip! *200 copies limited release. Vinyl version* ”In its sum, Draw From The Source recounts a multidimensional journey whose sources and paths constantly cross. Marco von Orelli and Sheldon Suter reveal a lot about themselves, about their individual …
Dizzy Gillespie & Charlie Parker At Town Hall 1945, Carnegie Hall 1947 & Birdland 1951 "Revisited"
When Charlie Parker and Dizzy Gillespie went into the recording studio together on 28 February 1945, they had already served a shared apprenticeship in the big bands of Earl Hines and Billy Eckstine, had jammed informally exploring their common inter…
Charlie Parker At Birdland 1950 "Revisited“
"This one was working. This one always had been working. This one was always having something that was coming out of this one that was a solid thing, a charming thing, a lovely thing, a perplexing thing, a disconcerting thing, a simple thing, a clear…
Clifford Thornton Ketchaoua To Scorpio By Arthur Jones "Revisited"
Clifford Thornton and Arthur Jones have remained largely unknown ever since, except to collectors who treasure those early Parisian records and the world they evoke. We know little of what they did in later years, but if Hemingway was right, “If you …
Adam’s Apple To Super Nova "Revisited“
“The word ‘jazz,’ to me, only means I dare you.” - Wayne Shorter
New York Art Quartet "Revisited"
"If we just could have hung on for another year,” Rudd said of both NYAQ and the Jazz Composers Guild, “things could have turned out much differently. Things were about to flip, in a good way. A lot of government programs were starting up that we cou…
Quartet to At Judson Hall "Revisited"
By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howar…
Summertime To Spiritual Unity Revisited
Summertime from the LP My Name Is Albert Ayler made me discover Albert Ayler. His unique interpretation of Summertime motivated me to go to Lörrach crossing the border from Switzerland to Germany to listen to the concert of the Albert Ayler Quintet i…
Four For Trane To Live Newport 1965
Four For Trane became one of the classic, iconic albums of the post-bop era. The explanation is three-fold. First, the material. Rather than follow Coltrane’s lead into the most extreme of his free-blowing anthems, Shepp selected three songs from the…
Ostro
'The CD’s title is borrowed from computer language: STRG + X is the key combination for “cut to the clipboard” to be temporarily stored and pasted somewhere else at a later time. Perhaps the most important quality of this carefully thought-out yet an…
Eric Dolphy Outward Bound To Out To Lunch Revisited
Tip! *In process of stocking* In his comprehensive 1966 Jazz Monthly article, “Eric Dolphy,” Jack Cooke reported that the advance buzz aboutduet passages for bass clarinet and bass, “Something Sweet, Something Tender” approximated the hinge-like ball…
Ornette At 12 Crisis To Man On The Moon Revisited
"The title Ornette at 12 is something of a misnomer. Although Ornette is Denardo’s middle name, why wasn’t the album called Denardo at 12, his age at the time of the concert? Is there a hidden meaning related to Ornette’s own childhood? According to …
I Dream I Was An Earopean
"Only ghosts don’t make footfalls (another Beckett title!) that we can hear, don’t need to open and close doors to effect passage. These men together are enacting over a longer duration a strong sense of life- as-lived. They are conspiring, not in th…