★Feeding Tube Records

*In process of stocking. Limited edition 340 copies.* "Four years after their magnificent, eponymous debut, this Connecticut trio returns to vinyl with another brain-blurring set of tunes. Picking up where that last LP left off, drummer Michael Kiefer, guitarist/vocalist Jon Schlesinger and guitarist/bassist/mandolinist/electronics/mark tree-rep, Steubs, dig ever deeper into the pulse of the Earth. The first track here, 'Hot Peace,' sounds like stuttering, shimmering emanations from the core of …

2025 stock As the '80s dawned, Phil Milstein was living in Central Square in Cambridge, setting type and working on the machinations of the Velvet Underground Appreciation Society. He was also beginning to explore his musical alter-ego, Pep Lester, with the first evidence of this appearing on an L.A.F.M.S. comp tape. Phil was also a maniacal tape trader in those days, and one of the people he regularly swapped mixes with was a juvenile delinquent from Athol, Massachusetts named Dana Hatch, whom …

It has been a couple of years (that felt like a lifetime) since we released lloyd Thayer’s last album, Duets, which he recorded with the drummer Jerome Deupree. The intervening time has been weird as hell, but Thayer (master of every string that’s ever been strung) has made the decision to create a fantastic,  sprawling solo suite for himself. And now it is time to share the beauty with you. Unlike the music on Duets, the piece here was played entirely on double-necked Weissenborn guitar, althou…

Jeffrey Alexander is one of those guys whose brain and hands are constantly in motion whether working with bands, doing solo stuff, installations, paintings, label shit…whatever. Anyway, he’s always a pleasure to work with, and we have done so on many occasions. That said, I sorta feel as though this new CD might be closer to taking a walk through Jeffrey’s head than anything else I’ve heard. Flutterings was done using guitars, keys, percussion, electronics and gimcracks of all descriptions. The…

Dagobah is the first LP (following a couple of cassettes and a CD) by Kool Music, the solo guitar project helmed by Glasgow-based polymath, Jasper Baydala. Jasper has previously had some exposure on the label, when his image appeared on the cover of Joanne Robertson's Black Moon Days LP (FTR 179LP, 2015). At that point we knew of Jasper as a video artist and writer, but Joanne assured us he was an excellent musician as well. And so began the road to Dagobah. The soubriquet Kool Music has a bit o…

"Gorgeous quintet improv space explored at Chicago's ProMusica studios. Long-time partners Przemyslaw Drazek (trumpet, strings, percussion) and Brent Fuscaldo (voice, guitar, percussion, harmonica) join up again with Hamid's percussion, Tatsu's bass & shamisen, and Thymme's piano & various, just as they did on last year's amazing Ourania (FTR513). The sounds now are spacious, comfortable explorations of unknown sonic turf. There may be a bit less of the aggressive edge that marked their earlier …

2025 stock Black vinyl. Here we have the third solo LP by London's Alison Cotton, following on previous successes, All Quiet at the Ancient Theatre (FTR 424LP, 2019) and Only Darkness Now (FTR 564LP, 2020). And as with each of Cotton's projects it is a stylistic advance as well as another example of her dark signature sound. Alison's work with bands is well documented by recordings with Saloon, 18th Day of May, Trimdon Grange Explosion, and her current, ecstatic folk/psych duo, The Left Outsides…

Moon Bros. is more or less the solo project of guitarist 'Fred' Schneider and was brought to our attention by the Queen of Colorado herself (aka Josephine Foster). Fred appears on Foster's No Harm Done album, and she returns the favor by singing on one of the tunes here. Many of Fred's earliest recording efforts were done with a variety of Chicago-based post-rock/jazz-flecked combos (The Exciting Trio, HIM, etc.) But for the past few years, he has used Moon Bros. to explore contours of more rura…

*In process of stocking. Limited edition of 400 copies.* "Here we have the third solo LP by London's Alison Cotton, following on previous successes, All Quiet at the Ancient Theatre (FTR 424LP, 2019) and Only Darkness Now (FTR 564LP, 2020). And as with each of Cotton's projects it is a stylistic advance as well as another example of her dark signature sound. Alison's work with bands is well documented by recordings with Saloon, 18th Day of May, Trimdon Grange Explosion, and her current, ecstatic…

2025 stock No shortage of dune buggy up the canyon honey slide action here. The first tinges of sonic solvent action provide a loosened effect, but just as the tongue gets lazy, the swagger is spat gently from the tip as clarity bursts into the room with the urgency a hungry baby. Delicate without feeling soft. Brash without feeling harsh and at times Dimples swing fucking hard, like JJ and Leon without forcing it one bit. But if you don't like 'new music' this might not be your cuppa. Soul Chat…

*Limited edition of 500 copies.* "For their great third LP, this Portland, OR sextet heads deep into the scalding sun of what feels like the Sonoran Desert. There is an edge to the fried guitar and the ever more massive drumming that evokes a parched ritual of psychedelic worship. Perhaps this has something to do with the fact initial rehearsals took place outdoors, during which time the Pacific Northwest was on fire (both in the forests and on the streets). When you know this fact, you can begi…

** Much-Needed Repress, Red Vinyl ** Tom Recchion is a legendary character. He is a world-famous art director, a founding member of the L.A.F.M.S., and was even the drummer for Sonic Youth for a brief period. Since the '70s, Tom has been creating screwed-up music in a dizzying array of formats, from large fully-clothed ensembles to buck naked solo explorations. The Japanese Cassette album falls into the latter category, and it is a head spinning doozy. The music here was originally created in 19…

* US Import from Feeding Tube * Myriam Gendron Ma Délire - Songs of Love Lost & Found  It has been a while since the release Myriam's acclaimed 2014 debut album, Not So Deep As a Well. The intervening years have brought a smattering of live performances, a bouquet of children, Trump's Pandemic, and much more. For someone who likes to read and ponder as much as Ms. Gendron does, there has been plenty to mull over. Different concepts for a new album were broached, but the seed of Ma Delire was pla…

*2023 stock. 300 copies lmited release* With over 150 releases under their belt, Tolin Asumer is their first proper US release in almost 20 years. Recorded in Buenos Aires in 2018-2019, and then mixed in 2021, the record opens with Coliso Atomro, an echo-drenched Can-esque excursion into the other-world, with Tomasin taking the role of travel-guide. The use of a bouncing stereo echo-effect mesmerized the listener into a chaotic rock head-nod. The 2nd half of side A features the track Etrol Rene …

*2023 stock* For me, this is the blues. Utterly wailing "solos" over a base of thick distorted guitars, Loren Connors' music conjures up scenes of lonely streets, dark nights, but also hopeful and joyful mornings. 9th Avenue is the first vinyl reissue of a CD Loren released on his Black Label in 1995, a view into his mid-90's heavier electric guitar era, back when he was going by his Loren Mazzacane Connors moniker. 9th Avenue fits right alongside releases from that same time period, such as Lon…

Turner Williams Jr is a string-player out of the same Alabama surrealist scene that gave us Rev. Fred Lane & the Say Day Bew gang, Davey Williams & LaDonna Smith’s Trans Museq universe, and the Sweet Wreath madmen (who have been working with Johnny Coley, Silica Gel and others). Some crazy shit has gone on down there, and Mr. Williams soaked it all in before heading up to NYC, where he fell in with some of the Sound @ One scene. Which added another layer to the freak potential of his playing. Af…

"One of the great joys of the ever-evolving catalog of Dan Melchior is hearing where in the spectrum of styles that he has mastered each record falls. From studio recordings to lo-fidelity home experiments, full band rockers or plaintive solo excursions, fans never know what they are going to get until the needle drops. Those of us who have followed Dan on his prolific pathways are ready for anything but always assured that the spirit of the artist himself, one unique enough to be its own in any…

What a pleasure it is to bring you the first vinyl version of Jokes and Trials, the 2006 solo debut by Melbourne's Ned Collette, whose incredible song cycle Old Chestnut (FTR 362-2LP, 2018) and brilliant instrumental album Afternoon-Dusk (FTR 468LP, 2019) have been widely and correctly lauded as classics. As Mark Harwood explains in his excellent liner notes, Ned emerged from the Melbourne improv underground along with people like Will Guthrie and Joe Talia. Indeed, it was Talia who turned Ned o…

'Amazingly psychedelic quartet session by two Japanese players (Junzo Suzuki and Mitsuru Tabata) and two Belgians (Bart De Paepe and Jan D’Hooghe.) Originally this was recorded as a trio, while Junzo was touring Europe in March 2020, but he passed the tape to Mitusri (his partner in the gorgeous acid folk duo, 20 Guilders) to add bass. And we’re glad he did, ’cause the low-lunar notes Tabata generates kinda keep the music from floating off into space. We’d been trying to do something with Bart (…

*2025 stock. 300 copies limited edition* "Two guitarists with wild and bold aesthetics met for no cost – Kost Nix, an explosive, freewheeling set... Often it is impossible to know who is doing what. They build on the opening, 20-minute piece «Quiet Concessions» massive walls of sound, delicate and raw, strange, poetic and totally weird at the same time. Byron Coley... hears in this piece echoes of early Grateful Dead, and Sonic youth, but you can add Fred Frith’s Massacree and Sonny Sharrock’s L…