We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"Moldy Cushions was recorded from the summer of 2022 until spring 2023 at my new Clamorworks studio in San Pablo, California. Additional parts were recorded in Brasília, Brazil while working on the SESILab science museum and in Hyderabad, India while on tour with Seeded Plain. This is my first solo album since 2016's Bizarre Flight on Gertrude Tapes, with most of the time in-between focused on other collaborative projects.The pieces on Moldy Cushions started as improvised sketches, with many of …
*300 copies limited edition* This CD collaboration was made after we were invited by Joachim Nordwall to play together for the very first time at the Parasoll Festival in Gothenburg.
*300 copies limited edition* Cecilia Lopez: Synthesizer and electronics. Brandon Lopez: Double Bass. Recorded at GSI in New York, August 2020.Recorded by Jason Rostowski. Mixed by Cecilia Lopez and Jon Lipscomb. Mastered by Jon Lipscomb. Art and design by Ian Kornfeld
*300 copies limited edition* All titles composed and arranged by Eryck Abecassis on modular synthesizers, guitar, sampledinstruments software, Roger Linn linnstrument keyboard, field recordings.Studio : Mobile courgette (Paris), LH 151 (Le Havre)Train station, streets and beach recordings location : New Delhi, Ahmedabad, Madrid, Héraclée Beach La Croix-Valmer.
Tip! Just continue as usual.
Recorded June to September '22 for a 16 channel diffusion at Bellevaux Lausanne 23 September '22
Revamped for stereo '23
All recorded and decomposed by Dave Phillips
Thank you Francisco Meirino, Gwen Grossfeld, Guillermo Pizarro
Associated Sine Tone Services (ASTS) is a new conceptual collaboration between analog oscillator wielders. This record was entirely generated using sine wave oscillators and an array of electronic filters, stacks, and processing. Although this project initially started with a bouquet of material put forth by Young to start, each track would eventually coalesce around the vision and momentum of one of the members individually, creating pocket productions that make the album in full, a diverse com…
OORT is a project born in Turin between 2019 and 2020 from the meeting of two artistic personalities active in many projects (experimental, noise, improvisation, free jazz, jazz core). The two musicians decide to begin a journey as a duo to implement a personal aesthetic / musical synthesis having noted the great elective affinity matured in the years of collaboration prior to the birth of the project OORT. A multiform language, where improvisation becomes a vehicle of instantaneous composition …
Flag Day Recordings presents Violence Against the Evidence, a collaboration between Roel Meelkop and Das Synthetische Mischgewebe.
Roel Meelkop - analog modular synthesizerDas Synthetische Mischgewebe- acoustic assemblages
Tip! *2024 stock* Recorded at Arsenic - Centre d’art scénique contemporain in Lausanne, Switzerland, October 2016 by Ivan Verda. This record contains a single long and intense track, with a subtle and noisy character, a deep introspection into the feedback and layers of elusive electronics. A contemplative and intense journey. Recorded a few years ago at Arsenic - Center for Contemporary Scenic Art in Lausanne, Switzerland and reworked several times in recent years by the artists.
The Hordijk community has members from all over the planet and it’s a bit like a secret society; many don’t know any of the other users. After extensively trawling social media, I was delighted to find so many captivating artists dedicating their life to the sound of electrons. Just like Rob had. Not all were willing to contribute, simply because the reason they owned a Hordijk instrument had to do with its sound and quirkiness. I am glad many others contributed. This compilation presents a much…
The pieces combined here have emerged as an outcome of my research into database-driven reconstructions based on sound analysis. All the source material has been created with the UPIC system (Iannis Xenakis) a graphical computer system where users draw shapes, waveforms, and modulations on ‘pages’ that form a composition or composed sound.
The material was recorded between September 2006 and March 2007 at the CCMIX institute in Paris. None of those recordings ever made it to a completed work unt…
An echo involves both repetition and deconstruction: In the Classical myth, Echo isn’t merely imitating Narcissus but also answering him; the radiologic technique of echography uses the reflections of ultrasound to reveal deep structures. Similarly, each track on Echography responds to a single field recording, a distinct sonic impulse which is absorbed, refracted and deconstructed through an arsenal of effects and software patches. Yet, the characteristics of the original recordings can be trac…
These two contrasting pieces explore the age-old human quest to comprehend the transformative powers of life. The overlapping disciplines of anthropology, philosophy, the culture of memory, cognitive psychology, and environmental studies, are conceptually layered to extend the idea of formative traits of sound and to deepen the notion of listening to historically dense spaces.
"It’s not my normal Sunday morning post-liturgy music, but there is a gloriously horrendous feel to it, marking in some way, a societal collapse we all seem to be witnessing worldwide." - Music You Need To Hear
"Flutter & Scrape" is a walking performance for prepared piano, aleatorically prepared room & objects, sine & square wave oscillators, tapes, voice, EMF signal, & time-based electronics. Performed by Sontag Shogun in 2018 in the studio at Machines With Magnets, recorded by Seth Manchester. Electronics & processing done in Montreal & Brooklyn in 2019.
Bob Bellerue's “Unhinged" is 85 minutes of physically heavy yet delicately executed amplified piano noise drone. Taken from two festival performances in 2017, the recordings capture the multidimensional articulation of the speaker systems used on and around the strings of a grand piano. Pickups and microphones are variously fed to small medium and large speakers to make feedback, which is combined to create cross-modulations that are petulant and unstable. Quiet groaning drones build to massive …
«While composing these pieces, I focused on the 20th and 21st-century composition techniques in three main concepts: Serialism, Microtonality, and Noise. You could almost say the Italian Avant-garde of the last century had it all: noise, new music, and the math of Leonardo of Pisa, later known as Fibonacci.In making Composition For Two Oscillators And Two Tape-Recorders I focused on microtonality. The basic concept I like and play with is when tones get close and start to interact with each othe…
In Micah Pick and Benjamin Mauch words...The title for this album is an actual snippet of conversation that occurred on the first day of 2020. In the midst of recording music together in Richmond, VA, we took some time to get some fresh air, and were enjoying the unseasonable warmth of the day, but also were reminded that although it felt pleasant in the moment, the warming of the planet is a far from pleasant experience. As enthusiasts of outdoor recreation we have enjoyed warm days in the mids…
**200 copies** A Waste of Red Meat responds to the question “what does it mean to be human in the face of technology?” with a brief answer: exactly what it always has meant. To be slightly more specific, what we know as a human exists as an entangled body of tangible and intangible objects, institutions, forces, and histories. And the internet didn’t change that. We have always been these entanglements. The only difference now is that modern technologies have joined in. To explore this idea, Pe…