Born at the end of 1984, Gerstein moved between filmic experimentalism and piano sonatas with background noise elements.In 1989, after the release of the cassette La Pomata Delle Femmine, the project seemed to have reached its end. However, Maurizio Pustianaz’s creation took a new direction, shifting toward a sound still open to experimentation but influenced by the more romantic atmospheres reminiscent of David Sylvian.
In 1991/92, the first embryonic versions of the tracks that would later ap…