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Voces
Voces documents many of Walter Zimmermann’s compositions for voices from 1979–2016. The words set range from Meister Eckhart and Hadewijch to Lermontov, Mandelstam, Jabès, Tranströmer, Ingold and Robert Creeley (with his voice accompanying the musicians). Performers include: Claudia Barainsky, the musicians of the Merce Cunningham Dance Company (including David Tudor & Takehisha Kosugi), Tehila Nini Goldstein, KNM Ensemble, Meitar Ensemble, Neue Vocalsolisten Stuttgart, Peter Schöne / Jan Phili…
6 Pieces for Gamelan Slendro
For this recording project, the fearless French musical collective ensemble 0 (pronounced “zero”) began a new kind of collaboration with the Swiss percussion ensemble Eklekto and Gamelan Oksitan — this last the traditional Javanese ensemble of gongs and metallo- phones based in France. Their transcultural bridge has foundations that go back to Claude Debussy’s fascination with the radiant tones of gamelan music that he heard at the 1889 Paris Exposition. Yet neither Debussy nor many other sympat…
Roger Reynolds at 85, Vol II: Piano Etudes
Reynolds’ Etudes allows the performer to not only choose the number of Etudes to be presented (even repeating them, if desired) as well as their order. In this way, the performer becomes a co-creator with the composer. All 12 Etudes are presented in this recording by Eric Huebner. Each etude inhabits a world distinctly its own. Reynolds dares a remarkable leap from the first to the second book. Rather than merely continue the premises and promises established by the first six etudes, the second …
Stries
Bernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape. Until recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA/GRM label. “Stries” was written for the three synthesizer players of the Paris- based electro…
Roger Reynolds at 85, Vol 1: String Quartets
This release documents Roger Reynolds’ most recent string quartets in composer supervised first recordings by the acclaimed JACK Quartet. “Flight”, commissioned by Jack Quartet, arose from a collaborative process lasting almost five years. Its four movements reflect upon the stages of humanity’s aspirations for flight. Of “not forgotten” Reynolds writes: “As the years pass, one notices that certain elements in one’s days have unusual persistence in the mind. Such elements may involve individua…
The Works for Piano 11: Cheap Imitation
All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album. The major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman …
Memory in Motion: Percussion in Surround
“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote Sorites to compliment Iannis Xenakis’ Persephassa and Alcides Lanza wrote mnais mnemes to compliment his own earlier composition sensor VI. In both cases, the composers were asked to use the identical setup and notational…
Respect in Yule
Respect In Yule promises to be among the most fun and eclectic holiday albums ever – the album ranges from introspective to ecstatic, from the popular to the obscure, the sacred to the secular. In choosing the repertoire, The Respect Sextet wanted to pull together some of their favorite holiday music from all genres and view them through Respect-colored glasses. Featuring compositions by Misha Mengelberg, Loudon Wainwright III, Frank Loesser, Robbie Robertson (of The Band), Thelonious Monk, Jule…
The Piano Works 7 - Chess Serenade
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwell, Breton, Duchamp, Ernst, Man Ray, Tanning and other leading surrealists.Cage contributed a painting entitled “Chess Pieces”. It was purchased at the show and went into a private collection. For decades it was deemed lost and was (almost) forgotten…
Whispers Out Of Time
Roger Reynolds’ (b.1939) music is a bit of a paradox: intimate in detail, while on a broader scale it is epic. It fits well with the music of his friends: Toru Takemitsu and Iannis Xenakis. The three works on this disc were composed over a four-year period (1987-1990). All are first recordings, and the first complete disc of Reynolds’ orchestral music. Symphony[Myths], dedicated to Takemitsu, is for large orchestra: woodwinds in fours, piano, harp and an extended percussion section. It is see…
Live at Grenoble Jazz Festival 2010
A unique musical journey by three outstanding musicians exploring jazz, improvisation and electronic music. Percussionist/composer Roland Auzet with performer/composer Pierre Jodlowski invited the legend of French jazz and improvised music, Michel Portal (who premiered Pierre Boulez’s “Domain,” Boulez said that Portal is “blessed with an imaginative virtuosity”) to form Trio PAJ in 2007.
This daring collaboration reflects their influence of various artists and styles, from Boulez to Stockhausen…
Voices: Ten Improvisations
This superb pairing of two top-flight improvisors reminds me of why I listen to this music. It’s not about ‘music’, it’s about sounds and their making. It’s a given that these two can really ‘play’. Joe McPhee established that in the immediate post-Coltrane era, and Heward – while I know little about him except that he’s also a visual artist who recorded a duo album on Avant with Steve Lacy – I’m sure he can really whack those tubs. The point, however, is that they don’t ‘just play’, they also l…
Live In Montreal
This live concert is perhaps one of the last recordings from soprano saxophone legend Steve Lacy. Lacy and percussionist John Heward first met in Paris in 1975. Though they remained in regular contact through the years, they did not actually play together until this concert in Montreal on 20 June 2003. Two months later Lacy was diagnosed with cancer, and died in June 2004.Lacy suggested to Heward that he wanted to end this improvisation with the motif Recessional for Oliver Johnson, as a tribute…
The Works for Percussion 4
A Flower; The Wonderful Widow of Eighteen Springs; 51’15.657” for a speaking percussionist (realization Whiting); Music for Two (By One) (realization Whiting) — Bonnie Whiting, voice & percussion + Allen OTTE/John CAGE: Connecting Egypt to Madison through Columbus Ohio, Cage, and the History of the American Labor Movement (realization Otte) — Allen Otte, voice, prepared piano, percussion. It includes full video and 48khz/24-bit PCM audio + 73 minute video interview with Whiting and Otte, discuss…
My Wounded Head 3
An indefinite, open-ended composition of short sections that allows the performer to decide what and when to repeat or to go on to the next phrase is not new. Terry Riley's In C is the milestone score of decades ago. Slow, prolonged, quasi repetitive and contemplative works in the Western classical style are also familiar though the scores of Morton Feldman, John Adams, Brian Eno, John Luther Adams, and Gavin Bryars. Thus, Marc Chan's piano piece, My Wounded Head 3, inspired by Bach's Passion Ch…
Complete Music with Saxophones
22 works are included, 9 by Grainger, 7 by Cowell and 5 by Cowell as arranged by Grainger. Many are first recordings. They are scored for varied instrumentation: sax ensembles, sax & piano and sax & orchestra. Ulrich Krieger, saxophones & director, various artists
Señales
Señales —Señales, “Homenaje a Jonathan Harvey” for violin & ensemble (Irvine Arditti, violin. Ensemble Signal/Brad Lubman); Páramo de voces for piano & tape (Alberto Rosado, piano); Intermezzo malinconico for bass clarinet solo (Adrián Sandi); Homenaje a Remedios Vario; Recuerdos del Porvenir (ensemble recherche)
On the Edges
"The main focus of Gerald Eckert’s music is frequently not placed on a centrally triggered event or center of action, but on what has been triggered by this event and how the consequences are subsequently developed. In other words, he focuses his sights on what an impulse is followed by. For Außen, von tief innen (Outside, from Deep Within), the consistent subtle and quiet tonal structure of the work is the fine delineation of multiphonics in bass flute and double bass clarinet alongside the ton…
The Works for Percussion 3
John Cage’s vision of the future of music was first shaped by an intense creative period from 1935-1942, when he wrote many of the seminal works of percussion chamber music featured here. When he composed these works, the young Cage was basically the same age as the members of Third Coast Percussion. This release includes all three of the groundbreaking Constructions. First Construction (in Metal) utilizes dozens of metal instruments which are beaten, scraped and shaken, creating an other w…
Ghosts
This CD collects four chamber works in Chris Newman’s idiosyncratic, quirky style, performed by one of Berlin’s leading new music ensembles. Newman appears a vocal soloist in the work Cologne. The texts are derived from a travel brochure about the city of Cologne which was filled with translation mistakes to a hilarious extent. For Ghost Symphony, Newman writes: “the majority of the piece consists of my own five chords to which I applied the rhythmic values of the first movement of Beethoven’s…