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Two CDs of John Cage works for saxophones and other instruments, played by Ulrich Krieger and Intersax, including the only available recording of Party Pieces, written with Cowell, Harrison and Thomson.

Chaya Czernowin's Maim (Water), a 50-minute orchestral triptych with five soloists (tubax, oboe and musette, piano and harpsichord, guitars, viola) and live electronics, played by the Konzerthausorchester Berlin under Johannes Kalitzke.

Pianist Heather O'Donnell places short works by Charles Ives, including the first recording of London Bridge Is Fallen Down!, alongside first-recorded piano responses by Zimmermann, Finnissy, Tenney, Corbett and Schneller.

Xenakis Edition volume 10 and the first complete recording of Iannis Xenakis's string quartets, played by the JACK Quartet: Tetras, Tetora, ST/4-1,080262 and Ergma, the last quartet, released on CD and surround-sound DVD.

Two multi-channel electronic works by Iannis Xenakis from the 1970s, Hibiki Hana Ma and Polytope de Cluny, restored from the original tapes and mixed for 5.1 surround and stereo by Gerard Pape.

First recordings of four Piano Sonatas by Chris Newman (Nos. 1, 4, 6 and 10, composed 1982-2004), played by Michael Finnissy, a collaborator of the composer for over twenty-five years, in composer-supervised recordings.

John Cage's Two2 (1989) for two pianos, a renga-based number piece built on time brackets, played in a 74-minute performance by Rob Haskins and Laurel Karlik Sheehan, from the Complete John Cage Edition.

First recording of John Cage's Three (1989) for three recorder players, with his early Solo with Obbligato Accompaniment of Two Voices in Canon (1933-34), performed by Trio Dolce. The Number Pieces 4.

Complete piano works by Roger Reynolds on two CDs, from Epigram and Evolution (1960) to The Angel of Death (1998-2001), played by Yuji Takahashi, Eric Huebner and Marilyn Nonken, with new recordings and remastered analog reissues.

Chamber works by Earle Brown from 1952 to 1999, from Folio and Four Systems to Tracer, with Christian Wolff and Joan La Barbara among the performers and the tape piece Octet in a new transfer.

Cellist Michael Bach plays J.S. Bach's Cello Suite No. 3 on the curved bow, with two works by Dieter Schnebel, Mit Diesen Händen with mezzo-soprano Mechthild Seitz and Fünf Inventionen, first in the Art of the Curved Bow series.

Stefan Wolpe's music from his Jerusalem years, 1934-38, including three world premiere recordings, played by ensemble recherche and the WDR Symphony Orchestra under Werner Herbers and Johannes Kalitzke.

John Luther Adams's Strange and Sacred Noise, a nine-movement work for percussion quartet, in the composer-supervised first recording by Percussion Group Cincinnati, with a 60-minute interview with the composer.

Chamber works by Walter Zimmermann from 1986-89 for piano, cello and piano, bass flute and piano, and violin and piano, played by the HCD Ensemble with cellist Michael Bach and violinist Peter Rundel.

Chamber music by Mexican composer Hilda Paredes, 1998-2001, drawing on Mayan language and culture: works for string quartet, piano quintet, 21 musicians and vocal quartet, with the Arditti Quartet and Ensemble Modern.

Composer-supervised first recordings of Joël-François Durand's music on the four elements: La terre et le feu for oboe and ensemble, Les raisons des forces mouvantes for organ, La mesure des choses III and Athanor for orchestra.

The first complete CD of music by New York composer Jason Eckardt: four first recordings, After Serra, Tangled Loops, A Glimpse Retraced and Polarities, played by Ensemble 21, saxophonist Taimur Sullivan and pianist Marilyn Nonken.

Alain Bancquart's large-scale microtonal cycle on the myth of the Minotaur, on texts by Marie-Claire Bancquart, recorded at its world premiere of the complete version at Radio France on 27 May 2000.

Four chamber works by Walter Zimmermann, Schatten der Ideen, Ursache und Vorwitz, Distentio and Shadows of Cold Mountain 3, played by Ensemble Recherche. The music reflects the influence of John Cage and Morton Feldman.

Three works by Peter Garland, Another Sunrise, Dreaming of Immortality in a Thatched Cottage and I Have Had to Learn the Simplest Things Last, for pianos, harpsichord, voices and percussion, with Aki Takahashi and Essential Music.