★Spalax Music
Authentic Precolombian Music
* 2021 stock * Ethnic music of pre Columbian Mexico / Central America, as interpreted by Jorge Reyes. Prehispanic, Forgotten Spirits, Rituals are a set of "authentic pre-Columbian music" from Jorge Reyes. Reyes continues his homage to his native Mexican American roots and his Shamanic practices. The ritualistic music on these CDs is performed on acoustic ethnic instruments only. There are no electronic enhancements beyond amplification. This highly inspirational soundworld is steeped on the trad…
Saat
Recording in a good studio in 1972 with an accomplished engineer/musician such as Dieter Dierks (Ash Ra Tempel, Cosmic Jokers, Tangerine Dream, and yes, the Scorpions), certainly enabled Emtidi to expand their musical style on 'Saat.' The end result was a shimmering, lush cosmic folk trip, with multi-tracked and treated acoustic guitars plus electric piano, fragile angelic femme vocals, vibes, and mellotron, (punctuated by the occasional acid guitar solo). Yes, 'Saat' is an elevated cosmic folk …
Mandalas
One of the first albums released on Ohr records, Limbus 4 'Mandalas' ranks with the Kluster LP's as one of the most challenging krautrock albums. This is the 2nd Limbus album (their even more obscure debut from 1969, under the name Limbus 3) , which was originally issued by OHR in 1970. A fantastic dose of early 70s German freeform weirdness and an essential reissue for the tuned-out community. "Formed in 1968, Limbus were a most unusual band who grew a unique music out of jazz, folk and avant-g…
Camizole
Camizole was co-founder with Etron Fou Leloublan of the collective Dupon et ses Fantomes. In 1977 Camizole was composed of Jacky Dupety (tenor sax, oboe, perc), Jean-Luc Dupety (drums, tuba, trumpet), Francoise Cruble (alto sax, guitar) and Dominque Grimaud (sax, guitar, synth). First ever issue of some live recordings from 1977 (intended for release by Tapioca) by this underground French group with linkage to Etron Fou, Lard Free, Art et Technique, etc. Primitive, at times violent free form flo…
Clima-X
Fantastic debut LP from France's pioneer avant-electronic unit, Art & Technique. Clima-X was originally released in 1981 by Hi-Tech Records. Haunting obscure minimal electronic sounds, ambient and atmospheric ventures, minimal wave with some ethnic elements. And excellent use of rhythm boxes, sound generators and strange vocals, reminiscent of 23 Skidoo's "7 Songs", early Muslimgauze or O Yuki Conjugate's sound.
Happy French Band
This French group started out under the spelling of Maajun and their debut album from 1971 is supposed to be a bit of a classic in a mixture of early underground styles. It's not on CD however. They changed the spelling of the name and a released a couple of albums for Saravah in '73/'74 and then this last album in 1977 (on Gratte Ciel). There's a post-Zappa influence involved and they supposedly "melded Arab, Free, and folk influences, doling out derision through satirical lyrics and music whic…
Cosmos
One of the best-remembered Sun Ra albums from the 70s – a really cool little session that features Ra playing the unusual "rocksichord" all the way through! The instrument's a very weird one – kind of like a messed-up electric piano, with lots of cool broken notes and a weird fuzzed-out tone – one that almost feels like a guitar's being fitted into a keyboard, with almost psychedelic results! Ra's use of the rocksichord gives the album a really eerie, outer spacey sound – one that mixes strongly…
Irrlicht
Vinyl version of Klaus Schulze's first solo album, from 1972. "After stints in the legendary bands Tangerine Dream and Ash Ra Tempel, Irrlicht was Klaus Schulze's first stab at a a solo project. He had radical ideas for the newly developed electronic music scene which are blatantly present here. Equipped with a small orchestra, 4-track, guitar, percussion, organ, and a little electronic gadgetry, he created a 'cosmic classic'. No synthesizers were used here, just a remarkable use of sampl…
De l\'Un et du Multiple
Solo album of Richard Pinhas (Heldon), recorded at his home studio in Paris in 1993. Drone electronics sound with Metatronic Loop system.
Lard Free III
3rd & final album, from 1977. Similar style to the 2nd, psych-prog guitar supplied by Xavier Baulleret and more acid-drenched keyboard wondering waves.
Early Water
Reissue of a classic duo performance, recorded in Berlin 1976. Ash Ra Tempel's Gottsching (Farfisa, ARP, Gibson, tape echoes with Revox A 77) and Tangerine Dream/Agitation Free associate Hoenig (Yamaha, EMS, Moog, Oberheim) layering the zones for one continuous 48 minute flow of cosmic sequencing.
L\'Ethique
Richard Pinhas is internationally recognized as one of France's major experimental musicians: the "father" of French electronic music. He was the founder of Heldon, a band whose violent fusion of electronics and guitar in the '70s rivaled the German electronic school. As a guitar player he has been compared to Robert Fripp. Cited as an influence by many electronic musicians, Richard Pinhas has helped to define the Spacemusic genre. Since founding the seminal spacerock band Heldon in 1974, Pinhas…
Iceland
Richard Pinhas has been at the forefront of new rock music in France since the early 1970s, when he founded the band Heldon. Heldon was one of the first bands to meld rock music and electronics, releasing a number of 'classic' albums during the 1970s. He has long been recognized as a pivotal figure in the development of electronic rock music. His stature in France is roughly analogous to that of Tangerine Dream in Germany: the father figure of an entire musical movement. Iceland was Richard's th…
East West + Live Tracks
East/West was Richard's fourth solo album, which was originally released in 1980. This album has Richard embracing the new, computer-driven electronic technology, while still using some of his old gear and is one of Richard's personal favorites of his '70s and '80s work.
DWW
Recorded between 1983 and 1991, DWW contains some of the finest material devised by the former Heldon leader since that band's "demise." All that is Pinhas is here in its glory: guitars soldered with "Terminator" steel, coruscating electronics, and sequencers that tear electrons from their molecular womb. This is a music that uses King Crimson circa 1974 as its template and couches its aural metaphors in a tapestry of post-Philip K. Dick mind blasts and William Gibson-fused cyberpunk. In fact, D…
Chronolyse
2007 repress of the 2nd Pinhas solo album, originally released in France in 1978. Performed by: Didier Batard (bass) François Auger (drums, percussion), Richard Pinhas (guitar, synthesizer, mellotron). Composer, guitarist & electronics innovator Richard Pinhas is recognized as one of France's major experimental musicians & is a pivotal figure in the development of electronic rock. This was his 2nd solo and is absolutely one of his very finest works: half live Moog electronics that make fantastic…
Rhizosphere
"Rhizosphere" is Pinhas' first solo album from 1977 and it's all electronics (Moog 55 and ARP 2600 synthis to he exact), with a guest appearance by Francois Auger on drums on the title track. These intricate compositions are comprised of hyperactive pulsings and subterranean machinery--truly awesome work. The title track is one of electronic music's alltime classic pieces.
Ufo
The first 2 Guru Guru releases, both from 1971. Musically, these 2 represent (along with their 3rd, Kanguru) the reigning moments of this acid-destroyed-jamming Krautrock outfit, and are essential artifacts of pure thunder.
Sonabular
Beautiful free form vibraphone music with articulated drumming, underrated and very little know, highly recommended! In 1971-72, English vibraphonist Robert Wood was a member of French band Lard Free, the band Gilbert Artman led before Urban Sax. Wood later asked Artman to play drums on his own second LP, ‘Sonanbular’, while Artman included vibraphone on the first Lard Free official LP (1973), as well as the Clear Light Symphony LP (1975) and Urban Sax. The ‘Sonanbular’ front cover (the industri…
Tarot
This English vibes-player, living in France, recorded in 1971 and 1973 this record with guests like Steve Potts on saxophone, Ken Carter on double-bass and Gilbert Artman on drums. Robert plays an improvised music, close to free-jazz, with a succession of crystalline notes, without melody, or rhythms. Saxophone, drum and bass participate in this maelstrom of sounds. Magnificent album