★Thin Wrist Recordings
Wood/Metal/Plastic/Pattern/Rhythm/Rock
**7-Color heavy "tip-on" jacket w/ textured paper and fold-out poster insert. ** 75 Dollar Bill, a project by Che Chen and Rick Brown present Wood/Metal/Plastic/Pattern/Rhythm/Rock. "Che's interest in the Arabic modes of Mauritanian music has marked our sound quite a bit but I have brought some things, too. The plywood crate I play is a big factor, defining, by its positive qualities (a nice warm 'boom' sound) as well as by its simplicity, what we're likely to do in the percussion realm. Wood/Me…
New Bodies
*2023 stock* First two tracks and Side A of New Bodies. From Los Angeles, also of Open City – first full length-- single takes, live--Intensely physical and abstract music that constantly, unpredictably shifts and evolves. Impulse, memory and intent, laid bare in real time. Post-melody, post-groove sound. Concrete, brutal, yes fun-----
Always I Gnaw
Heavy Tip-On jacket with large tri-panel insert, gloss film laminate and uncoated paper finishes. Over the past decade Sult has created a thrillingly dynamic and visceral sound world, forging a musical unity while also asserting the radically unique languages of its three core members, Guro Skumsnes Moe (contrabass) and Håvard Skaset (acoustic guitar) from Norway along with Jacob Felix Heule (percussion) based in California. Their raw acoustic improvisations crackle with an energy that makes ind…
L'Epaisseur De L'Air
*2022 stock.* After more than three decades with the alto, heavyweight French artist and multi-instrumentalist Jean-Luc Guionnet arrives with his debut solo saxophone recording, a double-LP masterpiece, “l’épaisseur de l'air” (the thickness of air). Recorded in a barn in Brittany, the album merges texture, repetition, gesturality and architectural acoustics to create a definitive statement on the profound physical relationship between improviser and instrument. A student of Xenakis’ at the Sorbo…
Surface of the Earth
Since its release in 1996, Surface of the Earth's self-titled first album has gradually been recognized as an unlikely minimalist masterpiece and one of the key albums to emerge from New Zealand’s 1990’s Free Noise movement. Liberated from tonal and structural convention, yet also embracing elements of drone and ambient music, the Wellington trio created an album that defied easy categorization. It has been called "one of the most important albums to ever drag the subterranean vibe of unending d…
While Whirling (LP)
On While Whirling, French-Japanese violist Frantz Loriot unleashes the essence of the viola as an explosive expressive force. Pushing the instrument to extremes, he ceaselessly explores its most subtle and unexpected sonorities. From a single acoustic string instrument, he miraculously teases and evokes hallucinatory impressions of harpsichords pounded, bells struck, electronics cracked, dirt shoveled; Loriot has created a unique, personal music filled with moments of textured transcendence and …
I Was Real
**Double-LP version presented in a heavy tip-on gatefold jacket with textured clothe wrap and matte foil stamping** 75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of Che Chen's microtonal electric guitar and Rick Brown's odd metered percussion their long-form sound is unmistakable and compelling. On their third album, I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and…
Feel
A trumpeter and improviser living in Mexico City, over the last ten years Jacob Wick has become known for deconstructing the instrument itself and any expectations of how it "should" be played. The explorations on Feelfocus on sound as it relates to specific spaces and in turn the subtle but profound connections they have to emotions and the body. The result is a highly personal music that is both unique and immediate, abstract yet undeniably visceral. On Feel, Wick creates two intense side-long…
Dragging Her Wings of Rusty Knives: Selected Recordings 1994-201
A Handful of Dust was founded over three decades ago by two giants of the New Zealand underground, Bruce Russell (The Dead C) and Alastair Galbraith. Declaring their raison d'être in the now infamous Free Noise Manifesto the group has advanced a radical aesthetic; rejecting any notion of structure or comfort they've ground music to its sub-elemental parts. A scraping and howling electricity, spontaneous, unrestrained, physical. Contains expanded and unreleased works spanning the group's history …
Heaven's Idleness Awaits
Michael Morley has long been acclaimed for his electric guitar and electronic forays in New Zealand's legendary The Dead C and Gate. On Heavens Idleness Awaits, he strips his music to its most elemental state. Recorded at home and using only a single-tracked acoustic guitar, Morley creates an intimate and intensely meditative work. Over four, side-long tracks, he weaves hypnotic melodic figures that slowly unfurl to reveal a minimalist masterwork and one of his most powerful statements to date. …
Black colors
Over more than a decade Peter Kolovos has created an incredibly physical and dynamic musical language using the electric guitar. He plays music that unpredictably flows from electrified fragments of sound which fold and expand in dense layers and massive tones that surge and collapse in rapid succession. His approach has been called 'massively a-formal' and his control of timing and texture 'masterful.' Rather than set harmonic or rhythmic structures, he draws form from open sequences of …
Living: 2009-Present
Tracks:
Side A - civil / headless / lo v / wiped out / closest
Side B - break bone / end flux / without one / civilizationRecorded live 2009-Present, various locations, Los Angeles, CA.Tearist: Yasmine Kittles, William StrangelandCover Photograph: Olivia Crawford
Sound/Visual Design, Production: Peter Kolovos, William Stangeland
Vinyl Mastering: Pete Lyman at Infrasonic SoundLimited edition high quality vinyl in full color & hand-letterpressed heavy tip-on jacket.
Kevin Drumm
** 180 gram vinyl housed in a heavy textured glossy gatefold de-bossed and spot finished with 2 full page full color glossy inserts. Includes a sealed envelope containing a card with free download code ** The expanded and definitive double LP edition of Kevin Drumm's groundbreaking first album, originally released in 1997. Featuring some of the most fiercely abstract and organic guitar work ever heard, Drumm's debut is both jarring and completely alien. Dubbed by some as the greatest prepared gu…
Brighter summer day
CS Yeh: violin, electronics (side A), computer (side B). Chris Rosing: additional climax electronics (side A). Full color heavy cover, LP. Edition of 500. Released February 2002. Burning Star Core's first vinyl full-length and first widely available recording after numerous private releases that began surfacing in 1993. Massive layers of sustained sound driven thru violins and electronics direct to climax -- backed by broken organs dropped into shifting darkness and cracked computer hypn…
The Very Heart Of The World
On the very heart of the world, Burning Star Core (BXC) has created an incredibly heavy record, built on dense, layered drones, pulses, splintered vocals, and deep rhythms that euphorically build to total overload. With a line-up including the Hair Police front line and other luminaries from across the exploding Midwestern psych-noise-folk underground, BXC's C. Spencer Yeh has assembled a group that seamlessly shifts through epic movements and pushes pure electronic-concrete-physical-ock energy…
New Bodies
Peter Kolovos is a free sound artist from Los Angeles, CA. Over the last decade he has developed an intensely personal sound vocabulary based on raw texture, volume, and duration. The result has been physical, abstract work that constantly shifts and evolves in real time. The mechanisms of impulse, memory, intent, restraint laid bear. Mastering: Rashad Becker. Full Color Heavy Tip-On Cover-180 Gram Vinyl. Edition of 500 copies.