We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Ultra-Vybe

Red Apple
In contrast to their previous work "Impact", which had a large ensemble, they welcomed Kazutoki Umezu as a guest and performed a relaxed performance with a small ensemble. A masterpiece released in 1986, which he himself admits was a really good one, with an effortless performance (from the LP liner). What shines is the trio composition of "Alicante" and "Don't Say Goodbye," a masterpiece that allows you to enjoy Itabashi's singing spirit. "Don't ~" can be said to be an answer song to the popula…
Watarase At Watarase
Post bop groovy album by Japanese pianist Fumio Itabashi recorded in 2011.
Aya's Samba
CD reissue of Eiji Nakayama’s incredible 1978 album, a crate diggers dream find for many years, this is deep spiritual jazz, post-modal impressionism and grooves at the top
My Present Song
Dive into the brilliance of 1970s Japanese jazz with this exceptional bass-led trio session. While piano trios had their spotlight, the bassists led equally enchanting ensembles. Eiji Nakyama's bass takes center stage, weaving lyrical lines complemented by energetic guitar and drums. The album seamlessly blends straight jazz and modal explorations, showcasing creativity without gimmicks. A testament to Japanese jazz greatness, this session stands out for its dynamic and innovative approach.
1 2