We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Weekertoft

The Outlier
*In process of stocking.* Paul G. Smyth is an Irish pianist who has worked with such innovative free improvisers as Evan Parker, John Russel, Peter Brötzmann, Derek Bailey and Keiji Haino, and runs the Weekertoft label. John Wiese is an American electronics musician, known for the Sissy Spacek project as well as his work with Sunn O))), Wolf Eyes, Merzbow and Evan Parker. The duo of Smyth and Wiese was recorded at the National Concert Hall in Dublin in February 2015. "The Outlier" is a 54-minute…
Serpentes
*2022 stock* "There is no doubt - Serpentes is the first serious candidate for the list of the best albums of 2019" — Spontaneous Music Tribune JJ Duerinckx, sopranino saxophoneJohn Russell, guitarMatthieu Safatly, cello
Ditch School
*2022 stock* “the music has kept me at the edge of my seat each time I’ve listened.” — The Free Jazz Collective "absorbing and vivid... guitar and piano in a beautiful collision... astonishing" — a Jazz Noise John Russell, guitarPaul G. Smyth, piano
Tapering Arms Point Into The Wind
*2022 stock* “exceptionally huge stylistic variety, marvellous and impressive instrumentation and evocative musical language ... remarkable, bright, intensive and original ... creatively made by two innovative and original improvisers.” — Avant Scena Rachel Musson, tenor saxophoneOlie Brice, double bass
Calenture and Light Leaks
“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz “Parker and Smyth use …
Proprioception
"'Proprioception' initially focuses on his acoustic improvisations, studio recordings with a startlingly vivid and intimate sound, so near that one feels like an occupant of the clarinet itself. When he adds amplification to the clarinet he presses it into the sonic territory of an electric guitar." — The New York City Jazz Record "Not only London's, but probably the UK's finest exponent of free, extended technique improv on clarinet is also a gripping solo performer, as he proves here." — Jazzw…
Tongue in a Bell
**CD Edition** “Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generati…
Psychic Armour
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance “With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…
Mopomoso Tour 2013 - Making Rooms
4-disc boxset with 20-page booklet documenting Mopomoso's triumphant UK tour in 2013. disc 1 – Evan Parker / John Russell / John Edwards – Chasing The Peripanjandra disc 2 – Pat Thomas – Naqsh disc 3 – Alison Blunt / Benedict Taylor / David Leahy – Knottings disc 4 – Kay Grant / Alex Ward – Seven Cities "On this evidence, 'Making Rooms' already seems certain to feature prominently in many an end-of-year list of best releases. Yes, a future classic." — All About Jazz "'Making Rooms' has a connect…
1