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Steve Lacy on soprano saxophone and percussionist John Heward in a single long improvisation recorded live in Montreal on 20 June 2003, one of Lacy's last recordings, ending with a tribute to Oliver Johnson.
The first complete recording of György Kurtág's 24 Signs, Games and Messages for solo viola, with first recordings of four further viola pieces, played by Maurizio Barbetti with baritone Gianpiero Ruggeri.
Thirty-seven miniatures by Howard Skempton, interleaving solo piano pieces played by Daniel Becker with choral settings of Mary Webb, Edward Thomas, Emerson and others sung by EXAUDI under James Weeks; several are first recordings.
Pianist Heather O'Donnell places short works by Charles Ives, including the first recording of London Bridge Is Fallen Down!, alongside first-recorded piano responses by Zimmermann, Finnissy, Tenney, Corbett and Schneller.
Complete piano works by Roger Reynolds on two CDs, from Epigram and Evolution (1960) to The Angel of Death (1998-2001), played by Yuji Takahashi, Eric Huebner and Marilyn Nonken, with new recordings and remastered analog reissues.
Cellist Michael Bach plays J.S. Bach's Cello Suite No. 3 on the curved bow, with two works by Dieter Schnebel, Mit Diesen Händen with mezzo-soprano Mechthild Seitz and Fünf Inventionen, first in the Art of the Curved Bow series.
Stefan Wolpe's music from his Jerusalem years, 1934-38, including three world premiere recordings, played by ensemble recherche and the WDR Symphony Orchestra under Werner Herbers and Johannes Kalitzke.
Chamber music by Mexican composer Hilda Paredes, 1998-2001, drawing on Mayan language and culture: works for string quartet, piano quintet, 21 musicians and vocal quartet, with the Arditti Quartet and Ensemble Modern.
Duo improvisations recorded unedited in Montreal in 2011 by bass clarinettist Lori Freedman and drummer and percussionist John Heward, the third set of duos featuring Heward on Mode/Avant.
**Edition of 200 - 180gram vinyl record - 18″ x 24″ folded color poster (blueprint).** The score by Schmid, reading by Landry, and edited/produced by McCann. Emily Martin and Derek Baron on St. Francis (Feb. 2021): What does it mean to pray? To address someone, to plead for something, to welcome humiliation and failure: Please, let me forget about the China Chalet parties, please let there be no countries and no war, please let me love you. Is prayer iteration, or just repetition: My god, my go…
Claude Debussy's two books of Preludes played by Argentine pianist Haydée Schvartz, on 2CD with bonus tracks including a song with baritone Bryan Church. Awarded the 2021 Premio Gardel for Best Classical Album.
George Crumb's earliest and most recent piano works on one CD: the first recording of Metamorphoses (Book I), ten pieces after famous paintings written for Margaret Leng Tan, and the Five Pieces for Piano (1962).
All of Morton Subotnick's piano music on one disc for the first time, with four first recordings, including Liquid Strata and The Other Piano with electronics, played by SooJin Anjou and supervised by the composer.
Volume 10 of Mode's John Cage piano series, with Thomas Schultz playing Two Pieces for Piano (1935), Solo for Piano from the Concert for Piano and Orchestra, Two Pieces for Piano (1946) and Swinging (1989).
Nine duo improvisations for guitars, bouzouki and cello by Ayman Fanous and Frances-Marie Uitti, recorded in the studio the day after their first concert together, the first release in the Fanous Edition.
Morton Feldman's For Bunita Marcus (1985), an hour-long solo piano work, played by Aki Takahashi, for whom Feldman wrote all his piano music after Triadic Memories.
Olivier Messiaen's Harawi (1945), a cycle of twelve songs for soprano and piano on the composer's own text, sung by Sarah Maria Sun with Stefka Perifanova, on a deluxe 2LP set with a 12-page book.
Kayn's earliest keyboard music in historical recordings: Fünf Kleine Klavierstücke (1952), Divertimento (1955), Quanten (1956) and Fractals (1994) on the first disc; on the second the studio Quanten and Diffusions (1965) for one to four electronic organs, from Sonology in Utrecht.
** Edition of 500, comes with 12-page “Puck” pamphlet + Two art cards with program notes** Sean McCann's Puck is here. Music for Public Ensemble, my previous album, was released three years ago. And three years before that was Private Ensemble. Puck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad pl…
Eight works by Nikos Stavropoulos from 2003 to 2017 on intimate, close-up acoustic space, several conceived in 5.1 or ambisonics, among them Topophilia, Karst Grotto and Granicus, written for percussionist Alexander Pepelasis, who plays it here.